I wrote a lot about my experience at Anime Central this year, and with good reason; I had a good time and felt like I’d finally settled on reasonable expectations for a big convention. I previously attended the con five years ago, and my experience then was somewhat less positive. Part of it was due to the convention location – at that time the hotel and convention center were located pretty far away from any inexpensive food options and the weather wasn’t cooperating (obviously not the con’s fault, but it did color the experience). Also, the amount of travelling back-and-forth between convention buildings felt excessive.
Month: June 2019
Note: This post contains spoilers for episodes 5-7 of the series.
The former Duke of Castrop enriched himself off of the Empire’s coin, and now his son Maximilian has continued the family tradition. The Imperial leadership has finally had enough, and so they give Marshal Reinhard the task of quelling this rebellion. Reinhard sends Kircheis with a small fleet of 2,000 ships, which raises some chatter among the hierarchy; not only is this a smaller fleet than was recently annihilated by Castrop’s “Artemis Necklace” (a ring of several deadly weapons orbiting the planet), it also seems to be an action meant to position Kircheis for a major promotion. Fezzan, as usual, is playing both sides; their sale of the weaponry to Castrop is meant to maintain a balance, and therefore continue the war indefinitely.
Summer has just started, and you know what that means. No, not fun in the sun (aka almost certainly getting a sun burn). I’m talking about CONvergence, the biggest Sci-fi/Fantasy/Media convention in the Twin Cities area. This year, the convention is taking up residence in the Hyatt Regency hotel in downtown Minneapolis. As usual, I’ll be sitting on a few panels to help people get excited about anime. Below is my schedule; I hope you’ll stop by if you’ll be at the convention!
Thursday, July 4th
Anime 101
12:30pm – 1:30pm – Hyatt 2 Greenway J
With: James C Horvath, Donald Poleke, Michael Grimm (mod), Scott K. Jamison
There is a lot of Anime out there. What’s a good place to start?
I’ve been on this panel several times at the convention. Since anime isn’t CONvergence’s main fandom focus, it’s nice to be able to give an overview to those who are curious about it.
Interpreting Anime
5:00pm – 6:00pm – Hyatt 2 Greenway B
With: James C Horvath, Lathan Murrell, Michael Grimm
How do Americans interpret anime and how does it differ from the message being delivered in Asia?
This is a pretty interesting topic, and not one that many people think about. I spend a lot of time interpreting anime’s themes from my own Western viewpoint, but in some cases those interpretations may not echo the exact intentions of the text. How do we navigate this as Western viewers?
Friday, July 5th
Shiny New Anime
8:30pm – 9:30pm – Hyatt 4 Great Lakes A3
With: J.C. Horvath
Looking for some new anime to watch? Get info on some of the best anime in the last year from panelists that have watched a lot, and enjoy some clips!
We do this panel every year at Anime Detour and Anime Fusion, and since there wasn’t an equivalent this year at CON, we decided to run our own 🙂
Saturday, July 6th
Anime, Style vs. Source
11:00am – 12:00pm – Hyatt 4 Great Lakes A3
With: J.C. Horvath (mod), Michael Grimm, Boris L Smelov, Donald Poleke
If you copy the form/style but aren’t in Japan, is it anime? Is it appropriation?
This is always a hot topic in the anime community. Are series with aesthetic ties to anime, like Avatar: The Last Airbender or Castlevania considered anime, even though they’re made in the West with a Western audience in mind? I suspect this discussion may get passionate 🙂
As usual, we’ll be around the convention as attendees, too. So if you want to talk “shop” (anime fandom) or just say “hi,” please do so!
Note: This post contains spoilers for episodes 1-4 of the series.
Summary: Far in the future, humanity’s reach has extended across the Milky Way galaxy. Currently, two factions are vying for control of various trade routes – The Galactic Empire, an authoritarian ruling body with incredible resources and power, and the Free Planets Alliance, descendants of humans who rebelled against the Empire’s authority. Both groups trade with Fezzan, a somewhat-independent planet that trades with either side of the conflict as it suits them.
Critical textual analysis can be a tough gig. By design, there will always be folks who disagree with your conclusions, and a subset of those readers will be genuinely angry with you because of them. One of the pieces of advice I try to give out whenever I participate in an “Anime 101” or similar panel is for people new to the fandom to seek out a critic whose values and opinions reflect their own. This could be myself, another blogger, or a professional reviewer; it doesn’t really matter in the end as long as they speak to the subjects and concerns that person has as a consumer.
