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Conventions Special Features

CONvergence 2019 – Panel Materials

Hi all, I’ll keep this brief. While J.C. and I were on several panels this year, only one – Shiny New Anime – had any quantifiable amount of material to go along with it. Both the handout and the PowerPoint slide deck are below.

Please note: there aren’t any huge differences between the version of Shiny New Anime we presented a few months ago at Anime Detour, and this one; I mostly just cut items due to our more typical time slot at CONvergence, and added a clip for Sarazanmai. There are a few more additions to the handout, however.

Handout
PowerPoint Presentation

As usual, these are yours to have. If you use any of the material for your own presentations, blog posts, or what-not, please credit me. I put a lot of work into these materials (even if they’re fairly straightforward).

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Conventions Special Features

CONvergence 2019 – My Schedule

Summer has just started, and you know what that means. No, not fun in the sun (aka almost certainly getting a sun burn). I’m talking about CONvergence, the biggest Sci-fi/Fantasy/Media convention in the Twin Cities area. This year, the convention is taking up residence in the Hyatt Regency hotel in downtown Minneapolis. As usual, I’ll be sitting on a few panels to help people get excited about anime. Below is my schedule; I hope you’ll stop by if you’ll be at the convention!

Thursday, July 4th

Anime 101
12:30pm – 1:30pm – Hyatt 2 Greenway J
With: James C Horvath, Donald Poleke, Michael Grimm (mod), Scott K. Jamison

There is a lot of Anime out there. Whatโ€™s a good place to start?
I’ve been on this panel several times at the convention. Since anime isn’t CONvergence’s main fandom focus, it’s nice to be able to give an overview to those who are curious about it.

Interpreting Anime
5:00pm – 6:00pm – Hyatt 2 Greenway B
With: James C Horvath, Lathan Murrell, Michael Grimm

How do Americans interpret anime and how does it differ from the message being delivered in Asia?ย 
This is a pretty interesting topic, and not one that many people think about. I spend a lot of time interpreting anime’s themes from my own Western viewpoint, but in some cases those interpretations may not echo the exact intentions of the text. How do we navigate this as Western viewers?

Friday, July 5th

Shiny New Anime
8:30pm – 9:30pm – Hyatt 4 Great Lakes A3
With: J.C. Horvath

Looking for some new anime to watch? Get info on some of the best anime in the last year from panelists that have watched a lot, and enjoy some clips!
We do this panel every year at Anime Detour and Anime Fusion, and since there wasn’t an equivalent this year at CON, we decided to run our own ๐Ÿ™‚

Saturday, July 6th

Anime, Style vs. Source
11:00am – 12:00pm – Hyatt 4 Great Lakes A3
With: J.C. Horvath (mod), Michael Grimm, Boris L Smelov, Donald Poleke

If you copy the form/style but aren’t in Japan, is it anime? Is it appropriation?
This is always a hot topic in the anime community. Are series with aesthetic ties to anime, like Avatar: The Last Airbender or Castlevania considered anime, even though they’re made in the West with a Western audience in mind? I suspect this discussion may get passionate ๐Ÿ™‚

As usual, we’ll be around the convention as attendees, too. So if you want to talk “shop” (anime fandom) or just say “hi,” please do so!

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Conventions Special Features

Convention Report – Anime Detour 2019

This post was originally written for the April 2019 issue of Mangaverse, the anime, manga, and comics โ€˜zine published by the National Fantasy Fan Federation (N3F) which I am currently in charge of editing. If you are interested in contributing to Mangaverse, please contact me at jessi@s1e1.com. I am always on the lookout for writers and artists!

This post may have been minimally-edited from its original form to correct minor errors and/or include hyperlinks.

Additional Photography Provided By: Goldeneyeuro

I’m ready, are you? Photo by Goldeneyeuro.

Throughout many of my years as an anime fan, one thing has been consistent โ€“ my love of anime (and other fandom) conventions. While I came of age as participant in internet-heavy forms of fandom, itโ€™s the in-person gatherings of like-minded people that have always felt like home to me. When I entered college I joined my Universityโ€™s anime club, and through the club met people who were involved in the local fandom community. Through them I was able to learn about and attend some of the existing anime conventions at the time โ€“ Anime Central, which took place outside of Chicago, and Anime Iowa, which at the time was in Cedar Rapids, Iowa. I also met and made friends with some folks who were hoping to establish an anime convention in the Twin Cities metro area. Some thought it foolhardy, but they eventually did so โ€“ that was how Anime Detour came about.

