Category: Reviews

Summer 2017 First Impressions – Knight’s & Magic

Post author By Jessi Silver
Post date July 9, 2017
2 Comments on Summer 2017 First Impressions – Knight’s & Magic

A Japanese mecha otaku dies in a car accident and his soul is reincarnated into another world as Ernesti Echevarria. Eru inherits memories and interests from his previous life, and aims to be a pilot of a Silhouette Knight, a large humanoid weapon that really exists in his world. – ANN

Streaming at: Crunchyroll

Number of Episodes: TBA

Source: Web Novel/Light Novel

Summary of Episode 1: Kurata is a programmer who always gets the job done, even when it’s crunch time and it doesn’t look like his team will meet their deadline. He’s also a big fan of mecha anime and has an entire room in his apartment devoted to his model collection. Unfortunately, once he’s killed in a hit-and-run on a rainy night, his model-making hobby is over for good. Or is it? As luck would have it, Kurata’s spirit is reincarnated into the body of a child noble named Ernesti “Ernie” Echevalier. Better yet, the world in which Ernie lives is one filled with magic, as well as mecha-like apparatuses called “Silhouette Knights.” With his adult-like maturity and interest in mecha, Ernie manages to work his way into the top of his class and eventually positions himself to become a pilot. But demons are starting to run amok. Will Ernie’s cleverness and penchant for inventing things be the factor that turns humanity’s luck around?

Impressions: First of all, let’s get this out of the way and then never speak of it again: what is up with the apostrophe in the show’s title? It’s been causing me a lot of heartburn. Maybe Japanese creators could just agree to employ the services of a native English speaker from now on so that we can all avoid any future hair-pulling punctuation flourishes.

Kurata’s last moments. Copyright 2017 (c) 8-Bit

Just like every other storytelling trend, the fantasy subgenre of “Isekai,” in which a modern day individual is transported from their home into another world (the word literally means “another world.” It makes sense!) has been expressed in so many variations lately that it’s beginning to seem a little bit stale. More often than not, it feels like the trope is used solely in the service of stroking the male ego – “I’m an otaku who knows how these alternate worlds work through my extensive knowledge of fantasy media and games, so the elves, demi-humans, and other female denizens of this realm will certainly fall in love with me!” There are obviously many variables in both specific details and relative quality, and it’s not like this is a new phenomenon or one solely limited to male characters (in fact, some of the earlier examples I can think of featured young women drawn into worlds with groups of hot bishounen suitors), but it’s been very one-note as of late. So what does it take for something with a stock premise to stand out?

One good example I watched some of within the realm of recent memory was The Saga of Tanya the Evil, which reincarnated its adult male protagonist into the body of a young girl and turned its story into a philosophical debate about the existence of God. For every high-minded and creative attempt, though, there are several Sword Art Online clones, as well as wildly-popular but ultimately unsatisfying and problematic examples like Re:Zero. More often than not the genre is used as a setup to portray a teenage male power fantasy, paving the way for the protagonist to experience undeserved privilege (due to his knowledge of fantasy and/or video game tropes) and the adoration of an endless parade of cute but vapid female suitors. So where does this example seem to fall?

Ernie gets the opportunity to see a cockpit up close. Copyright 2017 (c) 8-Bit

The answer, for now, seems to be that it’s somewhere in between. There are several good things going for the show from the get-go, the primary one for me being the protagonist’s seemingly bottomless enthusiasm regarding his new and strange situation. Kurata/Ernie, for his part, seems to be so thankful to have been reincarnated into this brand new world that the loss of his previous life, job, and faithfully-curated mecha model collection, doesn’t haunt him too badly. It’s presented as if whatever deity running the universe has presented Kurata with some kind of consolation in exchange for cutting his life short. Rather than be all entitled about it, he interprets this chance as a gift to live a life that he’s dreamed of. Ernie might be unnaturally talented for his age due to his soul’s fortuitous foreknowledge of technology and ability to solve problems quickly and creatively, and this could easily have been used to portray him as arrogant and superior. But he’s so gosh-darned thrilled to learn about the Silhouette Knights and to study magic that it’s difficult not to get caught up in the whirlwind of his joy. His relationship with the Alter siblings and their shared penchant for learning, increasing their magical skills, and using them to aid others is nice as well.

The age of the primary characters also helps to set the tone of the show – the protagonist and his cohorts are all about middle-school aged, which is helpful in keeping them from seeming too self-important. They’re not yet concerned with looking cool and pretending that the issues of the adult world are somehow also their burdens to bear. They’re just kids – precocious ones, certainly, but also enthusiastic and guileless. They’re not yet concerned with the opposite sex in a way that makes many anime feel skeevy. Cool toys and friendships are paramount; other responsibilities can wait.

A Silhouette Knight puts down an evil creature. Copyright 2017 (c) 8-Bit

The show’s attitude and presentation could definitely carry it forward for a while, but it will certainly need to be coupled with other compelling elements and whether that part will be successful is difficult to predict from this episode alone. The building blocks of the story seem pretty typical so far – monsters are starting to show up more often, in greater groups, and much closer to human civilization than is comfortable, and our heroes will likely play some part in finding a unique way to put them down and thus save humanity. The show takes place in a vaguely medieval fantasy setting, its one distinguishing factor being that this world is inhabited by giant magical sets of armor – ambulatory due to magic and a human pilot inside, of course – that resemble the mecha that the protagonist is so fond of. Obviously one unique feature does not a memorable TV anime make, so while the mecha twist is kind of fun in and of itself it will have to reach further eventually.

I do like the overall look of the show so far, even the extreme shininess of Ernie’s hair (seriously, so shiny…). At this point it seems almost a given that mecha elements will be created through the use of CG, and I’m okay with that; the CG elements mesh well with the 2D portions pretty well. There are also some examples of really good traditional animation in the character acting during the episode’s fight scene between the evil creatures and students. Going in I had expected this to be a more simplistic and generic production, so it was a pleasant surprise to me that it was well put-together.

I might sound a little curmudgeonly at times when it comes to popular anime and anime trends, but one thing I like about myself is that I’ll still give something new a try even if I might not expect it to be all that interesting. Sometimes I’m pleasantly surprised when I do. I don’t think this is AOTS-material, but it might be something fun to watch and it seems to have its heart in the right place, at least.

Pros: The show has a good visual presentation. The enthusiasm of the protagonist is infectious. The show puts a slight spin on the isekai model.

Cons: The majority of the building blocks are pretty typical; it will have to do everything really well to stay compelling.

Grade: B

Tags Action, Crunchyroll, First Impression, Isekai, Mecha, Summer 2017

First Impressions Reviews

Summer 2017 First Impressions – Hina Logic: From Luck & Logic

Post author By Jessi Silver
Post date July 4, 2017
No Comments on Summer 2017 First Impressions – Hina Logic: From Luck & Logic

Liones Yelistratova is the naive princess of a small nation, who goes to Hokkaido to enter ALCA, an educational institution dedicated to teaching Logicalists who uphold world peace. Liones enters Class S, and encounters many unique classmates, including Logicalist Nina Alexandrovna. – ANN

Streaming at: Crunchyroll and Funimation (Simuldub not yet available)

Number of Episodes: 12 plus a special

Source: Multimedia Franchise

Summary of Episode 1: Liones, a princess from an unnamed nation, arrives at her new school having stowed-away on a freight ship and hitchhiked in the back of dirty farm carts to make her way through Hokkaido. She’s a total mess when she arrives on the doorstep of ALCA, an academy dedicated to taking talented individuals and training them in the ways of contracting with individuals from “foreign” dimensions, a role referred to as a “logicalist. Lion, as she prefers to be known, doesn’t seem to have any inherent talent, and in fact most people who meet her peg her as an airhead. But she’s assigned to class-S, meaning that she’s already formed at least one contract (even if she might not remember actually doing so). During lunch on her first day, Lion demonstrates some aptitude with the process, though whatever being with whom she contracts seems a little bit malevolent. Classmate Nina knocks Lion back to her senses; Lion is just happy that she truly belongs in class-S now.

Impressions: Over the last couple of years there have been a few anime series that have drawn their narratives at least in part from the real-life world of anime voice acting. Shirobako, Girlish Number, and Seiyu’s Life! all feature scenarios in which actresses lend their voices to anime series of somewhat questionable quality, though only the latter two really put the situation front and center. These meta “anime-within-an-anime” are typified by their one-note characters, defined more by tropey archetypes than any sort of actual humanity. These shows also tend to be built by committee, with product tie-ins and other commercial concerns given more weight than creating something that can stand on its own. These situations are humorous and relatable because at some level as anime fans we know them to be true; not every anime creation can be a piece of art for the sake of art – sometimes it’s just meant to make money and give people a quick dose of something goofy and simple.