As a reviewer, I have certain things specific to myself, my life, and my experiences, that make their way into my writing. Those things can mostly be gathered under the umbrella of “representation of marginalized groups,” though I tend to specifically focus on women and how they’re characterized and treated within narratives. I’m not a big fan of violence, especially sexual violence. I don’t really enjoy fanservice, either, although that’s not always a deal-breaker. All of these are specific opinions of mine, and they’re much broader than any one anime, manga, or film.
This post was originally written for the April 2019 issue of Mangaverse, the anime, manga, and comics ‘zine published by the National Fantasy Fan Federation (N3F) which I am currently in charge of editing. If you are interested in contributing to Mangaverse, please contact me at jessi@s1e1.com. I am always on the lookout for writers and artists!
This post may have been minimally-edited from its original form to correct minor errors and/or include hyperlinks.
Additional Photography Provided By: Goldeneyeuro
Throughout many of my years as an anime fan, one thing has been consistent – my love of anime (and other fandom) conventions. While I came of age as participant in internet-heavy forms of fandom, it’s the in-person gatherings of like-minded people that have always felt like home to me. When I entered college I joined my University’s anime club, and through the club met people who were involved in the local fandom community. Through them I was able to learn about and attend some of the existing anime conventions at the time – Anime Central, which took place outside of Chicago, and Anime Iowa, which at the time was in Cedar Rapids, Iowa. I also met and made friends with some folks who were hoping to establish an anime convention in the Twin Cities metro area. Some thought it foolhardy, but they eventually did so – that was how Anime Detour came about.
I’ve been involved with Anime Detour nearly since its inception. First as an attendee, then as a member of art staff, and now, for many years, as a member of programming staff (we put together the panel and event schedule for the weekend, and help to ensure that panelists have what they need). I also run a great deal (some might say an unhealthy amount) of programming, including several panels and the convention’s long-running Anime Music Video (AMV) contest. This level of involvement definitely colors my experience of the convention itself, as I’m often buzzing from panel room to panel room so that I can set up for my next presentation, or trying to fit in a meal during a gap; I sometimes don’t get a chance to see and do everything I would like to if I were simply another attendee.
Convention Logistics
Anime Detour 2019 took place from March 29th – March 31st, at the Hyatt Regency Hotel in Minneapolis, Minnesota. This was the convention’s second year in the hotel, which luckily put many of the previous year’s growing pains and other pain-points in the past. Its location comes with its share of challenges, however, some of which my husband and I luckily avoided as members of staff; parking is at a premium, with the attached parking garage coming at a higher cost for three days than many are comfortable with (the convention cut a deal for something like $13/day, but the previous convention hotel came with free parking on a surface lot which is difficult to beat). We were able to snag a hotel room for the weekend (a necessity when you’re on staff), and brought one car between the two of us, which we left in the ramp all weekend. The cost was certainly a price we were willing (and able) to pay. There was a shuttle running between the convention overflow hotels and another parking ramp further out, which helped to make the situation less of an issue. The hotel is also on a major transit thoroughfare, with several bus lines (including the 10, 11, 17, and 18) servicing the closest stops, so this is always a good option for folks familiar with taking transit.
The location is close to several decent food options, though in this there is somewhat of an issue; aside from a Chipotle, a Vietnamese restaurant, and Einstein Brothers bagel place, most of the options nearby are either closed on weekends, or are sit-down options which might be a bit too expensive for most con-goers to make good use of throughout the whole weekend (and which take too much time for those of us who need to be in and out quickly). The hotel itself has a café, which is definitely helpful; there you can get various sandwich and breakfast options, as well as coffee (which is a requirement for me these days). Luckily there’s also a Target store a couple of blocks North of the hotel where one can grab some staples and snacks, and the Hyatt’s hotel rooms have mini-fridges to store leftovers. This saved me a couple of times when I didn’t have time to grab other food. My advice to convention attendees would be to bring things like oranges, bananas, apples and some various non-perishable items like crackers, granola bars, jerky, and such. The convention also provides snacks; I believe this is something that’s mostly a tradition at midwestern conventions, as I haven’t seen them elsewhere. The Consuite as it’s called provides snacks and rice to all attendees; those who put in volunteer hours gain access to an adjacent area that has sandwich fixings, yogurt, and additional items. While the Consuite isn’t meant to be a substitute for actual meals, it can definitely help when you’re in a pinch.
One excellent improvement from last year is that the food trucks contracted to park alongside the hotel were there for longer periods of time, and there were two at a time instead of just the one, which really helped to cut down on the crazy lines that formed last year. I only got the chance to try one of the two, but managed to end up with a very tasty barbecue sandwich out of the deal. This is an amenity that I hope the convention continues to provide, as it’s very convenient and also helps out some local food businesses in the process.
