Hi all, I’ll keep this brief. While J.C. and I were on several panels this year, only one – Shiny New Anime – had any quantifiable amount of material to go along with it. Both the handout and the PowerPoint slide deck are below.
Please note: there aren’t any huge differences between the version of Shiny New Anime we presented a few months ago at Anime Detour, and this one; I mostly just cut items due to our more typical time slot at CONvergence, and added a clip for Sarazanmai. There are a few more additions to the handout, however.
As usual, these are yours to have. If you use any of the material for your own presentations, blog posts, or what-not, please credit me. I put a lot of work into these materials (even if they’re fairly straightforward).
Summer has just started, and you know what that means. No, not fun in the sun (aka almost certainly getting a sun burn). I’m talking about CONvergence, the biggest Sci-fi/Fantasy/Media convention in the Twin Cities area. This year, the convention is taking up residence in the Hyatt Regency hotel in downtown Minneapolis. As usual, I’ll be sitting on a few panels to help people get excited about anime. Below is my schedule; I hope you’ll stop by if you’ll be at the convention!
Thursday, July 4th
Anime 101 12:30pm – 1:30pm – Hyatt 2 Greenway J With: James C Horvath, Donald Poleke, Michael Grimm (mod), Scott K. Jamison
There is a lot of Anime out there. Whatโs a good place to start? I’ve been on this panel several times at the convention. Since anime isn’t CONvergence’s main fandom focus, it’s nice to be able to give an overview to those who are curious about it.
Interpreting Anime 5:00pm – 6:00pm – Hyatt 2 Greenway B With: James C Horvath, Lathan Murrell, Michael Grimm
How do Americans interpret anime and how does it differ from the message being delivered in Asia?ย This is a pretty interesting topic, and not one that many people think about. I spend a lot of time interpreting anime’s themes from my own Western viewpoint, but in some cases those interpretations may not echo the exact intentions of the text. How do we navigate this as Western viewers?
Friday, July 5th
Shiny New Anime 8:30pm – 9:30pm – Hyatt 4 Great Lakes A3 With: J.C. Horvath
Looking for some new anime to watch? Get info on some of the best anime in the last year from panelists that have watched a lot, and enjoy some clips! We do this panel every year at Anime Detour and Anime Fusion, and since there wasn’t an equivalent this year at CON, we decided to run our own ๐
Saturday, July 6th
Anime, Style vs. Source 11:00am – 12:00pm – Hyatt 4 Great Lakes A3 With: J.C. Horvath (mod), Michael Grimm, Boris L Smelov, Donald Poleke
If you copy the form/style but aren’t in Japan, is it anime? Is it appropriation? This is always a hot topic in the anime community. Are series with aesthetic ties to anime, like Avatar: The Last Airbender or Castlevania considered anime, even though they’re made in the West with a Western audience in mind? I suspect this discussion may get passionate ๐
As usual, we’ll be around the convention as attendees, too. So if you want to talk “shop” (anime fandom) or just say “hi,” please do so!
This post was originally written for the April 2019 issue of Mangaverse, the anime, manga, and comics โzine published by the National Fantasy Fan Federation (N3F) which I am currently in charge of editing. If you are interested in contributing to Mangaverse, please contact me at jessi@s1e1.com. I am always on the lookout for writers and artists!
This post may have been minimally-edited from its original form to correct minor errors and/or include hyperlinks.
Throughout many of my years as an anime fan, one thing has been consistent โ my love of anime (and other fandom) conventions. While I came of age as participant in internet-heavy forms of fandom, itโs the in-person gatherings of like-minded people that have always felt like home to me. When I entered college I joined my Universityโs anime club, and through the club met people who were involved in the local fandom community. Through them I was able to learn about and attend some of the existing anime conventions at the time โ Anime Central, which took place outside of Chicago, and Anime Iowa, which at the time was in Cedar Rapids, Iowa. I also met and made friends with some folks who were hoping to establish an anime convention in the Twin Cities metro area. Some thought it foolhardy, but they eventually did so โ that was how Anime Detour came about.
Iโve been involved with Anime Detour nearly since its inception. First as an attendee, then as a member of art staff, and now, for many years, as a member of programming staff (we put together the panel and event schedule for the weekend, and help to ensure that panelists have what they need). I also run a great deal (some might say an unhealthy amount) of programming, including several panels and the conventionโs long-running Anime Music Video (AMV) contest. This level of involvement definitely colors my experience of the convention itself, as Iโm often buzzing from panel room to panel room so that I can set up for my next presentation, or trying to fit in a meal during a gap; I sometimes donโt get a chance to see and do everything I would like to if I were simply another attendee.