Liones arrives at school. Copyright 2017 (c) Doga Kobo

Hina Logic is like the purest real-life expression of this idea. The visual presentation is competent, the heroine is stupid and sort of likeable because of it, and her friends all run the gamut of moé archetypes – there’s a strong, emotionless girl, a snaggle-toothed goofball, a set of twin sisters with opposing temperaments, and a snooty ojou-sama who’s the class rep. There’s a little bit of a magical girl element, a little bit of clunky fanservice, and an incredibly thin plot that revolves around magical cards (product tie-in!). It’s all just kind of frothy and vapid, without much of anything to grasp onto and seriously be critical about. While it may just be me projecting, I almost feel as though I can hear from within the workmanlike performances the strained smiles and forced enthusiasm of the actresses as they try to talk up this show at a press event, internally aware that “hey, it’s just a paycheck after all.”

This was my poor attempt at being funny about something that used to make me very irritated. Toy commercial cartoons aren’t scarce in the West by any means (I mean, dear lord, G.I. Joe and TMNT were almost nothing if not a mechanism for getting kids to beg their parents for cool toys, and I used to eat both of those up), but I used to get really bent out of shape whenever my chosen form of media entertainment would deem it necessary to waste its time and mine churning out cash-cow advertisement entertainment rather than hoity-toity high art aimed directly at me. I’ve definitely gotten over it at this point, and now I’m just sort of fascinated by the anime production system itself and how adver-tainment is just one of its many facets.

The class rep and her cronies grill Liones about her situation. Copyright 2017 (c) Doga Kobo

As for this episode’s actual merits, the entire thing is much the same as the acting – workmanlike. Adequate. Mostly inoffensive. There’s some trashy fanservice that didn’t sit well with me; in one case, the mascot creature burrowed into a character’s blouse wreaking havoc for an uncomfortable length of time while the camera focused on her chest, which felt par for the course. There was also at least two and I think three bathing scenes with a lot of steam and light beam censorship, the issue being that the characters are rather young and look even younger, which makes it all feel extra gross. While I think really heinous and upsetting fanservice has mostly gone out of style since the previous incarnation of this website, which I’m extremely thankful for, I still find that most of that kind of content doesn’t make the show more appealing. It mostly just feels like a band-aid hastily-applied to a show that doesn’t have much of merit.

In any case, aside from the few sad attempts at pubescent sexual humor, Hina Logic is the type of anime that doesn’t prompt a lot of thought or reaction, because none of it stands out and it’s not really meant to be thought-provoking or unique. It’s these types of anime that are always so difficult for me to write about, mostly because I want readers to know whether they’d be interested or not but I can never really find an angle to latch onto. I will say that, while Katsugeki! Touken Ranbu gave me the impression that the game on which it’s based might be kind of interesting and fun, Hina Logic doesn’t do anything to flatter its associated game properties. And that’s perhaps the most damning thing one could say about an anime meant to sell something.

Pros: The show is exceedingly inoffensive.

Cons: This episode feels strained in several different ways. There are a couple examples of fanservice that are very shoehorned in.

Grade: C-

Tags Action, Card Game, Crunchyroll, Fantasy, First Impression, Funimation, Magical Girl, Summer 2017

First Impressions Reviews

Summer 2017 First Impressions – Kakegurui

Post author By Jessi Silver
Post date July 2, 2017
No Comments on Summer 2017 First Impressions – Kakegurui

At Hyakkaō Private Academy, the sons and daughters of the wealthiest of the wealthy engage in a unique curriculum geared to teach them to how to read their opponents. Specifically, students have a rigorous curriculum of gambling where the winners live like kings, and the losers are put through the wringer. When Yumeko Jabami enrolls, she’s decides to teach the students what a real high-roller looks like. – ANN

Streaming At: Netflix (assuming it will be a late-cast in the US)

Number of Episodes: 12

Source: Manga

Summary of Episode 1: Ryota Suzui is in dire straits. After losing 5,000,000 yen to the devilish Mary Saotome at one of Hyakkao Academy’s after-school gambling sessions, he’s fallen deep into a debt that he’ll be unable to pay back for a long time. For now, his status is that of a lowly housepet, and Saotome-san is taking advantage of that as much as she can. When a kind-hearted young lady named Yumeko Jabami transfers into his class, he can only look on as Saotome strikes swiftly to try and take her out of the equation, but during a specialty game of “rock, paper, scissors,” the entire class discovers that Jabami-san is a wolf in sheep’s clothing.

Impressions: Several years ago, Madhouse produced an (informal) trilogy of gambling-related anime series that featured characters who demonstrated an almost devilish amount of luck. Akagi featured a teenage mahjong prodigy with a demonic ability to psychologically dismantle his opponents and cheat death when his very life was on the line. Kaiji was about a hapless debtor whose inherent gambling skill only revealed itself when he was backed into a proverbial corner. And One Outs (which to this day I don’t believe has seen any official release in the US) starred a baseball pitcher whose skill made him rich in spite of sports managers who tried to take advantage of him. All three anime were really fascinating for their examination of human psychology, specifically the ways in which people act when they’re faced with overwhelmingly negative odds in situations where much of the results are left up to the luck of the draw. On the other had, each one was also an unrepentant sausage-fest, with hardly a woman in sight (and sometimes when a woman made an appearance, one wished that maybe she hadn’t). It always left me wondering what the same setup might be like with a cast full of young women.

Saotome turns Suzui into her personal “dog.” Copyright 2017 (c) MAPPA

In both the East and the West, when we think of gambling, we think of smoke-filled mahjong parlors populated by old men, or Texas Hold’em tournaments starring poker-faced and often quirky male players. Women can sometimes be seen as lacking the cunning and guile that it takes to gamble an opponent into oblivion. While previous series like Saki have avoided the discomfort of the situation by moé-ing things up and making the characters at least look non-threatening, or turned the gambling scenarios completely comedic like the awesomely-trashy Rio: Rainbow Gate, it hasn’t been until the moment that I watched the first episode of Kakegurui that I felt like I’d seen something that captured the same sinister tone of the aforementioned gambling trilogy. The show just happens to accomplish this while still inhabiting that most popular of anime settings – high school.

The premise of the show is inherently unbelievable in that, while I’m sure elite high schools exist in Japan, I’m almost positive that there are none with such a bizarre curriculum (I hope). But within a medium where there are plenty of series about magical high schools, haunted high schools, high schools with clubs that battle with one another or those that band together to solve mysteries, it’s ultimately not that difficult to suspend my disbelief. What Kakegurui does manage to accomplish with this not-quite-believable premise is to demonstrate a fairly decent sense about how ijime/bullying operates within a classroom social system, even if the type of bullying itself is unrealistic. Jabami-san is picked out as an easy target by the class bully and her cronies, is seemingly turned into a victim to the point where it seems like she’ll be banished to a life of subservience, much like our poor POV character Suzui. Of course, the sick pleasure to be derived from the narrative is that Jabami isn’t innocent whatsoever, and completely turns the tables on her antagonist.

Jabami gets turned-on by the thought of a challenging risk. Copyright 2017 (c) MAPPA

Jabami’s two-faced character is probably where the show demonstrates its biggest issues, however. There’s a problematic concept that shows up a lot in Japanese media but can be found in books, TV series, and films from all over the place, and that’s the figure of the woman who expresses her threatening, violent, or cunning nature via her hyper-sexuality. Suzui is drawn to Jabami when she seems demure and innocent, but is threatened and horrified when she switches into high gear – her eyes gain a sinister gleam, her skin flushes, and her lips plump and moisten. There’s also some “moist” visual symbolism that shows up briefly when she gets the upper hand on Saotome. It’s weirdly uncomfortable in that it ties together the idea of the sexual woman with an evil, aggressive, and cunning woman, and likewise conflates chastity with goodness in a way that places value on women’s state of being. This is something you just don’t see in Akagi or One Outs – when the protagonists of those series go into “battle mode,” they’re threatening and frightening because of their almost supernatural knowledge and their ability to think and manipulate themselves out of a corner, seemingly with ease. Here, Jabami also thinks her way out of her predicament using some amount of logic, but she does so while (figuratively) sopping wet. Our milquetoast POV character is put off by this demonstration, and I feel like we’re supposed to be also. It’s an unfortunately weird sex-negative scenario and a problem that’s much bigger than this show.

That aside (if you’re able to set it aside – it’s likely that many won’t and that’s understandable), this episode is something that I wouldn’t describe as “good” but might be tempted to describe as “awesomely-trashy.” It’s entertaining and problematic, and deals with characters who are awful people. It’s not normally my jam to watch stuff that’s quite so cynical about human nature, but I’m still morbidly curious about this truly strange title.

Pros: It’s a gambling tale with mostly young women as important characters. It does a decent job of demonstrating the workings of bullying in an unrealistic setting.

Cons: In this setting, women’s sexuality is seen as threatening. The fact that our POV character is a personality-less dude probably spells trouble.

Grade: C

Tags Drama, First Impression, Horror, Netflix, Summer 2017

First Impressions Reviews

Summer 2017 First Impressions – Katsugeki! Touken Ranbu

Post author By Jessi Silver
Post date July 2, 2017
No Comments on Summer 2017 First Impressions – Katsugeki! Touken Ranbu

The year is 1863 as the tumultuous samurai era is coming to an end, Japan is split between the pro-shogunate and anti-shogunate factions. The fate of the world is threatened as an army of historical revisionists are sent from the future to alter the course of history. In order to bring these forces down and protect the real history, two sword warriors, spirits who are swords brought to life by Saniwa (sage), rush to Edo. The polite and thoughtful Horikawa Kunihiro and the short tempered yet skillful Izuminokami Kanesada, who served the same master, confront the invading army along with a lively gang of other warriors including Mutsunokami Yoshiyuki, Yagen Toushirou, Tombokiri, and Tsurumaru Kuninaga. As the fate of history lies in these hero’s hands, what meets the blade is yet to be uncovered… ANN

Streaming at: Amazon Anime Strike, Crunchyroll

Number of Episodes: 13

Source: Game

Summary of Episode 1: Kanesada and Kunihiro are two warriors who exist outside of time and outside of the bounds of normal humanity. Both men are warrior spirits summoned from powerful blades by the sage Saniwa, and who have been sent backwards in time into historical Japan to prevent the malevolent Retrograde Army from meddling in and altering Japan’s history. The problem is that they are but two individuals, and the Retrograde Army continues to send more and more demonic soldiers to murder important people. It’s becoming more difficult to accurately predict where these creatures will appear and what effects they might have. It’s during a particularly dire battle that Saniwa makes his appearance in person, and he comes bearing gifts – three more weapon-based warriors to aid in the good fight. This may just tip the scales in the right direction, but only if Kanesada and the gun-wielding Yoshiyuki can get over their rivalry and work together.

Impressions: It’s easy to go into an anime viewing with prejudices, especially when the type of source material on which it’s based tends to have its own set of tropes. The Touken Ranbu game is described as a gender-swapped version of the game Kantai Collection, which anthropomorphizes historical military warships as sexy young women, for the consumption of a mostly male audience. Touken Ranbu does the same for famous swords, turning them into various flavors of attractive men for an interested female audience. Turnabout is fair play and all, but in past cases this sort of thing has resulted in anime that’s almost always kind of goofy and based around a one-joke concept that has to be manipulated all over the place to provide enough basis for an actual story. It’s not meant to provide a pithy plot, it’s meant to show attractive characters doing a thing and to justify merchandising. Which is great and all, but I don’t buy a lot of merch so that doesn’t really resonate with me.

The team analyzes who the next target might be. Copyright 2017 (c) Ufotable

Touken Ranbu is an interesting case in that it’s received two different types of adaptations. There was a more light, comedic adaptation (that I didn’t watch) a couple of seasons ago called Touken Ranbu Hanamaru that seemed to exist in order to get the sillies out of its system, and now there’s this adaptation, which appears to be taking things more seriously and concentrating on the supernatural action elements of the plot. It’s kind of an unorthodox approach to adapting a property to animation, but I think I kind of like it; there will always be people who just aren’t interested in doom-and-gloom seriousness and who wouldn’t watch something where characters are legitimately getting hurt and drawing blood from their enemies, while others just aren’t down with goofy humor and mostly plotless shenanigans. Now that some game companies are using their zillions of dollars to commission and oversee adaptations of their own material (see: Rage of Bahamut), maybe it’s something we’ll be seeing more often.

All that stuff is just background, though. The question is, how does the first episode of this show hold up? I was surprised that, when all was said and done, I was pretty impressed by what this episode has to offer. Anime in general, especially when the background plot points are sort of complicated, has a tendency to info-dump via expository dialog. Even really good series like ACCA:13, for example, can trip themselves up by awkwardly inserting minutes upon minutes of plot setup into character conversations (any time I hear or read “As you know…” in a show, I get a little embarrassed for the writers for being so obvious with what they’re trying to do). There’s a little bit of that here, but it feels more natural than in many cases. Since Kunihiro is a noob sword-guy on his first mission, the guidance he receives from old veteran Kane-san serves to fill us in on a lot of what their general mission is and the workings of the time travel element as it relates to what’s happening. A lot of what we learn comes in the characters reacting to the realities of their situation – the Retrograde Army is going to kill some important dudes in a general location that’s been narrowed-down as much as possible (though not enough – just the realities of trying to predict these things from a couple hundred years in the “future”), and they have to get rid of the enemy without intervening in the normal day-to-day stuff that’s going on. Since they’re from the future, they also have some notes regarding things that historically happened every day so they can cross-check that history hasn’t been altered. It’s a good system, doesn’t try to nail down the time-travel stuff in too much detail (because if you try to “logic” that all out it stops making any sense), and allows us to concentrate on the things that are really important – namely the cool action scenes and other exciting things.

Kane saves Kunihiro from getting skewered. Copyright 2017 (c) Ufotable

Since adapting the Fate series over several different anime incarnations in the recent past, Ufotable has gotten a reputation for its high-quality cinematic anime productions that present cool, well-animated action sequences with a lot of excitement and polish. Try as I might I’ve never really been able to get into any adaptation of the Fate series, which is unfortunate since I like watching cool action choreography and animation as much as the next person. At least judging by this episode, Ufotable has given us something that retains and shores up their reputation in this area, but without the added baggage of people trying to convince me that Saber is a feminist character (please stop doing this; I will not agree with you). While it’s not quite Sword of the Stranger quality action (seriously – if you love amazing animation, you can definitely watch around the middling samurai-movie plot for the sublime sword fight choreography in this film from BONES), the glistening swords and characters racing across the rooftops is exciting and fun to watch. A lot of care has gone into making this episode look good; if the job of an opening episode of anime is to put the show’s best foot forward and get viewers hooked on its best qualities, this definitely accomplished that.

The other side of this is that there’s a lot of reliance on computer generated components (creatures and settings) to help make many of the shots possible. Anime cinematography has gotten so much better over the past couple of years that this is really almost a non-issue; the hand-drawn characters and the 3D backdrops mesh together really well thanks to judicious use of visual filters and what is probably very conscientious storyboarding and layout construction. In short, it looks great! But similar to a lot of modern live-action films (especially superhero or disaster films that, by their nature, require a lot of effects work) there’s always that subconscious sense that the two pieces don’t exist in the same world, and that can be ever-so-slightly distracting (at least for me). But don’t let that dissuade you – I think this is one of the better examples of what can be done in the modern era when the two animation techniques work together.

A good-looking rival appears. Copyright 2017 (c) Ufotable

I was incorrect in thinking that this show was an Anime Strike exclusive; I learned that Aniplex USA has got it playing on several different streaming outlets, so while you won’t be able to afford to buy it when it’s released on disc, at the very least you’ll be able to scrape together enough pennies to watch it on your favorite streaming service (I added it to my queue on both Crunchyroll and Anime Strike, so we’ll see what service I default to in future weeks).

While I’m usually more interested in quieter, more thoughtful, or “iyashi-kei” or “healing” entertainment, it’s definitely fun to branch out and watch something that does nothing more than get my heart pumping. A well-constructed action series with attractive anime dudes is really the very definition of what gets my kokoro going doki-doki, so there you have it. Even if bishounen aren’t exactly your thing, though, I think if you enjoy swordplay, historical fantasy, or just really cool hand-drawn animation, Katsugeki! Touken Ranbu might have something worthwhile for you.

Pros: The visual presentation is slick and high-quality, the fantasy and time-travel elements don’t bog things down too much, and the characters are attractive.

Cons: There’s a sense that the characters and backgrounds are not of the same world.

Grade: B

Tags Action, Anime Strike, Aniplex, First Impression, Summer 2017, Ufotable

Previews Reviews

Summer 2017 Preview

It’s Summer, which means that intolerable humidity is hanging over the Midwest causing me to sweat myself to death. So it’s a great time to stay inside and watch some anime! Below are some impressions of upcoming series that seem interesting to me. Will all of these pan out? Probably not. Will some shows surprise me later on, even if they’re not on my gotta-watch list? Probably. Every season brings with it something new and interesting. Even though the Summer anime season tends to be pretty small in comparison to Spring and Autumn, there are still likely a few gems waiting to be discovered.

One interesting development that’s occurred in the past few months is what seems like a partnership of sorts between Sentai Filmworks and Amazon’s Anime Strike. While Anime Strike is controversial on its own due to being cloistered behind a pricey double paywall (first you pay for Amazon Prime, and then you pay a few more dollars to add Anime Strike to your channel list), it seems like this might be a big boon to Sentai Filmworks, who hasn’t had a go-to home for its acquisitions. I can’t say I’m happy having to add to my many video streaming subscriptions (Hulu, Netflix, Crunchyroll, Funimation… there are so many) but I see what they’re trying to do and I’ll play along for the time being, even if I think that it doesn’t set a good precedent for either convenience or price

Anyway, here’s a hastily-assembled list of the new shows I think might be interesting:

Welcome to the Ballroom/Ballroom e Youkoso

Begins: July 9th

Streaming At: Amazon Anime Strike

Synopsis: The setup seems typical for a sports or sports-type anime; the protagonist, a middle school student named Tatara Fujita is kind of mediocre at most things that he tries (sports in particular). He’s “rescued” from his mediocrity (and his bullies) by Kaname Sengoku, a professional ballroom dancer. It’s this encounter that draws Fujita into the realm of ballroom dance, perhaps something where he’ll discover his talent (spoilers: I’m guessing he’ll end up being pretty good at it).

Impressions: This is the show this season that I’ve been anticipating the most, for reasons that are as simple as me being interested in more offbeat takes on the sports genre and liking to look at attractive dudes doing fancy things. The various trailers have featured great music, sharp animation, and more elongated necks and bodies than you can shake a stick at. According to Sakuga Blog, there are some pretty big names associated with the project as well. It’s kind of fascinating to be in the fandom at a time when we get to see series that have clout with both fans of popular anime, and fans who like to follow individual creators and the animation process. I think this show will at least satisfy on looks alone.

Dive!!

Begins: July 6th

Streaming At: Amazon Anime Strike

Synopsis: The Mizuki Diving Club is in dire financial straits and in danger of being shut down. Their only hope for keeping things running is to send one of their divers to the next Olympic Games on the Japanese team.

Impressions: I was just about ready to call this one a poor rip-off of Free!, but the novel and manga predate KyoAni’s bishounen cash-cow by a few years, so that’s probably misguided. Remember what I said above about anime that revolves around unusual sports? This is another series that might scratch that itch. Judging from the PV I just watched, the visual presentation isn’t quite as clean and crisp, but there are an awful lot of rippling abs on display, so the anime junk-food quotient for someone like me, a not-quite-but-kinda fujoshi, might be enough to keep it interesting, if there aren’t also some decent character moments (which is something that’s hard to get a sense of during a 2 minute preview where the characters are speaking in metaphors about “flying” and telling each-other how cool they looked).

Copyright 2017 (c) Haoliners Animation League/ Emon Animation Company

A Centaur’s Life/A Centaur’s Worries/Centaur no Nayami

Begins: July 9th

Streaming At: Crunchyroll

Synopsis: Himeno is a centaur girl with a sweet, quiet personality. All of her friends and classmates are also supernatural or fantasy creatures, with wings, tails, horns, and other physical traits that set them apart from the human beings we’re used to. This is the story of Himeno’s daily school life.

Impressions: I like monster girls a lot. From the time I was a sullen teenager doodling in my sketchbook, to the current day during which I mostly just appreciate the art of others, I’ve thought female characters with demon horns or snake bodies or mermaid tails were just the cutest. But I’m still waiting for a really good “monster girl” anime to come down the pipeline. Monster Musume was gross, Interviews With Monster Girls started to give me a bad feeling a couple of episodes in, and Kobayashi’s Dragon Maid, despite having its good moments, still managed to bungle the good will it had built with a couple of non-con scenes that turned me off (I love that it’s inspired a lot of really cute cosplay, though). I’m hoping that this will just be kind of cute and innocuous and give me my fix. I haven’t decided whether or not the fact that there are also monster boys in the characters’ school will be positive or negative, but I’m willing to give the show a chance.

The anime is produced by a Chinese animation studio (though it seems to be managed by Japanese staff), and their track record isn’t the best (I see the dismal Spiritpact on their rap sheet – not a good impression to leave). If anything, I’m interested to see if the end result of this particular endeavor is any more pleasing to the eye or satisfying to the soul.

Katsugeki!: Touken Ranbu

Begins: July 1st

Streaming At: Amazon Anime Strike

Synopsis: It’s 1863 in Japan, an era during which forces loyal to the Shogunate and those wishing to bring its power to an end were clashing. Historical revisionists from the future begin to invade in order to change the force of history, but they’ll have to get through two sword warriors who have come to Edo to defend the sanctity of the true timeline.

Impressions: So you’ve heard of guys who use swords, but how about guys who are swords? This series, one of two anime based on a collectable card style smartphone game, personifies historically significant blades as hot warrior dudes of various personalities. A more comedic take, Touken Ranbu: Hanamaru, premiered during the Autumn season last year, and this version appears to be a more “serious business” take on the concept. Considering Ufotable’s involvement, it’ll probably look pretty slick (it’s difficult to say for sure, since the most lengthy trailer I could find was mostly animation sketches put to dramatic music). I can’t predict how much staying concept the central premise might have, but at least the characters are attractive and the action might be fun.

Made in Abyss

Begins: July 7th

Streaming At: Amazon Anime Strike

Synopsis: The Abyss is an underground cave system, the last bastion of unexplored territory in the world. It contains treasures and relics from long ago that current humans cannot re-produce. It’s Rico’s dream to become a cave explorer like her late mother. One day she finds a robot who has the appearance of a young boy.

Impressions: Whereas there’s a lot on this list I think I can probably take or leave, I’m actually really excited about Made in Abyss. I found the trailer to be absolutely haunting, and the plot synopsis suggests that the story might take place after humanity has undergone some kind of technological decline, which is one of my favorite set-ups (see: Nausicaa, Sound of the Sky, Humanity Has Declined, and many others). There’s an edge to this one that makes it seem a little spooky in spite of its lush setting and cutesy character designs, which is another production aspect that gets me excited. It’s a little bit difficult to put my feelings into words any better than that, since this type of show really hits me in a deep place that’s based in old 1980’s sci-fi and fantasy that I saw as a small child, but maybe there are some of you out there that can relate.

Hell Girl 4/Jigoku Shoujo: Yoi no Togi

Begins: July 14th

Streaming At: Amazon Anime Strike

Synopsis: The fourth season of the long-running supernatural horror revenge story. Those seeking revenge on those who have caused them harm may access a secret website to call upon Hell Girl. She drags her targets to Hell itself, in exchange for the immortal souls of those who call upon her to help them. This season will feature 6 new episodes, and 6 “reminiscence” episodes.

Impressions: Hell Girl is one of those properties I’ve always been aware of but which I’ve never watched much of. From the time the first season aired it’s cropped up as a favorite pick at anime club Halloween events and so I’ve seen several episodes here and there because of that, but never entire seasons. I do, however, enjoy stories about human nature, even those bits and pieces of it which are uncomfortable to look at and experience, and this series is notorious for presenting those kinds of stories. The titular character doesn’t judge on morality, she just does a job; it’s up to the viewers to understand and interpret who’s in the right or wrong in each situation, and that can be unsettling.

Kakegurui – Compulsive Gambler

Begins: July 1st

Streaming At: TBA

Synopsis: When you’re a child of the mega-rich, normal school sports and clubs don’t teach you the tools you need to keep your position in society. At Hyakkao Private Academy, the students’ education is geared specifically towards the skills of negotiation, manipulation, and deception – the students participate in a rigorous curriculum of various forms of gambling where the winners end up at the top of the class and the losers are punished accordingly. Yumeko arrives on campus and decides to show her classmates what a real gambler is capable of.

Impressions: This is a situation where I find the plot concept of the anime sort of interesting, but I have a strong suspicion that the execution will end up being too grotesque and/or mean-spirited for my personal tastes. The trailer features the protagonist in a kind of weird sexualized ecstasy that I suspect might get old (I’m not big on cruel sadism, and this feels like it might be toeing the line there as well). But hey, maybe there’ll be a little bit of Kaiji in there somewhere, too. I’m definitely game (ha!) to give it a try.

Restaurant to Another World/Isekai Shokudou

Begins: July 3rd

Streaming At: Crunchyroll

Synopsis: Yoshoku no Nekoya is like any other normal restaurant during the week, and is patronized by the working people of Japan. But on Saturdays, when it takes a day off, it becomes a gathering place for people from another world. When members of non-human races patronize the restaurant, they find that even the most mundane of Western-style dishes seem exotic and wonderful.

Impressions: I like stories about cooking and I enjoy light fantasy elements, so this series which seems to combine both things looks like it might be kind of episodic and cute. It’s amusing to think about how an elf or a demon might react to something commonplace like chicken soup. I’m also heartened to see that this is sort of a twist on the “isekai” sub-genre that’s been so popular lately; instead of some loser dude making his way into a video game or fantasy world and having several women hot for him, the people from another world are finding their way into ours. I can’t help but think that might be an improvement.

How about you? What have you been looking forward to this Summer? Let me know in the comments!

Tags Anime Strike, Crunchyroll, New Anime, Preview, Summer 2017

Game Reviews Reviews

First Impressions – Dead Cells

Post author By Jessi Silver
Post date June 26, 2017
No Comments on First Impressions – Dead Cells

I don’t talk about video games much anymore, mostly because there are many other people online and in person who are better suited to do so. I haven’t owned a current-gen game system in quite a while (except for Nintendo’s systems, but most people don’t count those). But I’ve found a pretty decent gaming home on Steam, where one can find all sorts of things that scratch that retro-gaming itch – crucial for people like me who perpetually long for the SNES era of classic gaming – without breaking the bank. I usually only poke around when there’s a sale going on; a couple of days ago when the Summer Sale got into full swing I stopped to look at my discovery queue, which is a function of Steam that pulls together some tailored game suggestions for the user based on their preferences. Usually I find a couple of new items to add to my wishlist, and I maybe make a purchase or two (or ten. I have issues). This time I was intrigued by a game in Steam’s early access program (the games in this program aren’t finished yet and it functions like something of an open beta) called Dead Cells, which purported to combine Castlevania style platforming and exploration with elements of rogue-like gaming (in short: you die and that’s it).

Since I purchased the game a few days ago, my partner and I have put close to 30 hours into it collectively. For two people who both work full time at stressful jobs and who come home most nights with little desire to pour hours into a video game, it definitely says something that we’ve spent such a chunk of our free time forgoing activities like anime and television that require little active input in order to play this one.

In Dead Cells you play the headless animated corpse of a prisoner, your body given life from an infusion of green goo extruded from a mysterious tube. It’s implied that you might be the subject of some sort of experiment; a theory given merit by all the strange creatures around who seem to be observing you and taking note of your accomplishments. There isn’t much more of a story at the outset, and pretty soon you stop caring too much about the narrative since enemies start coming at you quickly and constantly. You start the game with a paltry 100 hit points and not much in the way of weaponry, but that changes quickly as you uncover upgrades to your health and battle power, find blueprints for better equipment, and begin to collect “cells” – glowing blue orbs that serve as a kind of currency for unlocking upgrades.

Though rogue-like and “rogue-lite” games are characterized by ever-changing, procedurally-generated environments and perma-death, Dead Cells gives you the opportunity to uncover and unlock certain things that are available upon each new playthrough (unless you decide to wipe your game file). There’s a health flask, a necessity as you start to work your way through some of the hairier stages, and various runes (at the time of this writing, 2 are available in the game) that provide the player character with more ways to navigate the terrain. There are also a huge number of weapons, skill weapons, shields, and general gameplay upgrades that, while not always available during every playthrough, become one of the random drops that could appear throughout the game. My favorite skill item is something called the “meat grinder,” which lays down a carpet of sawblades that causes bleeding damage to enemies that try to traverse it. There are some truly sadistic items in the game’s arsenal, and the arsenal is fairly large even though the game is in an unfinished state. The variety of weaponry allows for many different playing styles and lots of effective weapon combinations. The one criticism I might give the game in this area, though, is that the frequency of drops isn’t necessarily consistent, so I might go quite a while without a serviceable main weapon in one run, and have way too many good choices in the next one. That’s just the nature of randomization, I suppose.

Just some of the many items you can unlock, taunting you just out of reach. Dead Cells Copyright 2017 Motion Twin

If you’re not used to this sort of game, things can get a little bit frustrating. A couple of years ago I poured several hours into Rogue Legacy, which is a similar sort of gaming experience with a more humorous, cartoony exterior. I got very used to getting into the groove with my character, only to get my butt handed to me a minute later, thus booting me back to the beginning. The first couple of hours in Dead Cells are similarly difficult, and it can feel very repetitive since the time between runs is so short. What makes things tolerable and even fun is the fact that there are so many incremental improvements to be had right from the get-go and the game seems tuned to let you unlock them at a pace that keeps you coming back for “just one more round.” After gaining some confidence and speed, you can try for one of the game’s time doors, which cannot be opened after a certain time has passed on the game clock – the first one closes at 3:30, so you really don’t have much time. After figuring out some good weapon combinations, you can try fighting some of the boss creatures or tackling the more serious game areas – there are currently about 10 areas to explore and two really, really difficult boss creatures to fight.

Even though Dead Cells is quite fun in its current form, there’s still the question of why someone would want to purchase the game now in an unfinished state, rather than wait a while for the rest of it to be completed and polished. Someone I know voiced some concerns that the developers were getting paid for people to beta test their product for them, and there’s some merit to that when viewed through the lens of game development and finances. There’s one thing worth mentioning here, and that’s that Dead Cells feels like a complete experience the way it is right now. I haven’t encountered any bugs, the platforming and other aspects of the gameplay are tuned very well, and I feel like there are still several hours of fun to be had. Some of the weapon combinations might be ridiculously powerful right now, but I assume that’s something that will get addressed and I’m certainly taking advantage of it while I can. I think there’s also something appealing about watching the development of something unfold it real time and potentially being able to have some input on that. I really like Minecraft, and one thing that I’ve always found fun about that game is that the developers have always been very responsive to the things that fans have asked for. I have played the game since before the first “full” version was released, and love popping back in from time-to-time, just to see all the new things that have been added and fine-tuned. Dead Cells is maybe not the exact same sort of gameplay experience but, much like watching an anime series from week-to-week and discussing each new episode with the fandom, it’s fun to be around for each new addition, upgrade, and change, and be able to share that with an enthusiastic fandom for the game.

Dead Cells is available to buy and play on Steam. The MSRP is $16.99, but you can get it cheaper during the Steam Summer Sale. Check it out!

Tags Motion Twin, Steam

Anime Reviews Reviews

Winter 2017 – Follow-up

Despite the title of this website, I rarely stop after watching intro episodes of anime (unless the show is so terrible or offensive that it doesn’t deserve a second look; there have been many of those over the years). Here are some collected thoughts on some of the second and third episodes I’ve watched of selected series. This post will be updated as I conduct more follow-up viewings, so stay tuned.

Saga of Tanya the Evil – Episodes 2 and 3

Read my first impression Here.

I was fairly unimpressed with the first episode of the series, since it seemed to glorify violence and to specifically fetishize the fact that some of the most violent acts of war were being committed by a character in the body of a pre-pubescent girl. “Young girls in horrific situations” could be a sub-genre unto itself in anime, considering all of the series whose main point of interest involves thrusting youngsters into roles way above their emotional pay grade in order to look edgy or wring some sort of unearned emotional response out of the audience. In this case, I’m totally baffled why the first episode begins where it does, because Tanya’s origin story is much more compelling, and puts a totally different slant on what’s actually happening.

We learn that Tanya was originally a (male) Japanese middle manager who was known for being ruthlessly devoted to the health of his company. This meant taking a very uncaring attitude towards other employees, especially when firing them. A disgruntled former employee of the company pushes our protagonist(?) in front of a train early in the second episode. Time stops, and he has a lengthy conversation with God(?) regarding the existence of any deities (I have to hand it to the main character – his ability to maintain skepticism in the existence of God while speaking directly to him requires guts). Refusing to soften up, God (or “Being X” as the main character dubs him) causes him to be reborn in another world, but with all his memories intact. He scrapes by, does what he can to survive, and then joins the military, eventually reaching the point at which we joined the tale in the first episode.

What stood out to me was the fact that the story was less focused on the actual war than it appeared at first. Instead, my main take away from these follow-up episodes is more related to the main character’s conflicts with Being X regarding the need for faith, and Being X’s incredibly manipulative ways of forcing the main character to acknowledge the miraculousness of “God” and the situation God has forced him into. Tanya is compelled by Being X to pray each time the calculation jewel (which hones her magic powers) is used, otherwise it remains unstable and could kill her through its malfunction. This is supposed to eventually instill in her (and in the mentality of the man who still exists within her mind) a sense of humility and faith. On one hand I can see that the character truly needs to learn this lesson, because he’s a total jerk who caused a lot of upset in the lives he supervised. On the other hand, this manipulative deity who pulls strings to get humans to “believe” is pretty abhorrent. I gained a lot more sympathy for Tanya over the course of these episodes, simply for trying to hold onto a worldview while essentially being forced to let it go (or die in the process). This is certainly a lot more complexity than I would have expected originally.

With the way I watch anime, there’s always the danger of being so put off by something right away that I miss out on an anime’s better side by not wanting to bother with it anymore. Personally I think that there are some things that are beyond forgiveness, but there are also cases like this where I feel like maybe whoever was handling the series composition just didn’t do a good job of putting the story’s best foot forward. It’s not as if there aren’t still problems (I’m curious whether reviewers, including myself, can really speak to the genuine nature of the female-female professional relationship between Tanya and her subordinate when Tanya still houses the mostly-unaltered mentality of the Japanese salaryman she once was), but I think I might be up to following this through now.

ACCA: 13-Territory Inspection Department – Episode 2

Read my first impression Here.

Watching the second episode of ACCA helped to reinforce some of the general feelings I had about the particular construction this show seems to have. While, again, not a whole lot actually “happens” as far as action-y plot-related stuff, there are a lot of subtleties that seem to be leading in a particular direction.

Jean is still ostensibly the focal character, but there are many scenes throughout the episode where he is present but the POV appears to be held by someone else. This time we’re introduced to “photojournalist” friend of his named Nino, actually an undercover agent hired by Jean’s superiors to follow him around. There are several scenes here and there of Nino reporting on Jean’s whereabouts when normally we the audience would be privy to a firsthand what Jean was doing instead. There were a lot of scenes where I thought to myself that it would have been nice to know about Jean’s activities after going inside his home or turning the lights off in his hotel room; being on the outside and not knowing exactly what’s going on is disorienting, but I also suspect that we’re meant to develop a healthy suspicion of Jean in preparation for some bombshell later on. I’ve been trying to stay away from any plot spoilers to ready myself for this eventual surprise, so I hope that my interpretation is correct. There are several references to his possible involvement in a coup d’etat; whether that’s actually what’s going on or not is the question here.

This episode has similar pacing to the first, so viewers who found themselves frustrated with the slow-moving story in episode 1 will probably not be especially compelled to keep up with the series any further. I feel as though I’ve made my case as to why I find this type of anime series compelling already; the fact is, I haven’t found it boring at all, and I can feel the makings of a good thriller bubbling under the surface of what I’ve seen so far.

Gabriel DropOut – Episode 2

Read my first impression Here.

I had the feeling that the unique humor element of this show might wear down pretty quickly, and that was confirmed for me after watching the second episode. The show is reliant on one central gag, that being the opposing (and typically unexpected) personalities of the angels and demons in the main cast. This in itself admittedly remains pretty chuckle-worthy when I think about it, but the second episode falls into a rut that so many anime comedies do, in that it relies too much on its central gag and dances around it without doing much to expand or escalate any of the humor.

In this episode, Satania continues to be haunted by the bread-stealing dog, and thinks she knows more than she actually does about eating lunch in the school lunch room. Raphiel picks on Satania some more. Vigne and Gabriel bicker about Gabriel’s lack of motivation. The girls have an adventure trying to prepare a meal in their cooking class (using some… unusual ingredients). It’s all fairly standard sitcom stuff, with the flavor being the characters’ particular personalities. The issue I’m having at this point is that their personalities could really exist in any similar ensemble comedy, regardless of the characters being heavenly or hellish beings. Remove the horns, wings, halos, and upside-down crosses from the mix, and this is just another typical anime comedy without much worth recommending it above other similar anime series.

I probably won’t watch more of the show at this point, but I’ll try to keep an ear to the ground to see if anything actually ramps-up over the next few weeks.

Miss Kobayashi’s Dragon Maid – Episode 2

Read my first impression Here.

The second episode of Dragon Maid continues in the same vein of being mostly cute, humorous, and primarily harmless. We meet a second dragon, a juvenile named Kanna, who’s been nursing a crush on Tohru and who wants to punish Kobayashi for monopolizing her time. Jealousy can be a dangerous motivator, but Kanna’s feelings are pretty simplistic and she gives up the pursuit once Kobayashi-san makes her feel welcome (and feeds her some chocolate). The dragons take miss Kobayashi out to play (dragons playing together can be a little dangerous, as we find out). Tohru also uses her dragon strength to capture a thief while out shopping (it’s also very evident that she’s well-liked by all the merchants, though she doesn’t really understand why).

I was really glad that there wasn’t a repeat of the uncomfortable, non consensual nudity from the first episode. It was a stain on what was otherwise a pretty enjoyable first outing for the show. The second episode continues to be fairly cute, manages to feature some really great animation during Tohru’s and Kanna’s play date, as well as during Tohru’s confrontation with the thief in the shopping arcade, and demonstrates a certain charm that makes it fun to watch despite the fact that it doesn’t really get me laughing all that much.

The one aspect that I don’t really like actually forms the basis for the show, which is a little problematic, I suppose. I’m not a big fan of characters who immediately proclaim their love for another character, especially against all logic and their target character’s wishes. Tohru is very forthcoming with her desires and there’s clearly some reason why she’s become fixated on Kobayashi (little bits and pieces of Tohru’s backstory have been peeking through already, so I’m guessing there’s something going on), but her fervent love and overwhelming jealousy is tough to handle without having some of that background to grasp onto. I’m hoping that a little more nuance develops as the show moves on. I’m not familiar with the manga, so I don’t know how realistic I’m being.

I will likely continue along with this show since I’m a fan of the KyoAni aesthetic and animation.

Tags Follow Up, Winter 2017

First Impressions Reviews

Winter 2017 First Impressions – ACCA: 13 Territory Inspection Department

Post author By Jessi Silver
Post date January 21, 2017
1 Comment on Winter 2017 First Impressions – ACCA: 13 Territory Inspection Department

In a world separated into 13 wards, with each ward having an observation division controlled by the organization known as “ACCA.” Jean is known as the craftiest member of ACCA. – ANN

Streaming at: Crunchyroll

Number of Episodes: 12

Source: Manga

Summary of Episode 1: The Dowa kingdom has been experiencing a period of unprecedented peace for many years. The king is celebrating his ninety-ninth birthday and there are no signs of political unrest. This makes the government’s observational division, known as “ACCA” obsolete, or so say those in charge; without a need to utilize the employees of ACCA to help maintain political control, why not just trim the budget and get rid of them? Jean Otus is one of ACCA’s most recognizable members, known as the “cigarette peddler” for indulging in a smoke here and there while on the job. ACCA’s imminent closure doesn’t come as a surprise to Jean, and he has the family business to fall back on. But after being sent out on an audit and discovering some hints of low-level corruption within his organization, he learns that ACCA is to remain open. Jean also begins to notice that he himself is under observation. What could possibly be churning behind the scenes to prompt the change?

Impressions: Though my interest in anime and manga tends to be pretty broad, I do have a small stable of creators whose work I follow more closely. Most of these are the more auteur-style anime directors, such as Masaaki Yuasa, or Akiyuki Shinbo (though his actual directorial involvement is questionable – I just really like the Shaft aesthetic so take that how you will). Natsume Ono is one of the few manga-ka whose body of work has really resonated with me, though unlike Yuasa her particular style is a bit harder to define. Aside from her character designs, which most people can identify by their general lankiness and round, almost protruding eyes, the settings for her stories run the gamut from Asia (modern and historical), to Europe, to the fictionalized nation depicted in ACCA. The unifying trait between her many disparate works is difficult to point out from the surface, but it’s definitely there in the pacing and feel of her stories – they all tend to depict adult characters involved in often mundane, slow-burn drama (romantic or otherwise). This type of character-based drama is something I seek out, and it appears that ACCA will likely demonstrate that sort of structure. In short, ACCA, with its lackadaisical pacing and (currently) low-stakes drama is (maybe counter intuitively) just the kind of thing that gets me going. That said, this is also the type of opening episode that’s likely to turn away a large portion of the anime-viewing audience, because it doesn’t have a lot to offer upfront.

Very little happens in this episode, plot-wise. We’re introduced to the setting via a fairly standard “as you know…” info-dump, presented to a sub-set of characters who would likely not need to hear the basic breakdown of how their society works. I’m always a little bit amused when this happens, as the Japanese language is based so much around inferences and indirect, implied meaning; it’s always seemed odd to me that the plots of so many anime are blurted-out awkwardly rather than revealed organically. In any case, we’re introduced to Jean Otus, a protagonist with a cool demeanor who leads a relatively unassuming life. He shares an apartment with his sister; their family serve as landlords for their luxury apartment building, which they’d otherwise be unable to afford. Jean is good at his job as an ACCA observer, and he’s also known for his smoking habit (tobacco is an expensive luxury in their society).

The primary bit of drama in this episode comes as the result of one of Jean’s audits, during which he discovers some low-level illegal activity cropping up from within the organization. The resulting kerfluffle isn’t huge – even the highers-up don’t appear to be all that concerned about it – but during the fallout it’s revealed that Jean is actually surrounded by an air of suspicion and that there are some people in positions of power that suspect him of some sort of wrongdoing. He remarks that he feels as though he’s being watched, and while it’s not quite obvious whether or not anyone is yet, it’s at this point that the show establishes an unsettled feeling in the viewer. Is this setting really so peaceful and bland? Will the entire series be just a serialized account of Jean’s travels with bureaucratic commentary thrown in? I doubt it. There’s also an odd sort of separation between the audience and Jean right from the get-go. While he’s ostensibly the focal character, it feels as if we’re looking at him from the outside, seeing him from the POV of the other characters around him. It’s a bit disorienting, but I can’t help feel like it’s intentional.

This seems to me like the type of anime where the viewer really has to be willing to read between the lines to gain a sense of what the story might involve. I’ve seen quite a few complaints aimed at ACCA about how “nothing happens in the first episode,” and yet to me the entire set up seems inherently intriguing and I feel like the groundwork is solidly in place. I also admittedly enjoyed watching Jean perform his mundane job duties, since my day job sometimes involves auditing and performing tasks in line with strict procedural outlines, so there’s a certain familiarity there that I’m guessing maybe a lot of anime fans might not connect with as well. This isn’t to say that I think I have every detail of the show nailed down simply because I’m an adult with a compliance-focused job – I’m definitely left with a lot of questions on my mind, too, and I feel like there are still a lot of hidden details that haven’t come to light. But rather than being frustrated about that or feeling as though the show hasn’t provided me something to which I’m entitled, I feel drawn in by the mystery and even just the sheer openness of the various directions the series could take. I’ve never been shy about saying that I find very few anime series directly relateable, since most anime just isn’t made to directly appeal to adult audiences. When something like this comes along that seems to be aiming for more mature appeal, I just don’t feel bad about it.

If I had to point out something that I did find frustrating, it would probably be the occasional tonal shifts throughout the episode. The bulk of the episode reads as tonally serious to me, not in the sense that major things of gravity are happening all the time, but this definitely isn’t meant to be a funny series. There are a couple of scenes, though, that read more like an office ensemble slice-of-life comedy, since several of Jean’s coworkers are very focused on their ten o’ clock break time and eating cakes from the local patisserie. These scenes do a good job of establishing how mundane things currently are, but I find that it’s rare when comedy and drama in anime truly mesh, so while it wasn’t a complete turn off, it was a little eye-rolling.

If I haven’t made it clear by now, I’ve pretty much already bought into what this anime series is selling. That’s a confidence that only really comes as a result of having meshed with the author’s style many times in the past and appreciating being in the target demographic for once. I will say, though, if I were trying to trick an apprehensive fan into giving this show a try, I’d definitely mention that the series director also directed the (also quite excellent) One Punch Man. It’s a bit tricksy, since the shows otherwise have nothing to do with one-another and are profoundly different in plot and style, but I’m admittedly kind of hoping that we might get some moments of very neat, more subdued character animation out of the deal. From what I understand, people like working with Shingo Yamamoto, so we’ll see.

There are times where I get kind of bummed that other fans don’t seem to get much out of certain anime series as I do (*cough* The Lost Village *cough*), but there are also times where I completely understand, and I’m not too torn up about it. This is one of those times. I really appreciate the slow pace and the little mysterious bits floating beneath the surface, but a lot of people likely won’t. I’m looking forward to seeing the story unfold.

Pros: It has a unique look and setting. There are inklings of unrest beneath the calm exterior. There’s a level of separation between the viewer and the main character that feels somewhat intentional.

Cons: There are a few tonal shifts that seem unnatural. There’s some “as you know…” info-dumping. The episode is slow-paced and not very much “plot-y” stuff happens to draw people in.

Grade: B

Tags Crunchyroll, Drama, First Impression, Slice-of-Life, Winter 2017

First Impressions Reviews

Winter 2017 First Impressions – The Dumping Ground

Post author By Jessi Silver
Post date January 16, 2017
1 Comment on Winter 2017 First Impressions – The Dumping Ground

I’ve been an anime fan for a long time, and I can say with some authority that there are times when it’s just not worthwhile to spend a lot of time talking about a particular series. I used to go into fine detail about every ounce of fanservice, sexism, or other element of ugliness in a show. I also used to devote a lot of time to first episodes that were just devoid of anything worth talking about. You don’t know difficulty until you’ve tried to write a thousand-ish words about something that’s essentially a clone of several other very average things! It’s also hard to stay silent, though, when you’ve devoted time to watching something. So here’s the very special space I’ve developed to give stuff a mention when it otherwise doesn’t have a lot about it worth analyzing. This post will be updated as I watch more first episodes. As usual – these impressions are based off of first episodes only (unless specified otherwise). These shows may completely turn around in subsequent episodes… but I doubt it! I’ve also given many of them joke ratings, but it should be fairly obvious from context what my feelings are.

Hand Shakers

Streaming at: Crunchyroll

Number of Episodes: 12

Source: Original

Episode 1 Summary: Tazuna is a typical teen with a not-so-typical interest in fixing things. He can become so distracted helping people fix their mechanical items that he makes himself late for appointments. One day he’s asked by a certain Dr. Makihara to stop by the local university. After arriving he discovers a girl, Koyori, sleeping in a hospital bed. Reminded of his dead sister, Tazuna grasps her hand and is awakened to powers beyond his imagining. Of course, there’s a catch – if he ever lets go of Koyori’s hand, she’ll die.

Impressions: I think there are a lot of choices to be made when producing an anime. It’s not often that I find one where the wrong choice appears to have been made in every single situation possible.

Visually this is an example of modern production techniques gone completely bonkers. The backgrounds are completely created using 3DCG techniques, which isn’t bad in and of itself, but they truly do not mesh well with the 2D character animation, which is animated at a different frame rate and causes the characters to look like paper dolls pasted on top of a backdrop. The background frame rate is too high and moves too smoothly – watching it reminds me of watching a modern television set with the refresh rate set too high. I start to get dizzy, because it feels like I’m looking through a window rather than at a screen. The effect is reminiscent of some anime-style video game openings and cut scenes I’ve run across over the years – an attempt was made to blend cutting-edge graphics from both sides of the equation, but technology and visual sense needed to join them seamlessly just didn’t exist. There are anime that are able to do it much better nowadays, but this doesn’t appear to be one of them.

And let’s talk about the women in this episode. We have one character, the class president, who’s defined by her huge chest that bounces unrealistically with the slightest movement of her body. Then there’s “Bind,” the female half of the duo that Tazuna battles this episode, who apparently exists to writhe on the ground in sexual agony, have her crotch stomped on violently, and make orgasm noises in the place of actual dialog. And there’s Koyomi, who’s a personality-less white-haired loli who seems to be there to get dragged around by the hand (but it’s okay, it’s part of the plot! /s). There’s so much male-gaze camera leering and sexualized violence in this episode that I was getting pretty uncomfortable. It’s actually been quite a while since I’ve seen something that’s trying so hard to be vile; most of the fanservice-focused series I’ve been aware of lately are goofier (which doesn’t necessarily make it better, just marginally less heartbreaking to watch as a woman and an anime fan).

Nope, no, nuh-uh, no thanks, dame, batsu, no.

Here’s an article on Sakuga Blog that explains some more about the poor visual decisions in this anime.

Grade: DD-

Kemono Friends

Streaming at: Crunchyroll

Number of Episodes: TBA

Source: Game

Episode 1 Summary: A very strange animal arrives in Japari Park. She can’t fly, she doesn’t have sharp claws, and can’t really swim. What she does have is endurance and intelligence, and this intrigues the Serval cat who pounces on her. Serval-san names the new arrival “Bag-chan” since her main defining feature is the large backpack she wears. They decide to head to the Library, where Bag-chan can hopefully find out what kind of animal she is. Along the way, Serval-san and Bag-chan fight a Cerulean, an antagonistic blue blob, and stop at a watering hole to talk to a hippopotamus. Hippo warns them both about a very large Cerulean guarding the gate between the Savanna, where they are currently, and the Jungle, where Bag-chan is headed. Her warning pans-out, and Bag-chan’s smarts are needed to help defeat the enemy. As she wanders into the Jungle, Serval-san decides to tag along out of curiosity.

Impressions: I was hanging out with some friends of mine yesterday and one of them was talking about having seen this show and how awful it was, so I know right then which first episode I had to look at next. While it didn’t quite send me into convulsions, it is a pretty good example of how not to make a an anime adapted from a game.

Funny story: the game on which this anime is based apparently shut down shortly before the anime broadcast began, so the way in which Serval’s narration (which clearly alludes to game mechanics) instructs the nameless protagonist on how the world works is not only clunky, but amusingly tragic in a way as well. A lot of the expository dialog is really obvious in its intentions, which made it really difficult for me to pay much attention. Serval describes the different skills that the animal friends have like a gamer might describe character stats and abilities, so I found myself starting to tune out. Japari Park is mapped like a game, with barriers between regions. Different animals have their own territories. There are enemy creatures and boss creatures sprinkled throughout the land, and it takes different skill sets to defeat them. Honestly (and no insult to anyone I know in real life), if one of my friends were describing this to me as a game they were playing, I might just ask them to stop.

I’ve spoken here before about CG animation and why I’m not a fan, but I can recognize when it’s done well, at least. In this case, I feel like there are some points where the characters just weren’t really animated properly – during the opening scene, Serval-san chases Bag-chan across the savanna, and while Serval skids to change direction, her body just stops and slides for a couple of seconds. I also happened to notice a couple of times where characters were talking, but their mouths just didn’t open. Creating animation is always a challenge, and no matter what method you use, there will always be difficulties. These examples, which I don’t want to call “laziness” or “sloppiness” but don’t really have a better descriptor to use, are just embarrassing, though.

I will say, though, that I think the character designs are pretty cute – all of the animals are human girls with animal ears and outfits. I am a little weirded-out by the lack of male animals, though.

Grade: D… for Dingo?

Spiritpact

Streaming at: Crunchyroll

Number of Episodes: TBA (likely too many)

Source: Chinese Web Manhua (comic)

Episode 1 Summary: You Keika is the last of his family line, a famous lineage of exorcists. Since his parents died when he was young, he never received the proper training and support, so his spiritual skills are untrained. He spends his days reading fortunes and his night scavenging for computer parts for his side business. One night, after witnessing a battle between a real exorcist and an evil spirit, Keika is hit by a truck and dies. His spirit, being more powerful than average due to his latent spiritual abilities, is still hanging around earth, though. The exorcist who he saw earlier, Tanmoku Ki, invites Keika to become his personal spirit helper, so that Keika doesn’t either disappear or transform into an evil spirit after seven days. He initially resists, but after being captured by an evil spirit, eventually joins Ki in a Spirit Pact.

Impressions: Sometimes entertainment is like a time machine, bringing you back to the days when you were an itty-bitty little anime fan just starting to spread your wings and fly. It was the late 1990’s/early 2000’s when I feel like I really came into my own as an anime fan, and I’m pretty sure someone produced this anime series around that time, locked it in a time capsule, labeled it “open after fifteen years” and dutifully forgot about it until now. This isn’t a dig on anime from that time period; though anime was going through a very awkward “how do we imitate cel shading on this computer and make it look okay on this background when all we have are rudimentary visual filters?” phase, a lot of really excellent, memorable anime series came into being back then.

This one, however, has none of the charms of, say, Descendants of Darkness (with which it shares some basic story elements) or even some of the dumpier episodes of GetBackers, which for some reason sprung to mind multiple times while I was watching the episode (now those are some weird memories). Mostly it just feels like a toothless pseudo-BL supernatural series made on the cheap. Not only is it unremarkable, it’s also incredibly awkward, with extremely over-acted character dialog that tries for comedy (but fails), and kooky chibi-style slapstick and character deformation that really isn’t flattering to the production (or humorous, even).

What might be of mild interest to some is that the show is primarily a Chinese-produced animated series that has a few Japanese staff working in partnership in the production. What we’re seeing on Crunchyroll is a Japanese dub of the series that’s apparently been broadcasting in China for a while (I did a short search for more details, such as broadcast dates, but couldn’t find much). There’s been some controversy already, with some people complaining about Crunchyroll streaming it when it “isn’t actually anime” – though they seem to have forgotten that Crunchyroll also streams RWBY (Western CG animation), Thunderbolt Fantasy (made with puppets), and live-action Asian dramas… but who am I to judge other fans and their complaints? I’m personally a bit more relaxed nowadays on what I think should bear the “anime” label – this looks like anime, and in this incarnation the characters are speaking Japanese. There are so many other things worth criticizing with this show, why waste time boo-hooing over its national origin?

There have been worse things this season, definitely. But there’s just something especially grating about an anime that recalls one of the happiest times in my fandom life and yet still makes me angry.

Grade: One half-rate supernatural bishie.

Tags First Impression, Winter 2017, Yuck

First Impressions Reviews

Winter 2017 First Impressions – Gabriel DropOut

Post author By Jessi Silver
Post date January 16, 2017
No Comments on Winter 2017 First Impressions – Gabriel DropOut

Gabriel White graduated at the top of the class at angel school and attends a human school on earth in pursuit of knowledge, but then gets engrossed in a web game and decides its too much trouble to go anywhere. – ANN

Streaming at: Crunchyroll

Number of Episodes: 12

Source: Manga

Episode 1 Summary: Gabriel is the embodiment of angelic behavior. She graduates at the top of her class in angel school, then descends to earth in order to observe humans close up and make their lives better. It’s a lofty task, but her inherent kindness and helpfulness keeps her on the straight-and-narrow, as one would expect of such a divine being. It’s this trait of helpfulness that turns out to be her eventual downfall, however; while playing an MMO, Gabriel becomes tempted by a weapon that she can use to heal other characters, and soon gets sucked into a life of gaming and skipping school. She’d play hooky every day if not for her friend Vigne, an unusually straight-laced demon with a strong sense of responsibility. Gabriel also shares her school days with Satanichia, another demon who fancies herself the future Queen of Hell (but who’s afraid of dogs and can’t even manage to get away with not turning in her homework) and Raphiel, another angel with a vile personality.

Impressions: In the continuing saga of no one being able to predict what I’m going to find funny, I went into this show with zero expectations and actually laughed out loud a couple of times by the time the credits rolled. I guess I’m just not as self-aware as I think I am.

The show itself is deceptively simple, and seems to revolve around one particular concept – angels and demons behaving in ways that are generally thought of as being contrary to their very nature. Gabriel and Raphi are both blessed with various shades of shitty attitude, while Vigne and Satanichia are either overly-kind or ineffectual, depending on the moment. It’s a gag that ought to run out of steam really quickly (and it very well could after a couple more episodes; I don’t really know what to expect at this point), but it definitely just works. By the time Satanichia was ranting about not doing her homework, I was definitely laughing to myself.

Part of what I think really gets me going is that Gabriel’s situation is pretty relateable. I played an MMO for a period of about three months many years ago, and never quite got into it much until I was asked by some other characters to join a raid. I got sucked into the experience completely, and spent an entire Sunday’s worth of daylight playing the stupid thing. After it was over and we all went our separate ways, I looked to see that more than six hours had passed since I’d started; probably not that impressive to many of you, but it was a huge amount of time to me. Whereas I made the choice then and there to stop completely, though, Gabriel lets herself fall further and further down the rabbit hole, essentially screwing up her life in the process. I think seeing her flaws laid out and knowing full well that I could have become something similar, given the chance and the inclination, makes her story amusing to watch on some level.

I read some other anime blogs, of course, and in poking around I learned a new term for Gabriel’s character type -she’s a trash character (side note: Anime Feminist is a great blog – whereas I tend to be more broad and incorporate my own feminism into my anime examinations, they are very focused on the subject and are good at pointing out some of the things that I might overlook. Check them out!). Trash characters are those characters who, for whatever reason, have stopped caring about social propriety and let their real, harsh opinions and bad habits fly free for all to see. The iconic ones tend to be young women who stop caring about putting up appearances – one example that I can think of is Yukino from His and Her Circumstances, who appears to be very put-together at school, but who becomes a lazy slob at home. There are of course some questions as to whether this is a good thing or a bad thing as far as women’s representation; to summarize some of the good points, these characters seem to reject traditional femininity but at the same time it’s usually in service of some moé appeal. In short: ¯\_(ツ)_/¯ As usual, interpretations are in the eye of the beholder.

As for myself, I’m aware that this story was likely written to appeal to males on some level (the story originally appeared in a shounen magazine, after all), but I’m the type of fan who tends to overlook the hard demographic markers and take things for myself, since there isn’t nearly as much material created specifically for my particular demographic (anime made for mid-thirties women is in short supply, sadly). This has been a very roundabout way of saying that I identify with what Gabriel is going through in that its so, so easy to fall off the productivity wagon, lose hope, and become cynical about life and towards others. Most of the time I find it easier to stay inside and screw around on the computer than to leave the house and go do something more “productive,” so despite her specific situation being more extreme, I find that it makes sense to me.

I think if Gabriel were a lone lead, though, the show would get irritating quickly. It’s the ensemble cast and its members’ variable personality quirks that really make the episode entertaining. I mentioned Satanichia’s inflated perception of herself as being memorable (just look at that accompanying image to the left – I think it’s pretty representative of her personality), and it rings true for almost every scene she’s in. I think a lot of other reviewers have found her to be outright grating, but I tend to like noisy, clueless characters (think Yukko from Nichijou) so I think that’s why she hit me the right way. Vigne just tries so hard to be a demon and yet can’t seem to help but be a goody two-shoes sweetheart. And Raphiel… when I say “bad personality” I don’t think that properly encapsulates how rotten she is. She’s truly a bully, but in a manipulative way that worms its way around your conscious perception and catches you by surprise. She’s the type of character I would despise in a more serious setting, but as a foil for Satanichia I think she works well.

Overall I’m reminded a bit of Panty and Stocking with Garterbelt, which has a similar story premise (but a more adult, vulgar outlook). In that series, there’s a constant questioning of what acts are actually “good” or “bad,” to the point that it actually becomes fairly serious and broad-reaching inquiry regarding morality and being judgmental about women’s behavior. Right now the characters in this anime are maintaining a solid, humorous balance and I suspect the show won’t really be asking those big, serious questions at any point. As I mentioned before, though, I worry that something more will have to happen in order to keep up the level of interest, because a one-gag show is rarely funny for twelve episodes.

As with most comedies, there are a couple of questionable gags. One in particular (that I admittedly laughed at anyway – sorry for being a flawed feminist and human being) involves Gabriel attempting a divine teleportation to make it to school on time. Ultimately, the only thing that transports is the pair of panties she’s wearing (it’s implied that the rest of her is so corrupted that the spell just doesn’t work), and they appear over her desk in class. A group of teenage boys sees this as a divine miracle. Despite the scene being about a minute long, I feel like there are a lot of things I could pick apart – teenagers are not always the smartest, but I think the assumption that teenage boys are so goofy and sex-starved that the act of seeing a pair of a girl’s underwear is a miracle makes me roll my eyes. I feel like the rest of the show is funny enough on its own merits that it doesn’t have to stoop to this level, so it’s a little bit frustrating to me. But again, I still chuckled at it.

I truly have no idea whether this anime series can remain funny beyond the first episode (I recall my experience with Himouto Umaru-chan where I found the introductory episode chuckle-worthy but the subsequent couple of episodes so profoundly flat that I dropped it like a turd), but I liked the introductory episode quite a bit. As of this writing, the second episode is available, so I might just go check it out. In any case, if you have a taste for somewhat low-brow comedic antics, I would definitely give this one a look.

Pros: Its simple premise provides more humor than might be apparent from first glance. The characters’ personalities are over-the-top but meld well into a comedic unit. Gabriel is relateable.

Cons: Some of the gags are maybe too low-brow and/or cynical. There’s the potential for one-note gags as the show progresses (or doesn’t, as might be the case).

Grade: B

Tags Comedy, Crunchyroll, Fantasy, First Impression, Winter 2017