Iโ€™ve been involved with Anime Detour nearly since its inception. First as an attendee, then as a member of art staff, and now, for many years, as a member of programming staff (we put together the panel and event schedule for the weekend, and help to ensure that panelists have what they need). I also run a great deal (some might say an unhealthy amount) of programming, including several panels and the conventionโ€™s long-running Anime Music Video (AMV) contest. This level of involvement definitely colors my experience of the convention itself, as Iโ€™m often buzzing from panel room to panel room so that I can set up for my next presentation, or trying to fit in a meal during a gap; I sometimes donโ€™t get a chance to see and do everything I would like to if I were simply another attendee.

Convention Logistics

Anime Detour 2019 took place from March 29th โ€“ March 31st, at the Hyatt Regency Hotel in Minneapolis, Minnesota. This was the conventionโ€™s second year in the hotel, which luckily put many of the previous yearโ€™s growing pains and other pain-points in the past. Its location comes with its share of challenges, however, some of which my husband and I luckily avoided as members of staff; parking is at a premium, with the attached parking garage coming at a higher cost for three days than many are comfortable with (the convention cut a deal for something like $13/day, but the previous convention hotel came with free parking on a surface lot which is difficult to beat). We were able to snag a hotel room for the weekend (a necessity when youโ€™re on staff), and brought one car between the two of us, which we left in the ramp all weekend. The cost was certainly a price we were willing (and able) to pay. There was a shuttle running between the convention overflow hotels and another parking ramp further out, which helped to make the situation less of an issue. The hotel is also on a major transit thoroughfare, with several bus lines (including the 10, 11, 17, and 18) servicing the closest stops, so this is always a good option for folks familiar with taking transit.

The location is close to several decent food options, though in this there is somewhat of an issue; aside from a Chipotle, a Vietnamese restaurant, and Einstein Brothers bagel place, most of the options nearby are either closed on weekends, or are sit-down options which might be a bit too expensive for most con-goers to make good use of throughout the whole weekend (and which take too much time for those of us who need to be in and out quickly). The hotel itself has a cafรฉ, which is definitely helpful; there you can get various sandwich and breakfast options, as well as coffee (which is a requirement for me these days). Luckily thereโ€™s also a Target store a couple of blocks North of the hotel where one can grab some staples and snacks, and the Hyattโ€™s hotel rooms have mini-fridges to store leftovers. This saved me a couple of times when I didnโ€™t have time to grab other food. My advice to convention attendees would be to bring things like oranges, bananas, apples and some various non-perishable items like crackers, granola bars, jerky, and such. The convention also provides snacks; I believe this is something thatโ€™s mostly a tradition at midwestern conventions, as I havenโ€™t seen them elsewhere. The Consuite as itโ€™s called provides snacks and rice to all attendees; those who put in volunteer hours gain access to an adjacent area that has sandwich fixings, yogurt, and additional items. While the Consuite isnโ€™t meant to be a substitute for actual meals, it can definitely help when youโ€™re in a pinch.

One excellent improvement from last year is that the food trucks contracted to park alongside the hotel were there for longer periods of time, and there were two at a time instead of just the one, which really helped to cut down on the crazy lines that formed last year. I only got the chance to try one of the two, but managed to end up with a very tasty barbecue sandwich out of the deal. This is an amenity that I hope the convention continues to provide, as itโ€™s very convenient and also helps out some local food businesses in the process.

Panels and Events

One of my favorite things about cons is dressing up without getting hassled.

While panels might not be a huge draw to many fans (cooler things like Cosplay, video gaming, and the nightly dance/rave tend to be more highly-regarded), theyโ€™re the reason I keep going to conventions. First, because I love the discussions (except when they turn hostile โ€“ not a common occurrence, but Iโ€™ve seen it happen), and second, because I always feel like I learn something new. At Anime Detour I spent much of my time behind the microphone with my husband presenting several panels on various anime-and-manga-related subjects. He and I are extremely lucky in that weโ€™ve been doing this a long time and have been able to cultivate relationships with many of the people who attend our panels consistently. This aspect of the convention is truly a high point for me and something that keeps us wanting to run panels (even though we know we run way too many).

This year we (surprisingly) had a chance to attend a couple of other panels. One was presented by Evan Miller, a long-time friend, which focused on the development of anime conventions in both Japan and the US. The second half of the panel went somewhat off-track and became a discussion regarding how conventions can and should handle some of the unfortunate realities of the modern era (one example given was a stalking incident that happened at a convention on the West Coast, during which a person set fire to several cars after being turned down for a date). While there was an interesting debate going, I think the discussion revealed that preventing similar incidents revolves a lot around cultivating certain expectations within the convention community, one example being the โ€œCosplay is not Consentโ€ motto which was first developed at another local convention (CONvergence, also now held in Minneapolis).

I also attended a panel that my husband moderated, which revolved around the pressures put upon real-life athletes and how these are (or arenโ€™t) reflected accurately in anime and manga. The conventionโ€™s theme this year revolved around sports and sports anime, and one of the guests of honor was Chris Kluwe, former Minnesota Viking (and current geek). It was an interesting panel, as all the panelists had experience in various sports (MMA, Tai Kwon Do, Swimming, and Football) and could relate that to anime. The panel itself was streamed and is available to watch on the convention YouTube channel, for those who are interested (https://www.youtube.com/watch?v=DBaMikHGzQk).

Shopping

Saturday was especially windy this year!

One of my favorite things about attending conventions is browsing the dealersโ€™ hall. While obtaining anime-related merchandise is no longer difficult, thereโ€™s something about seeing the items in person thatโ€™s appealing to me. Sadly, though the dealer hall is greatly-expanded from what it was in previous years at the old location, the variety of merchandise felt very lacking this year. I like to collect anime figurines, and while Iโ€™m admittedly a fan of some niche series, I can usually find a few characters from series that I enjoy represented at most conventions. Perhaps this is just something thatโ€™s happened over the past couple of years (I had a similar complaint about last yearโ€™s A-Kon convention), but most of the figurines for sale seem to be similar across the board between different merchants, and I didnโ€™t happen to find anything unique. It might just be an off year (and perhaps I ought to work a little harder to expand into some bigger fandoms so I can have more selection available), but I was disappointed.

Iโ€™d also love to see some J-fashion or kawaii-fashion merchants make an appearance at the convention. Unfortunately, Anime Detour has never really catered much to that area of fandom, as I suspect Iโ€™m one of the few staff members with any interest in that and my plate is already full as it is. I do recall a somewhat amusing incident where some panels from our local lolita fashion community were nearly refused because the individuals handling the request thought it was a fetish thing rather than a niche fashion unaffiliated with the famous novel, so I suspect some of those challenges still exist in some form. While there has always been a place for local designers, leather/corset workers, rave fashion sellers, and T-shirt merchants, I would love if someday Anime Detour could invite Lolita Collective to sell in the dealersโ€™ hall, or even bring in some Japanese fashion guests.

As usual, I found a lot more to my fandom liking in the Artist Alley, which was held in one of the smaller ballrooms. The various fan artists there ensured that a great variety of fandoms were represented, including some of my recent favorites like Golden Kamuy and Devilman Crybaby. The room in which the Artist Alley is located seems as though it has some space to expand, so Iโ€™m hoping that future years will be able to accommodate even more excellent artists.

Con Culture

A fun interpretation of the AE-86 Trueno (Hachi-Roku) from Initial D. Photo by Goldeneyeuro.

Anime Detour, like many of the local conventions I attend, has a robust anti-harassment policy (and has for many years). I know from insider experience that the convention staff puts in a lot of work to ensure that staff members are empowered to handle these types of situations, and that con attendees know that harassing behavior is not to be tolerated. While there are always people who believe the rules donโ€™t apply to them, for the most part I find that Anime Detour is one of the conventions where I tend to feel safe and donโ€™t observe other attendees behaving in an out-of-control manner. The convention also cordons-off its 18+ programming in a specific area. While this may seem like overkill to some, my opinion is that this helps to ensure that the people who are interested in seeing that sort of material are well-aware of what theyโ€™re getting into, and those who donโ€™t want to see it donโ€™t stumble into it accidentally.

The convention has also latched onto a trend which I hope will become commonplace at more events like this โ€“ it provides a way for convention attendees to share their preferred gender pronouns in a visible way if they so choose. This year the convention registration staff provided badge ribbons (if youโ€™re not familiar with these, theyโ€™re printed ribbons with a sticky backing that you can attach to your attendee badge) with common pronouns (she/her, they/them, etc.), as well as a blank version for those who utilize less common pronouns. Iโ€™ve seen this accomplished at other cons using stickers, so this is kind of a variation on a theme. This did, unfortunately, introduce a venue for those with bad intentions to take advantage of the blank ribbons and use them to write insults. While I was lucky enough not to see any of these particular ribbons in person, it was reported to me that some folks were writing gender slurs and insults to transgender individuals on the blank ribbons, so something will have to be put into place to help mitigate this for next year (one suggestion given to me and passed along to convention staff was to have people choose from a list or enter their preferred pronouns at registration to have them printed directly on the badge, which I thought would be a good way to filter out the insulting ones).

One thing that I would love (and this is me speaking not as a staffer, but as a convention participant and attendee) would be if Anime Detour would do more to cultivate some more academic, meaty discussions in its panel programming. We do attract a few individuals who choose to approach their presentations in this manner, but historically programming is comprised of what people submit with the intention to run, and what people submit tends to be more light-hearted fandom content and in-character truth-or-dare sessions. Iโ€™d never want to eliminate these things because thatโ€™s obviously what a large contingent of people want to do, but I feel more work could be done to allow the more serious stuff to exist more prominently.

Wrap-up

The Gurren Lagann from Tengen Toppa Gurren Lagann. Photo by Goldeneyeuro.

This yearโ€™s Anime Detour seemed to blaze by in a flash, possibly because I had overbooked myself to the extreme. When your mind is so consumed with what panel or event is coming up next in your personal schedule, itโ€™s difficult to take a step back and experience the things that are going on around you. I tell myself every year that Iโ€™ll cut back next time, but that never seems to happen; itโ€™s difficult for me to say whether or not Iโ€™ll ever learn my lesson.

Anime Detour is what I consider to be my โ€œhomeโ€ convention, and to that end this year was another success. I got the chance to see old friends, chat with other attendees, see pretty much everything the convention had to offer, and enjoy being in the middle of downtown Minneapolis (not exactly a novelty since I work in the area, but itโ€™s different when youโ€™re there for fun). My hope for the future is that the convention will continue to expand responsibly, to utilize its space more efficiently, and to learn and improve upon its ability to cater to people from many different walks of life in pursuit of its fandom-focused mission. Oh, and maybe let me know (gently) that Iโ€™m running WAY too many panels for my own good.

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Conventions Special Features

Anime Central 2019 – Other Events

While Iโ€™ve already talked about some of the awesome โ€œbigโ€ events I got to attend at ACen, as someone who prefers to spend my time at conventions attending sit-down panels and presentations (as opposed to going to concerts, taking photos, etc.) I wanted to make sure I mentioned some of the other great panels and events I had the chance to attend while I was there.

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Conventions Special Features

Anime Central 2019 – “Made in Abyss: Wandering Twilight” Premiere

Note: this post contains spoilers for the film and the section of the TV series that the film adapts.

Friday evening at Anime Central featured the premiere of Made in Abyss: Wandering Twilight, the second of two films recapping the recent anime series. While I typically donโ€™t go out of my way to watch recap movies for series Iโ€™ve already seen, because I enjoyedย Made in Abyssย so much and because the convention was hosting several staff members who were involved with the film, I thought it might be fun to see how the film differed from the TV version. The premiere was a โ€œred carpet event,โ€ with what I assume was an opportunity for individuals with press passes to interview said staff members. The long line of audience members was directed into the auditorium before any of that took place, however. I did scope out the area earlier in the day, and did my best to act like the movie star I was always meant to be (kidding).

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Conventions Special Features

Anime Central 2019 – “Revue Starlight” Panel

Position zero.

As I mentioned, one of my big motivations for attending ACen this year was the fact that staff members of Kinema Citrus and their related anime properties had been invited as guests of honor. It’s no secret that I’m a big fan of Revue Starlight; not only was I enthralled by its gorgeous animation and music, I loved its story and themes. However, I also have very little sense of how the series was perceived in the anime fandom at large. While I saw some reviews of the series here and there, aside from a couple of big examples, most of the blogs I regularly follow didn’t talk about it much, so I was mostly just thankful to have the opportunity at ACen to learn a bit more about an anime series I really enjoyed and be among similarly-minded fans.

Note: Except at very specific points during the presentation, photos weren’t allowed, so all but a few images are my own inclusions after-the-fact.

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Conventions Special Features

Anime Central 2019 – Women in Anime

Hi folks. As is my way, I’m making my panel materials available here for those who could either not attend our panel, or for those who’d like access to our supplemental materials (links, bibliography, etc.). You can download the PowerPoint presentation below:

Women in Anime – ACen 2019

For those who have been following for a while, there are no big differences between this version of the presentation and previous ones. However, there are a couple more links and we included some discussion items that came up during previous iterations of the panel. We had a little bit longer of a time frame this time, too, which was nice.

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Conventions Special Features

Anime Central 2019 – Kinema Citrus Panel

Anime Central is a convention that takes place every spring outside of Chicago, IL (USA). It’s been an annual event for over 20 years at the time of this writing, and it’s also one of the first anime conventions I ever attended as an itty-bitty otaku (after I wet my heels at the much smaller, more intimate Anime Iowa around 2002). This year was the first time I’d been back to the con after a 5 year hiatus; I have a tumultuous relationship with “big” (over 10K attendee) cons, and so I took a break after my last venture to regroup and figure out just what I was looking for in terms of convention experiences.

I’ll write more about the convention in general in a separate post. What’s relevant to this post is the fact that I wasn’t planning to attend this year’s Anime Central either until I saw some news about the guest list – members of animation studio Kinema Citrus, including staff members who performed key production roles on two of my recent favorite series (Made in Abyss and Revue Starlight) were slated to attend and speak. Because my local medium-sized convention rarely gets Japanese guests in the first place, and because both of those anime series affected me deeply, the con suddenly went from being a distant “maybe” to an absolute must-do event.

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Conventions Special Features

Anime Central 2019

Hi friends! My husband J.C. and I will be attending the Anime Central anime convention this upcoming weekend outside of Chicago, IL. I tend to stop by this convention about once every five years or so – this is the first time I’ve been back since 2014. I’m excited to see how the convention has changed and grown in the interim (and to spend a lot of money in the dealers’ room)!

As of now, our schedule is very light; we’re presenting one panel on Friday morning. But we’ll definitely be around, so if you see us, come say hi! Below is our “official” schedule (Note: if you’ve attended “Women in Anime” before, there won’t be much new material, but there’s always been a lively discussion in the past so it might be worthwhile to stop by).

Friday, May 17th

10:30am – 12:00pm, Panel Room 8 (Convention Center) : Women in Anime – a critical look at female characters and their portrayals in anime. We’ll discuss (generally) the good and the more challenging examples, and talk about ways to examine these portrayals through a critical eye. One thing to note is that this is meant to be an overall positive panel, so we’re not going to be spending energy picking at/insulting specifically bad/problematic examples. The purpose is meant to help viewers develop their critical eye and decide for themselves.

That’s it! If you’re going to be at the convention, I hope to see you there!

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Conventions Special Features

Anime Detour 2019 Panel Materials

Hello friends, both old and new! As promised, below are J.C.’s and my panel materials from this year’s Anime Detour convention. I provide these for reference and for those who were unable to attend the panels in person. Some of the PowerPoint presentations contain notes/links that are supplemental to the presentations themselves.

If you have any questions about these, please feel free to leave a comment here or drop me a line directly:

jessi@s1e1.com

Manga for Grown-Ups

Handout

Presentation

Anime for Kids

Handout

Presentation

Anime Blogging 101

Presentation

Visual Storytelling – Camera

Presentation

Anime for Grown-Ups

Handout

Presentation

Women in Anime

Presentation

Shiny New Anime

Handout

Presentation