Convention Logistics
Anime Detour 2019 took place from March 29th โ March 31st, at the Hyatt Regency Hotel in Minneapolis, Minnesota. This was the conventionโs second year in the hotel, which luckily put many of the previous yearโs growing pains and other pain-points in the past. Its location comes with its share of challenges, however, some of which my husband and I luckily avoided as members of staff; parking is at a premium, with the attached parking garage coming at a higher cost for three days than many are comfortable with (the convention cut a deal for something like $13/day, but the previous convention hotel came with free parking on a surface lot which is difficult to beat). We were able to snag a hotel room for the weekend (a necessity when youโre on staff), and brought one car between the two of us, which we left in the ramp all weekend. The cost was certainly a price we were willing (and able) to pay. There was a shuttle running between the convention overflow hotels and another parking ramp further out, which helped to make the situation less of an issue. The hotel is also on a major transit thoroughfare, with several bus lines (including the 10, 11, 17, and 18) servicing the closest stops, so this is always a good option for folks familiar with taking transit.
The location is close to several decent food options, though
in this there is somewhat of an issue; aside from a Chipotle, a Vietnamese
restaurant, and Einstein Brothers bagel place, most of the options nearby are
either closed on weekends, or are sit-down options which might be a bit too
expensive for most con-goers to make good use of throughout the whole weekend
(and which take too much time for those of us who need to be in and out
quickly). The hotel itself has a cafรฉ, which is definitely helpful; there you
can get various sandwich and breakfast options, as well as coffee (which is a
requirement for me these days). Luckily thereโs also a Target store a couple of
blocks North of the hotel where one can grab some staples and snacks, and the
Hyattโs hotel rooms have mini-fridges to store leftovers. This saved me a
couple of times when I didnโt have time to grab other food. My advice to
convention attendees would be to bring things like oranges, bananas, apples and
some various non-perishable items like crackers, granola bars, jerky, and such.
The convention also provides snacks; I believe this is something thatโs mostly
a tradition at midwestern conventions, as I havenโt seen them elsewhere. The
Consuite as itโs called provides snacks and rice to all attendees; those who
put in volunteer hours gain access to an adjacent area that has sandwich
fixings, yogurt, and additional items. While the Consuite isnโt meant to be a
substitute for actual meals, it can definitely help when youโre in a pinch.
One excellent improvement from last year is that the food
trucks contracted to park alongside the hotel were there for longer periods of
time, and there were two at a time instead of just the one, which really helped
to cut down on the crazy lines that formed last year. I only got the chance to
try one of the two, but managed to end up with a very tasty barbecue sandwich
out of the deal. This is an amenity that I hope the convention continues to
provide, as itโs very convenient and also helps out some local food businesses
in the process.
Panels and Events
While panels might not be a huge draw to many fans (cooler
things like Cosplay, video gaming, and the nightly dance/rave tend to be more
highly-regarded), theyโre the reason I keep going to conventions. First,
because I love the discussions (except when they turn hostile โ not a common
occurrence, but Iโve seen it happen), and second, because I always feel like I
learn something new. At Anime Detour I spent much of my time behind the
microphone with my husband presenting several panels on various
anime-and-manga-related subjects. He and I are extremely lucky in that weโve
been doing this a long time and have been able to cultivate relationships with
many of the people who attend our panels consistently. This aspect of the
convention is truly a high point for me and something that keeps us wanting to
run panels (even though we know we run way too many).
This year we (surprisingly) had a chance to attend a couple of other panels. One was presented by Evan Miller, a long-time friend, which focused on the development of anime conventions in both Japan and the US. The second half of the panel went somewhat off-track and became a discussion regarding how conventions can and should handle some of the unfortunate realities of the modern era (one example given was a stalking incident that happened at a convention on the West Coast, during which a person set fire to several cars after being turned down for a date). While there was an interesting debate going, I think the discussion revealed that preventing similar incidents revolves a lot around cultivating certain expectations within the convention community, one example being the โCosplay is not Consentโ motto which was first developed at another local convention (CONvergence, also now held in Minneapolis).
I also attended a panel that my husband moderated, which
revolved around the pressures put upon real-life athletes and how these are (or
arenโt) reflected accurately in anime and manga. The conventionโs theme this
year revolved around sports and sports anime, and one of the guests of honor
was Chris Kluwe, former Minnesota Viking (and current geek). It was an
interesting panel, as all the panelists had experience in various sports (MMA,
Tai Kwon Do, Swimming, and Football) and could relate that to anime. The panel
itself was streamed and is available to watch on the convention YouTube
channel, for those who are interested (https://www.youtube.com/watch?v=DBaMikHGzQk).