Panels and Events
While panels might not be a huge draw to many fans (cooler things like Cosplay, video gaming, and the nightly dance/rave tend to be more highly-regarded), they’re the reason I keep going to conventions. First, because I love the discussions (except when they turn hostile – not a common occurrence, but I’ve seen it happen), and second, because I always feel like I learn something new. At Anime Detour I spent much of my time behind the microphone with my husband presenting several panels on various anime-and-manga-related subjects. He and I are extremely lucky in that we’ve been doing this a long time and have been able to cultivate relationships with many of the people who attend our panels consistently. This aspect of the convention is truly a high point for me and something that keeps us wanting to run panels (even though we know we run way too many).
This year we (surprisingly) had a chance to attend a couple of other panels. One was presented by Evan Miller, a long-time friend, which focused on the development of anime conventions in both Japan and the US. The second half of the panel went somewhat off-track and became a discussion regarding how conventions can and should handle some of the unfortunate realities of the modern era (one example given was a stalking incident that happened at a convention on the West Coast, during which a person set fire to several cars after being turned down for a date). While there was an interesting debate going, I think the discussion revealed that preventing similar incidents revolves a lot around cultivating certain expectations within the convention community, one example being the “Cosplay is not Consent” motto which was first developed at another local convention (CONvergence, also now held in Minneapolis).
I also attended a panel that my husband moderated, which revolved around the pressures put upon real-life athletes and how these are (or aren’t) reflected accurately in anime and manga. The convention’s theme this year revolved around sports and sports anime, and one of the guests of honor was Chris Kluwe, former Minnesota Viking (and current geek). It was an interesting panel, as all the panelists had experience in various sports (MMA, Tai Kwon Do, Swimming, and Football) and could relate that to anime. The panel itself was streamed and is available to watch on the convention YouTube channel, for those who are interested (https://www.youtube.com/watch?v=DBaMikHGzQk).
Shopping
One of my favorite things about attending conventions is browsing the dealers’ hall. While obtaining anime-related merchandise is no longer difficult, there’s something about seeing the items in person that’s appealing to me. Sadly, though the dealer hall is greatly-expanded from what it was in previous years at the old location, the variety of merchandise felt very lacking this year. I like to collect anime figurines, and while I’m admittedly a fan of some niche series, I can usually find a few characters from series that I enjoy represented at most conventions. Perhaps this is just something that’s happened over the past couple of years (I had a similar complaint about last year’s A-Kon convention), but most of the figurines for sale seem to be similar across the board between different merchants, and I didn’t happen to find anything unique. It might just be an off year (and perhaps I ought to work a little harder to expand into some bigger fandoms so I can have more selection available), but I was disappointed.
I’d also love to see some J-fashion or kawaii-fashion merchants make an appearance at the convention. Unfortunately, Anime Detour has never really catered much to that area of fandom, as I suspect I’m one of the few staff members with any interest in that and my plate is already full as it is. I do recall a somewhat amusing incident where some panels from our local lolita fashion community were nearly refused because the individuals handling the request thought it was a fetish thing rather than a niche fashion unaffiliated with the famous novel, so I suspect some of those challenges still exist in some form. While there has always been a place for local designers, leather/corset workers, rave fashion sellers, and T-shirt merchants, I would love if someday Anime Detour could invite Lolita Collective to sell in the dealers’ hall, or even bring in some Japanese fashion guests.
As usual, I found a lot more to my fandom liking in the Artist Alley, which was held in one of the smaller ballrooms. The various fan artists there ensured that a great variety of fandoms were represented, including some of my recent favorites like Golden Kamuy and Devilman Crybaby. The room in which the Artist Alley is located seems as though it has some space to expand, so I’m hoping that future years will be able to accommodate even more excellent artists.
Con Culture
Anime Detour, like many of the local conventions I attend, has a robust anti-harassment policy (and has for many years). I know from insider experience that the convention staff puts in a lot of work to ensure that staff members are empowered to handle these types of situations, and that con attendees know that harassing behavior is not to be tolerated. While there are always people who believe the rules don’t apply to them, for the most part I find that Anime Detour is one of the conventions where I tend to feel safe and don’t observe other attendees behaving in an out-of-control manner. The convention also cordons-off its 18+ programming in a specific area. While this may seem like overkill to some, my opinion is that this helps to ensure that the people who are interested in seeing that sort of material are well-aware of what they’re getting into, and those who don’t want to see it don’t stumble into it accidentally.
The convention has also latched onto a trend which I hope will become commonplace at more events like this – it provides a way for convention attendees to share their preferred gender pronouns in a visible way if they so choose. This year the convention registration staff provided badge ribbons (if you’re not familiar with these, they’re printed ribbons with a sticky backing that you can attach to your attendee badge) with common pronouns (she/her, they/them, etc.), as well as a blank version for those who utilize less common pronouns. I’ve seen this accomplished at other cons using stickers, so this is kind of a variation on a theme. This did, unfortunately, introduce a venue for those with bad intentions to take advantage of the blank ribbons and use them to write insults. While I was lucky enough not to see any of these particular ribbons in person, it was reported to me that some folks were writing gender slurs and insults to transgender individuals on the blank ribbons, so something will have to be put into place to help mitigate this for next year (one suggestion given to me and passed along to convention staff was to have people choose from a list or enter their preferred pronouns at registration to have them printed directly on the badge, which I thought would be a good way to filter out the insulting ones).
One thing that I would love (and this is me speaking not as a staffer, but as a convention participant and attendee) would be if Anime Detour would do more to cultivate some more academic, meaty discussions in its panel programming. We do attract a few individuals who choose to approach their presentations in this manner, but historically programming is comprised of what people submit with the intention to run, and what people submit tends to be more light-hearted fandom content and in-character truth-or-dare sessions. I’d never want to eliminate these things because that’s obviously what a large contingent of people want to do, but I feel more work could be done to allow the more serious stuff to exist more prominently.
Wrap-up
This year’s Anime Detour seemed to blaze by in a flash, possibly because I had overbooked myself to the extreme. When your mind is so consumed with what panel or event is coming up next in your personal schedule, it’s difficult to take a step back and experience the things that are going on around you. I tell myself every year that I’ll cut back next time, but that never seems to happen; it’s difficult for me to say whether or not I’ll ever learn my lesson.
Anime Detour is what I consider to be my “home” convention, and to that end this year was another success. I got the chance to see old friends, chat with other attendees, see pretty much everything the convention had to offer, and enjoy being in the middle of downtown Minneapolis (not exactly a novelty since I work in the area, but it’s different when you’re there for fun). My hope for the future is that the convention will continue to expand responsibly, to utilize its space more efficiently, and to learn and improve upon its ability to cater to people from many different walks of life in pursuit of its fandom-focused mission. Oh, and maybe let me know (gently) that I’m running WAY too many panels for my own good.
Read my first impressions Here!
Note: This post contains spoilers through episode 5 of the series.
Demon Slayer was an anime I was anxious to get back to primarily for reasons of its particular aesthetics. I’m more than willing to discuss plot lines and symbolism all day long, but I’m certainly not above enjoying an anime for its awesome animation and exciting fight scenes. So far, the series is definitely delivering on that front. What surprised me, though, is that its emotional intelligence has also managed to strike a chord with me.
Fan Art Fun – June 9th, 2019
While I’ve long since given up on making a career of it, I sometimes enjoy creating art. I especially like to make fan art of anime series and video games that I enjoy. I recently invested money in some Copic markers; for those who aren’t familiar, they’re alcohol-based markers that are considered to be very high-quality. A lot of Japanese artists use them. I’ve wanted a set for years and they were recently on sale for Memorial Day, so I grabbed a set.
Sometimes I have trouble coming up with things to draw, though. Inspiration comes in fits and starts with me, and it’s difficult to predict when it will strike next. Because I wanted to get some use out of my new art tools, I sought my inspiration from friends on Twitter. Below are the requests and my responses, as well as a “bonus item” that I came up with on my own. All the drawings are created using Copic markers, Copic multi-liner pens (in several different colors), and Sakura Pigma Micron pens (black), along with the occasional highlight using a Sakura Gelly Roll white pen, on Bienfang Bristol drawing paper. I messed around with some of the levels in a photo editing program to attempt to best capture how the colors appear in real life. The first four drawings are about the size of an index card, while the final one is on a full 9″ x 12″ (23 x 30.5cm) sheet.
Note: The final image may be NSFW, because it contains very mild non-detailed nudity.
As anime fans, I’m sure each of us has some series that we’ve been curious about, but just never made the time to watch. As each anime season goes by, I find that I only have enough time to finish some of the series on my long list of “maybe’s.” As the months pass and new anime seasons take the place of older ones, the likelihood of getting to any of the stragglers becomes smaller and smaller. But there are still those that hang around in my mental headspace, demanding to be seen. I like to try to clear out my calendar for those every once-in-a-while.
Note: This post contains spoilers through episode 55 of the anime series.
I seem to have a knack for rejoining anime series right before some kind of big-time achievement or revelation. Granted, the current season of Attack on Titan (and I’m including the “first half” of season 3 from late last year in this description) has been chock full of big answers and plot developments, so complaining about having to wait for another one probably sounds silly. That said, the title of episode 56 is “The Basement,” and any fan of the series who’s stuck around this long ought to understand the significance of that.