Shopping
One of my favorite things about attending conventions is
browsing the dealersโ hall. While obtaining anime-related merchandise is no
longer difficult, thereโs something about seeing the items in person thatโs
appealing to me. Sadly, though the dealer hall is greatly-expanded from what it
was in previous years at the old location, the variety of merchandise felt very
lacking this year. I like to collect anime figurines, and while Iโm admittedly
a fan of some niche series, I can usually find a few characters from series
that I enjoy represented at most conventions. Perhaps this is just something
thatโs happened over the past couple of years (I had a similar complaint about
last yearโs A-Kon convention), but most of the figurines for sale seem to be
similar across the board between different merchants, and I didnโt happen to
find anything unique. It might just be an off year (and perhaps I ought to work
a little harder to expand into some bigger fandoms so I can have more selection
available), but I was disappointed.
Iโd also love to see some J-fashion or kawaii-fashion merchants
make an appearance at the convention. Unfortunately, Anime Detour has never
really catered much to that area of fandom, as I suspect Iโm one of the few
staff members with any interest in that and my plate is already full as it is.
I do recall a somewhat amusing incident where some panels from our local lolita
fashion community were nearly refused because the individuals handling the
request thought it was a fetish thing rather than a niche fashion unaffiliated
with the famous novel, so I suspect some of those challenges still exist in
some form. While there has always been a place for local designers,
leather/corset workers, rave fashion sellers, and T-shirt merchants, I would
love if someday Anime Detour could invite Lolita Collective to sell in the
dealersโ hall, or even bring in some Japanese fashion guests.
As usual, I found a lot more to my fandom liking in the Artist Alley, which was held in one of the smaller ballrooms. The various fan artists there ensured that a great variety of fandoms were represented, including some of my recent favorites like Golden Kamuy and Devilman Crybaby. The room in which the Artist Alley is located seems as though it has some space to expand, so Iโm hoping that future years will be able to accommodate even more excellent artists.
Con Culture
Anime Detour, like many of the local conventions I attend,
has a robust anti-harassment policy (and has for many years). I know from
insider experience that the convention staff puts in a lot of work to ensure
that staff members are empowered to handle these types of situations, and that
con attendees know that harassing behavior is not to be tolerated. While there
are always people who believe the rules donโt apply to them, for the most part
I find that Anime Detour is one of the conventions where I tend to feel safe
and donโt observe other attendees behaving in an out-of-control manner. The
convention also cordons-off its 18+ programming in a specific area. While this
may seem like overkill to some, my opinion is that this helps to ensure that
the people who are interested in seeing that sort of material are well-aware of
what theyโre getting into, and those who donโt want to see it donโt stumble
into it accidentally.
The convention has also latched onto a trend which I hope
will become commonplace at more events like this โ it provides a way for
convention attendees to share their preferred gender pronouns in a visible way
if they so choose. This year the convention registration staff provided badge
ribbons (if youโre not familiar with these, theyโre printed ribbons with a sticky
backing that you can attach to your attendee badge) with common pronouns
(she/her, they/them, etc.), as well as a blank version for those who utilize
less common pronouns. Iโve seen this accomplished at other cons using stickers,
so this is kind of a variation on a theme. This did, unfortunately, introduce a
venue for those with bad intentions to take advantage of the blank ribbons and
use them to write insults. While I was lucky enough not to see any of these
particular ribbons in person, it was reported to me that some folks were
writing gender slurs and insults to transgender individuals on the blank
ribbons, so something will have to be put into place to help mitigate this for
next year (one suggestion given to me and passed along to convention staff was
to have people choose from a list or enter their preferred pronouns at
registration to have them printed directly on the badge, which I thought would
be a good way to filter out the insulting ones).
One thing that I would love (and this is me speaking not as
a staffer, but as a convention participant and attendee) would be if Anime
Detour would do more to cultivate some more academic, meaty discussions in its
panel programming. We do attract a few individuals who choose to approach their
presentations in this manner, but historically programming is comprised of what
people submit with the intention to run, and what people submit tends to be
more light-hearted fandom content and in-character truth-or-dare sessions. Iโd
never want to eliminate these things because thatโs obviously what a large
contingent of people want to do, but I feel more work could be done to allow
the more serious stuff to exist more prominently.
Wrap-up
This yearโs Anime Detour seemed to blaze by in a flash,
possibly because I had overbooked myself to the extreme. When your mind is so
consumed with what panel or event is coming up next in your personal schedule,
itโs difficult to take a step back and experience the things that are going on
around you. I tell myself every year that Iโll cut back next time, but that
never seems to happen; itโs difficult for me to say whether or not Iโll ever
learn my lesson.
Anime Detour is what I consider to be my โhomeโ convention,
and to that end this year was another success. I got the chance to see old
friends, chat with other attendees, see pretty much everything the convention
had to offer, and enjoy being in the middle of downtown Minneapolis (not
exactly a novelty since I work in the area, but itโs different when youโre
there for fun). My hope for the future is that the convention will continue to
expand responsibly, to utilize its space more efficiently, and to learn and
improve upon its ability to cater to people from many different walks of life
in pursuit of its fandom-focused mission. Oh, and maybe let me know (gently)
that Iโm running WAY too many panels for my own good.
While Iโve already talked about some of the awesome โbigโ events I got to attend at ACen, as someone who prefers to spend my time at conventions attending sit-down panels and presentations (as opposed to going to concerts, taking photos, etc.) I wanted to make sure I mentioned some of the other great panels and events I had the chance to attend while I was there.
Note: this post contains spoilers for the film and the section of the TV series that the film adapts.
Friday evening at Anime Central featured the premiere of Made in Abyss: Wandering Twilight, the second of two films recapping the recent anime series. While I typically donโt go out of my way to watch recap movies for series Iโve already seen, because I enjoyedย Made in Abyssย so much and because the convention was hosting several staff members who were involved with the film, I thought it might be fun to see how the film differed from the TV version. The premiere was a โred carpet event,โ with what I assume was an opportunity for individuals with press passes to interview said staff members. The long line of audience members was directed into the auditorium before any of that took place, however. I did scope out the area earlier in the day, and did my best to act like the movie star I was always meant to be (kidding).
As I mentioned, one of my big motivations for attending ACen this year was the fact that staff members of Kinema Citrus and their related anime properties had been invited as guests of honor. It’s no secret that I’m a big fan of Revue Starlight; not only was I enthralled by its gorgeous animation and music, I loved its story and themes. However, I also have very little sense of how the series was perceived in the anime fandom at large. While I saw some reviews of the series here and there, aside from a couple of big examples, most of the blogs I regularly follow didn’t talk about it much, so I was mostly just thankful to have the opportunity at ACen to learn a bit more about an anime series I really enjoyed and be among similarly-minded fans.
Note: Except at very specific points during the presentation, photos weren’t allowed, so all but a few images are my own inclusions after-the-fact.
Hi folks. As is my way, I’m making my panel materials available here for those who could either not attend our panel, or for those who’d like access to our supplemental materials (links, bibliography, etc.). You can download the PowerPoint presentation below:
For those who have been following for a while, there are no big differences between this version of the presentation and previous ones. However, there are a couple more links and we included some discussion items that came up during previous iterations of the panel. We had a little bit longer of a time frame this time, too, which was nice.
Anime Central is a convention that takes place every spring outside of Chicago, IL (USA). It’s been an annual event for over 20 years at the time of this writing, and it’s also one of the first anime conventions I ever attended as an itty-bitty otaku (after I wet my heels at the much smaller, more intimate Anime Iowa around 2002). This year was the first time I’d been back to the con after a 5 year hiatus; I have a tumultuous relationship with “big” (over 10K attendee) cons, and so I took a break after my last venture to regroup and figure out just what I was looking for in terms of convention experiences.
I’ll write more about the convention in general in a separate post. What’s relevant to this post is the fact that I wasn’t planning to attend this year’s Anime Central either until I saw some news about the guest list – members of animation studio Kinema Citrus, including staff members who performed key production roles on two of my recent favorite series (Made in Abyss and Revue Starlight) were slated to attend and speak. Because my local medium-sized convention rarely gets Japanese guests in the first place, and because both of those anime series affected me deeply, the con suddenly went from being a distant “maybe” to an absolute must-do event.
Hi friends! My husband J.C. and I will be attending the Anime Central anime convention this upcoming weekend outside of Chicago, IL. I tend to stop by this convention about once every five years or so – this is the first time I’ve been back since 2014. I’m excited to see how the convention has changed and grown in the interim (and to spend a lot of money in the dealers’ room)!
As of now, our schedule is very light; we’re presenting one panel on Friday morning. But we’ll definitely be around, so if you see us, come say hi! Below is our “official” schedule (Note: if you’ve attended “Women in Anime” before, there won’t be much new material, but there’s always been a lively discussion in the past so it might be worthwhile to stop by).
Friday, May 17th
10:30am – 12:00pm, Panel Room 8 (Convention Center) : Women in Anime – a critical look at female characters and their portrayals in anime. We’ll discuss (generally) the good and the more challenging examples, and talk about ways to examine these portrayals through a critical eye. One thing to note is that this is meant to be an overall positive panel, so we’re not going to be spending energy picking at/insulting specifically bad/problematic examples. The purpose is meant to help viewers develop their critical eye and decide for themselves.
That’s it! If you’re going to be at the convention, I hope to see you there!
Hello friends, both old and new! As promised, below are J.C.’s and my panel materials from this year’s Anime Detour convention. I provide these for reference and for those who were unable to attend the panels in person. Some of the PowerPoint presentations contain notes/links that are supplemental to the presentations themselves.
If you have any questions about these, please feel free to leave a comment here or drop me a line directly: