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Fashion Special Features

Huge Innocent World Haul – Sale Items and Summer 2016 Happy Pack

IconI have to admit, I’ve been really depressed lately. Over the past several months things have actually been really good as far as my mental health is concerned, but with a recent move, some stressful situations at work, and some very recent and wholly vexing interpersonal drama, things have been a little bit rough. Which is why the timing of these packages’ arrivals was so fortuitous! It’s always fun to open a present; even more so when it’s a present from yourself to yourself, comprised of something that cost a lot of money and makes you feel sort of prestigious.

This will likely be my last big lolita fashion “haul” for a while. Since I’m now paying monthly rent and have spent a lot of cash recently on new furniture, a new computer, and a vacation up North, my safety cushion is close to being depleted. So what better to do than go out with a “bang” and make my last hurrah worthwhile?

Innocent World Summer SaleRecently I was lucky enough to get randomly selected via email for early online shopping for the Innocent World Summer Sale. I was sent a special link and a password to reach the sale page prior to it being visible publicly. I wouldn’t say I’m a high-dollar shopper there, nor do I usually make frequent purchases, so I really do think the selection was pretty random. Lucky for me! I wasn’t necessarily in the market for anything big, but I was hoping I’d be able to get my hands on a few more basic accessories to help fill out my wardrobe a bit and match with some of the bigger pieces that I already own. I was able to find a few things that I think will work out really well!

One thing I wanted to mention before getting started is that there was actually an item that I’d originally wanted to order, but wasn’t able to get. This has happened a few times and I mostly blame the time difference between Minnesota and Japan and the delay in Innocent World being able to update their webshop with out-of-stock information. In this case, though, the situation got a little complicated and I went back-and-forth a bit with the store representative to get things worked out. This time, there was a specific pair of socks I’d wanted to order, but by the time the order was processed they were sold out. That was fine, and I emailed back with a different pair that I would like to buy instead. After several days I got another email back: they’d gotten a returned pair on the socks that I had originally wanted, and could now sell them to me. Awesome! On the other hand, the pair of wrist cuffs I had ordered only had one set in stock and that set was damaged and they didn’t want to sell them to me. Boo! In the end, I kept the original socks, the replacement socks, and the other two items I’d wanted to order in the first place. I want to commend Innocent World on their willingness to look around for the items and communicate the situation. It was just kind of a silly situation to begin with.

Anyway, my sale items came to me in the smaller of the two boxes that I received recently:

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You can see part of the other box; that should give you a sense of scale.

Inside were the four items that I ordered – Three pairs of socks, and a set of hair clips.

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I ordered the socks to help fluff out my basic wardrobe and make coordinating with certain pieces a little bit easier. The specific socks I ordered were the “Fairy Tale Print Overknee Socks” in beige, the “Annette Embossed Overknee Socks” in Black, and the “Embossed Cross and Fleur-de-lis Overknee Socks” in Navy. The hair clips are the “Braid Twin Clips” in Red x Cafe-au-Lait (I have some similar items that are more of a wine/burgundy color, but none that are really a true red and I’ve got some red in my wardrobe that I need to match!). Here are the various items close-up:

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The ribbon clips are fairly simple, made from a smooth single-colored ribbon and accented with a braid that’s a light beige color. They fasten to your hair with alligator clips, which makes them easy to mess around with and re-position to your liking as you fiddle around with your coordinate. Sometimes I like to use items like these to add some more detail to my actual clothing, by clipping them onto my collar or the straps of a JSK, so there’s some versatility in how these can be used. Having things like this around lets me be more creative when I’m putting a look together. the clips were ¥1,960 on sale (at the moment I was charged for these items, the exchange rate was approximately $1 = ¥102, so that’s fairly easy mental math).

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20160629_225836I don’t like to make a habit of doing this, but I actually bought the Fairy Tale OTK’s to match specifically with another Innocent World dress that I own (it’s the Marine Rose re-release I got in my Innocent World Winter Happy Pack). It’s good advice for participants in lolita fashion to stick to general-purpose items unless you’re purchasing a full set, but screw logic! I wanted them. I wore the dress in question to a recent local meetup, but unfortunately the items didn’t arrive in time (I’m pretty sure that’s just a constant problem for us lolitas). It’s difficult to tell from the photos, but the socks are a light cream color rather than a true beige, so they’re pretty easy to match. The rose pattern has both true red and a deeper wine in it, and the leaves are a nice deep green. The IW logo on the back of the socks just above the heel is made with golden yellow and brown threads. The socks cost ¥1,750 during the sale. I took a photo of them with the dress I plan to wear them with. I think it’s a fairly decent match, and obviously the pattern is general enough that I can wear them with other items, too.

The other two pairs of socks are very similar – they’re dark-colored and their patterns are only really visible when worn since they are more of a lace pattern rather than a woven, multi-colored pattern:

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Hopefully the patterns are visible enough in the photographs; they’re quite lovely in real life. The Annette Embossed OTK’s were ones I bought just to have since I don’t really own a lot of nice black socks (I generally end up using lace tights which are nice, but get a little bit boring after a while). The Cross/Fleur-de-lis ones are actually navy and I got them since I’ve ended up owning quite a few items with navy as a main color or as an accent. I also thought they’d go nicely with my Ecailles de Lune Forest of Pipe Organ JSK, which I own in the blue colorway. The JSK has kind of a gradient between royal blue and a much darker blue, so I thought the color and the pattern would be a good match. I’ll have to find an opportunity to try it out!

Happy Pack Image

As the title of this post would suggest, I also purchased Innocent World’s Summer Happy Pack in the Large size (this time they offered the pack in Large and Medium sizes). I feel pretty safe purchasing the large size since my measurements have been pretty constant over the past six months and I’m familiar with the brand’s sizing. The only thing I might worry about are blouses, but I own several Large Innocent World blouses at this point and they all fit well (especially if I wear a minimizing bra).

This is the third Innocent World lucky pack that I’ve purchased, and I think I’ve had pretty good luck with them. I feel obligated to mention, though, that the things they include generally are pretty random, comprised of items that likely didn’t sell well or items in strange colors that might be difficult to match. I’ve watched some YouTube videos from other lolitas who end up disappointed by what they receive since it’s not a fully-coordinated outfit like you might get from an Angelic Pretty special set or something of that nature. I kind of enjoy getting stuff like that because I consider it kind of a coordination challenge for myself, and it’s allowed me to branch out into areas of the fashion that I might otherwise not. When I was starting out in lolita fashion, I was convinced that I should stick to muted colors like brown and beige and keep my wardrobe very same-same so that I could use the same kind of blouses and accessories. While I think that can be good advice (and it would definitely have saved me some money), I think ultimately I’m happy that I have a lot of different things going on in my closet. It’s a little more fun for me to have all sorts of different things to choose from, and I’m starting to be able to dress more seasonally or appropriate to the location where I’m going, so it’s nice.

Happy Pack ContentsTo the left is the sample image provided for what “might” be in the happy pack (I bought the smallest one, the ¥30,000 version). I’ve never been lucky enough in the past to end up with any bags, which is kind of a bummer since I really like the look of brand bags. I have some Taobao design replica ones which are functional and look cute, but just as a lot of people I know are are really into Fossil or Coach or Michael Kors designer bags, so too do I long to own genuine lolita brand purses (I do have a Metamorphose pochette that I use quite a bit, but that’s the only one).

…Until now!!!

What amuses me actually is that, aside from a couple of very minor differences, I received almost exactly the items pictures in the sample image. I didn’t receive the crew socks or that particular head bow, and the dress I got is a different color, but besides that it’s all there. I did a little happy dance since my brand bag dreams have now come true, and both the bags are in colors that will be pretty easy to match. I’m still on the lookout for a bag in red, and also one in black (why I don’t own a single black bag is beyond me, it’s just worked out that way).

I was a bit worried at first since this lucky pack came in a huge freaking box, but the box itself wasn’t heavy at all. As it turned out, the bags were packaged without smooshing them, so they needed a lot of travel room.

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As you can see, there was some room to breathe in there.

20160629_231247The pink plastic shopping bag on the right contained the smaller items (by the way, as long as they’re in good condition, I usually keep these shopping bags and have amassed quite the little collection in my lolita closet – they’re nice and sturdy for carrying stuff around, especially if your in a place where you wouldn’t want an actual bag/purse to get dirty or wet!). One of the items was a postcard set with illustrations from the brand’s Ellen Clapsaddle series. Ellen Clapsaddle was a prolific illustrator from the late 1800’s to the early 1900’s, and was famous for her greeting cards. I’d say her style definitely fits with Innocent World’s general aesthetic. These postcards feature cherubic youngsters (I was tempted to write “creepy babies,” but they’re not that creepy, haha) in cute costumes and situations. I’m not much of a postcard person, so I might see if there’s some way I can frame these and hang them on the wall.

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The package also contained an “Innocent World Charm Clip” in a wine color:

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It’s a grosgrain ribbon with a small braided accent. It has a tiny Innocent World logo ornament sewn onto one side, and has an alligator clip on the back. I was pretty stoked to get this because I have another one that’s literally exactly like it, and it’s nice to be able to wear two of something if you want some symmetry. Buuuut… the color is actually ever-so-slightly more purple-y than my other one. It’s actually so subtle that I think it might be the fault of different dye lots, but I notice it. So I’m still undecided as to whether I can get away with wearing them both together. Not a big deal, though!

Next is a pair of the “Torchon Lace Knee Socks” in black and white:

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I actually own another pair of these in the same colorway, so I wasn’t super excited about having another one. They are a nice basic thing to have, though, and they’re so inexpensive (I think they’re like ¥300 on sale right now) that it wouldn’t bother me to give them away to a happy home at some point. If I’m ever cool and famous enough to do a giveaway, maybe I can throw it in there.

The last item in the accessories bag was a very cute little “Ribbon Biscuit Short Wallet“:

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I actually just transferred all of my stuff to a new wallet, but the fabric on the outside stains if you look at it funny so I wouldn’t be opposed to switching again. Especially since this one is so cute! It’s a little difficult to tell because of the lighting, but the wallet is a light dusty pink color with a light brown biscuit-shaped accent with the brand logo printed on it. There are tiny little bow cut-out accents along the bottom, and there’s a nice scallop motif. It’s made from a synthetic faux-leather material with cloth on the inside. There’s room for banknotes and there’s a small coin purse, as well as slots for cards and other small items. The only thing I don’t like is that I like to have a clear pocket for my driver’s license (because otherwise I have trouble finding it, lol) and this doesn’t have that. But besides that I like it a lot!

So next is the awesome part. I received not one, but two purses! And they’re full sized ones, not the smaller pochette style. The First one I received (well, the one that was closer to the top of the box, anyway) was the “Scallop Pocket Bag” in pink:

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The bag is very roomy. Like the wallet, it’s a dusty light pink color. It’s constructed from a faux leather material. On the front there are two bows and an outside pocket that would be a good place to put a small smart phone, MP3 player, or bus pass for easy access. The zipper pulls have little hearts on them (there are two, making it easy to zip open and closed from multiple angles). The inside lining of the bag is black, and there are pockets inside that seem sized to fit a cell phone and some pens, and there’s also a zipper pocket inside. The size of the bag itself is such that I’m pretty sure you could fit a netbook or tablet inside if that’s what you needed to carry around. There are no shoulder straps, which for me is a bit of a bummer since I usually like to carry my bags cross-body for security reasons, but the handles are large enough that I was able to slide the bag up to my shoulder, which is almost as good (and it makes it a bit easier to switch from side-to-side which is honestly better for my back).

The other bag I received was the “Starry Keynote Embroidered Bag” in chocolate:

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I’m glad that I got this in the chocolate color rather than the gold color, since I already have a gold-colored star-shaped handbag and don’t need another one, lol. As you can see from the photograph, the bag part is sandwiched between two larger star-shaped panels. There is a G-clef with musical notes and staff embroidered in gold thread on one of the panels (the other side is blank). This bag also has two heart-shaped zipper pulls, and the inside pockets of the bag are the same. This bag has two handles which are adjustable (they are like belt buckles and can be lengthened). The shape of this bag makes it less-conducive to holding really large items, but there’s still a ton of room inside and it’s definitely a functional purse.

In lucky packs past I’ve usually gotten more apparel-type items. This time there were only two, but they’re both very nice and quite versatile!

First I received a short-sleeved white blouse. I’m guessing that this was made specifically for the Happy Packs, because I can’t find an exact match. But it’s very similar (minus a few details) to this “Flat Collar Antique Rose” blouse.

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It’s constructed from a very light, almost sheer cotton material, making it really breathable and great for Summer. The buttons are rose-shaped with an antiqued look to them. There is lace around the collar and at the sleeve openings, and there are pintuck details along the front. The blouse is very comfortable and I’m so glad I now have a short-sleeved white blouse with this type of collar, since I’ll be able to wear it with a lot of different things this summer.

The other item I received was a very simple wine-colored chiffon JSK. Again, I think this was likely made specifically for the Happy Packs since I couldn’t find any other info on it:

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The design may be simple, but I really like this piece. The dress constructed of materials in a matching deep red color. The top of the bodice features some cute rose lace detailing and a small satin ribbon at the center. There are detachable waist ties made of the same sort of chiffon material as the dress. There is full back shirring which fits nice and snugly and should be comfortable for a  wide range of sizes. The bodice itself isn’t lined in the back, but the front of the bodice is lined and the skirt portion is lined as well. The skirt has two tiersThere is no zipper on the dress, so in order to fit you have to be able to get the waist portion over your head (or over your butt, depending on how you try to put it on I guess. I tend to go up from the bottom). I would informally equate the amount of stretch to what Innocent World tends to have on their shirred OPs, but please don’t quote me on that. If I can get a helper to help me get a flat measurement at some point, I’ll post an update. In any case, I have a bust of around 90cm and a waist of around 70cm, and I have room to spare and could get in and out of the dress fairly easily by myself.

I decided to put a couple of the items on and try them out. Sorry for my un-styled hair, this was after 11pm and I should have been in bed already (oops!).

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I’m wearing the Fairy Tale OTK’s, the short-sleeved blouse, the scallop purse, and the logo charm hair clip. Not the best, but the best I could come up with at the time without pulling extra stuff out of the closet!

Have you made any big purchases lately? Anyone else out there order this Happy Pack? Let me know in the comments, and thanks for reading!

Categories
Anime Reviews First Impressions Reviews

Summer 2016 First Impressions – Orange

OrangeCoverNaho Takamiya is a timid 16-year-old girl. One day, she receives a letter from her future self detailing actions she must take to prevent Kakeru Naruse, the new transfer student, from sinking into depression and taking his own life. – ANN

Streaming at: Crunchyroll

Number of Episodes: 13

Source: Manga

Summary of Episode 1: Naho is a sweet, quiet girl who aims to be the type of person who doesn’t cause trouble for those around her. That usually means allowing others to have what they want while keeping her desires and discomforts private. This begins to change one day when Naho receives a mysterious letter in the mail; the writer claims to be Naho herself, only 10 years in the future. In the letter are written instructions for how to approach the events of the coming days, especially as they relate to a new transfer student. Naho doesn’t know whether to believe the letter or not until the events of her school day line up exactly with what is written. The Naho of 10 years from now seems to harbor several regrets about things that happened during high school. As the next several weeks unfold, Naho begins to strengthen her resolve. Is it only coincidence that her feelings for Kakeru, the new transfer student, begin to blossom into romantic feelings?

First Impressions: I’m admittedly not going into this anime with zero knowledge or expectations. A few months ago I overheard a friend of mine talking about the Orange manga, and since it’s available in full on Crunchyroll (if you’re a subscriber), I decided to give it a look. The fact that I read the entire series in one go over the period of a couple hours should do enough to express how compelling I thought the story was. Needless to say, when I found out that an anime adaptation was in the works, I was pretty jazzed. I’ve been excitedly anticipating this premiere since then.

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Kakeru, the new transfer student, is conveniently assigned to sit next to Naho.

So what is it that makes this series more interesting than the glut of melodramatic shoujo manga adaptations that are floating around out in anime land? Speaking from the perspective of a manga reader (though hopefully without spoiling anything), I think there are quite a few interesting things at play in this story. For one thing, this isn’t really just a shoujo-style romance played straight. It’s got some unique cross-demographic origins that were a little bit surprising to me when I learned of them – the story was serialized in both a shojo (girls’) magazine, then later in a seinen (adult men’s) one. There’s also a very subtle sci-fi mechanic as far as Naho’s “letter from the future” is concerned, and the story is able to maintain its own internal logic well enough to keep that bit from being too goofy (time travel is rarely done well in fiction and I’m personally fine with that, but this series does well by not getting overly explanatory with the concept). What I think is most important, though, and very evident already from this episode of the anime, is that, even though the story ends up becoming an ensemble piece, a very large part of the story is Naho’s growth as a human being. That to me is way more engrossing than a bunch of dry sci-fi concepts with some characters pasted over the top.

The way Naho behaves in this episode, especially her inner monologue while she and her friends are deciding which kind of bread they want (Naho likes curry bread the best, but she defers to others when asked which kind she’d like to have), and also the way she tends to deny herself the experience of doing things she’d really like to do (because it might make her friends uncomfortable or draw too much attention to herself), cuts like a knife. Those types of feelings and emotions are so familiar to me that it immediately imbues this series with a type of realism that would otherwise be difficult to establish in so short a time. It’s fairly common practice to give shoujo manga heroines some sort of quirky trait in order to try and humanize them a bit – while I think the concept of a “Mary Sue” is terribly sexist since male characters often aren’t examined through the same critical lens, it’s also admittedly not very interesting to watch a character who is already powerful and completely capable with no flaws whatsoever (I’ve never been one for hero worship). So a heroine who is attractive and smart but also has some personality flaw or dirty little secret is pretty common. It also serves as an easy source of comic relief – think Yukino Miyazawa and her secretly-slobbish nature, or Haruhi Fujioka‘s plot-convenient gender fluidity. But Naho’s character flaw, her self-denial, is expressed with a lot of care and doesn’t manifest itself in an over-the-top way. It’s not a source of comedy, but instead serves to underscore the exact situation that the Naho-of-the-future hopes to avoid – the regretful experiences of her high-school life. It feels very genuine to me.

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Kakeru trades his curry bread for Naho’s melon bread.

Knowing that this is a story that relies a lot on its emotional content, I was really hoping that the first episode would start off on the right foot in that respect. For the most part I would say that it hits the right beats from the first few chapters of the manga, although there are a couple of aesthetic choices that I personally wouldn’t have made. The episode leans heavily on its use of visual montage to tell certain parts of the story, and while it gets done what it needs to do (showing a lot of action that takes place over a long period of time in a very short period of screen time, obviously), it adds an element of “wackiness” that seems a bit out of place. Knowing what I do about the general plot arc, this could be a ploy on the director’s part to throw off the audience, but it’s difficult for me to tell at this point. Likewise, the soundtrack tends to be a a bit goofy and overbearing in some scenes, which I think provides the wrong impression. While there are lighthearted moments, the most prominent mood I think should be conveyed is bitter-sweetness; uptempo, noisy music in the background takes away from my ability to feel that. On the other hand, there are a couple points in the episode where there are some really interesting visual filters in use (there’s a scene near the beginning where young Naho and adult Naho symbolically cross paths, and the image is given a hazy, over-saturated and otherworldly quality), and there’s some good use of framing that’s utilized to keep the focus on what’s important (namely, Naho herself). The visual composition of the series is clearly very competent and manages to use some flashy tricks in a more subtle and refined way. I like it.

It’s pretty rare for me to have read a manga before its anime adaptation is available (normally it’s the other way around since I’m primarily an anime fan with manga as a side interest), so to have so many concrete expectations for this adaptation is somewhat foreign. I can get a little disparaging towards manga fans when they get upset over anime adaptations that stray from their source material. It’s experiences like this which provide me with some much-needed perspective. People become critical of adaptations, not generally out of a need to complain  or poo-poo on others’ parades, but out of love for the source material itself. When a story grabs hold of your heart and remains rooted within you long after you’re finished experiencing it, an adaptation which falls far short of its source material can almost feel like a personal insult. But an adaptation is also someone else’s interpretation of a story, and it can really pay off to balance one’s own desires for how that story should play out with the requirements of a different medium and the strengths, weaknesses, and varying tastes and interpretations of the person doing the adapting. It’s definitely something that I’ll have to keep in mind as this story plays out. Luckily, the first episode gives the strong impression that this story is in good hands.

Pros: The story is one that should resonate with multiple demographics pretty easily, as its themes and multi-generational cast have mass appeal. The visuals are high-quality and there is good use of scene framing and modern animation effects.

Cons: Some of the music gets a little overbearing at times. There is a heavy use of montage in this episode which comes across as cheesy.

Grade: B+

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Categories
Anime Reviews First Impressions Reviews

Summer 2016 First Impressions – Berserk

BerserkCoverGuts, a man who calls himself “The Black Swordsman” looks upon his days serving as a member of a group of mercenaries, the Band of the Hawk, nicknamed “the Grim Reaper of the Battlefield.” Led by an ambitious, ruthless, and intelligent man named Griffith, together they battle their way into the royal court, and are forced into a fate that may change their entire lives. – ANN

Streaming At Crunchyroll

Episodes: TBA

Source: Manga

Summary of Episode 1: Following Griffith’s initiation of the Eclipse and transformation into the demonic God Hand Femto, Guts finds himself on the run from the evil forces that have been unleashed on the world. He’s a branded man – the insignia burned into his neck draws wicked spirits and the restless dead to him in unending waves, and it is with his gigantic sword, really just a crude, gigantic slab of metal, that he fights them off one-by-one. After a bar brawl, a young elf named Puck begins to follow Guts. He becomes a first-hand witness to the horrors that now define Guts’ life as a kindly monk and the young girl accompanying him become victims of the risen dead.

First Impressions: I want to start off by mentioning that the Berserk series in general needs a big giant content warning for violence, gore, war crimes, and rape. This series is the very definition of grim-and-gritty and bad things happen to both good and evil characters.

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The scars from Guts’ past are evident.

It might come as some surprise to those of you who only know me via the internet that I actually really, really enjoy Berserk. I count the original anime series among my favorites, and though I haven’t in any sense of the word caught up on the manga, I really like what I’ve read (part of that is Kentaro Miura’s incredible artwork, obviously). The story is certainly incredibly violent (not something I normally like) and the three main characters of the initial story arc are essentially defined by how non-consensual sexual situations have affected them (and these things are shown rather than suggested in most cases), but the story as a whole just holds a certain appeal to me. Perhaps its unflinching darkness hit me at the right time in my anime fandom to leave a mark. In any case, anyone who’s seen the original anime series knows that it leaves off on what’s basically a cliffhanger. The Eclipse happens, we see Guts obtain his sword, and that’s about it. The show is actually sort of circular – if you watch the first episode directly after the final one, you’ll see what I mean. But there’s so much more story to tell, and fans of the show, myself included, have been waiting a long, long time for more of it to be animated.  When the trilogy of new films that reanimated the “Golden Age” story arc (the one covered by the TV series) were released recently, I think many of us began to suspect that something might be in the works. Soon enough the speculation became reality, and here we are.

I’ll say, I definitely have some mixed feelings about this, and I think those of you who’ve watched the episode already will probably have some idea where I’m going. I really, really am not a fan of the way CG is used to animate the majority of this show. On the one hand, it allows more consistency and detail in the characters and backgrounds, and that in and of itself isn’t bad. One hallmark of Miura’s art is that it’s hopelessly detailed (there’s some speculation that one of the reasons that it takes so long for a new chapter of the manga to get finished is due to the detail in the artwork and the fact that he might not be utilizing the services of any assistants to keep things on pace). The original anime series just didn’t even try to animate to the artwork, and used a lot of still-frames and pans to tell the tale of Guts and company. It got the atmosphere down very well and really captured the grittiness of the story, but there just wasn’t a lot of actual animation to speak of. This episode is fully-animated, and we get a lot of cool camera angles and body parts flying, but the characters look like puppets because of the way their limbs move – it’s both too smooth and overly-clunky at the same time. Anime-style animation is all about dynamic character posing and bursts of energy in between static shots; Even though Guts is doing some cool stuff with his swords, the overall movement is too smooth and restrained. Puck’s chibi form is also so disastrously out-of-place when animated this way… yikes.

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The Black Swordsman lives up to his name.

There are a few moments that are clearly hand-drawn, mostly close-ups of faces and some scenes from the opening theme (especially those that hearken back to the previous series), and those scenes are like reaching an oasis in a desert. It’s in those instances where the fine details really seem to come alive. I realize that hand-animating a series like this would require a lot of person-power and that using CG models allows the animators to maintain a consistent quality level without going overboard on labor, but considering how famous this series is, how much merchandise there is for it (it keeps being produced!), and the fact that it’s pretty much earned a place in the pantheon of anime classics, you’d think that perhaps some more resources and care would have been allotted to make this into a prestige piece. It’s like Sailor Moon Crystal all over again (except with more demons, decapitations and flying human entrails).

That being said, there will always be a certain amount of BS I’m willing to deal with in order to see a great story make its way to one of my favorite forms of media. Despite feeling a tad disappointed in some of the visual choices made, watching the first episode of this new chapter of the story feels a little bit like returning to the person I was in the early 2000’s when I first saw the original Berserk series. That is to say, very in awe of the sheer number of anime available in the world, most of which were still out there for me to discover. There really are not a lot of anime around today that really go all in with violence, gore, horror, or the darkness of human nature they way TV series and OVAs did in the 1990’s. I think part of that is just that tastes have changed and we as anime fans have become more accustomed to embracing life’s cuteness and not giving a damn about what non-weebs think of us for it. It also seems like, since the early 2000’s, the world’s real-life horrors have become so much more pronounced, and our escapism is more aimed at contrasting that with happiness and simplicity. Of course, this is also the age of Game of Thrones, where some of the worst aspects of human nature are put on display from week to week to the delight of millions of viewers (and yes, I’m one of those viewers, too). I suspect there is something in many of us that gets lit up when we feel powerless to help ourselves or to make real change in the world. Sometimes it’s just satisfying to see someone in a bad situation bust out and make heads roll, literally. It’s stories like Berserk that put a voice to that urge for me.

Berserk03
Guts endures a flashback while asleep.

Content-wise, I don’t feel like there’s much for me to worry about. I don’t really question the strength of Berserk‘s underlying story, though I’m interested to see how well the anime adapts it and what sort of pace it will take (I’m unclear on how many episodes there are supposed to be and how much of the manga storyline they’re planning to tackle in this segment, so I’m not willing to start making any big predictions). One thing that might be frustrating for some people, though, is that this series pretty much picks up where the previous one left off. If you haven’t seen it, you’ll either have to watch the trilogy of recent films (pretty easy to do, but they’re not streaming anywhere that I know of so you’ll have to get a hold of the DVDs or Blu-Rays somehow) or dig up an old dusty copy of the original anime series (it’s waaay out of print at this point, though I hope maybe the remaster will get re-released someday or that Crunchyroll might add it to their back library now that the new show is coming out). It’s certainly worth your time to do so if you can handled the content. As a side note, I was interested in how they were going to account for Puck since he was cut out of the original series, but this episode did a pretty good job of plopping him right on in!

I really like Berserk and I’m still looking forward to watching this show despite the visual missteps. I think the first episode “feels” mostly correct to me, even if I still find it weird that a story that is so much of a certain time and place has dramatically succumbed to the realities of the modern anime industry. I’m looking forward to continuing the story this season.

Pros: I’ve been waiting a LONG time for more of this story to get animated! It’s quite different in tone than a lot of what’s popular in anime right now, which makes it feel fresh (even though it’s a story that’s been in the process of unfolding for a good 25 years at this point, in manga form).

Cons: Ugh, that CG. Someday we’ll get to a point where it looks almost as good as hand-drawn animation. We have not reached that point, yet. The content will also be too intense for some viewers, as it delves into some pretty violent and explicit territory.

Grade: B

Categories
Anime Reviews Reviews

Spring 2016: What I’ve Been Watching – Shorts

IconI moved into an apartment this past month, and while that’s been a pretty awesome change for me, my “office” area is still in a shambles and it’s made it really difficult for me to write anything (no desk, laptop is mainly used for video streaming to the TV, my desktop computer still doesn’t exist… I’m so very full of excuses right now). I wanted to try and squeeze in some time to talk about the stuff from this most recent season that I’ve been watching. Spoiler alert – it’s been a lot! One great thing about moving is that I’ve been able to commute by bus again, so that’s about 90 minutes per day that I can stream anime on my phone while going to and from work. It’s given me the freedom to devote time not just to the shows I truly love, but to some that I might not make time for otherwise – the goofy, dumpy, highly-flawed stuff that serves as a good reminder of how great the awesome stuff actually is. And heck – sometimes watching series with a lot of major issues helps develop critical thinking skills. Or so I will continue to believe as I fill my days with anime of varying quality levels.

In any case, I’ve noticed that the quality of short-form series has increased by quite a bit over the past year or so. In fact, here are some thoughts on the ones I’m watching right now!

Tonkatsu DJTonkatsu DJ Agetarou

Streaming: Crunchyroll

Episodes: 7 released (as of this writing), total TBD

Source: Manga

Thoughts So Far: Agetarou is a young man who works at his family’s tonkatsu (fried pork cutlet – it’s delicious) restaurant. He doesn’t have a lot of passion for his job, but doesn’t really have any other direction in life. On a fateful night, he’s asked to deliver tonkatsu to an employee at a local dance club, and as thanks he’s granted free admission. It’s at the club that he experiences his first taste of dancing to a famous DJ’s beats, and he’s enthralled. It’s then that Agetarou starts walking the path of becoming a famous DJ.

Aesthetically, this series represents some of the things I don’t really like about the short-form “boom” in anime. It’s a stretch to call it “animated” at all most of the time, since the movement is extremely minimal. It’s more of a moving comic than an animated series, in my opinion. On the other hand, the show is extremely music-oriented, and though it uses a lot of the same tracks over and over again, they’re all very poppy, catchy, and fun to listen to. As goofy as the tale of Agetarou’s rise to fame can be at certain points, the music itself seems to have been taken seriously, and in that sense I think the resource expenditure was well-managed.

One criticism I have of the show is a beef I have with a lot of comedic anime series – a lot of the humor is based around the main character reacting incredulously to some situation and protesting loudly about it. I’ve never found that to be particularly humorous unless it’s done very well (Nichijou is probably the best example I can think of, and a lot of that is the accompanying animation and the great handle on escalation humor that that series has). I think the visual gags, namely the comparisons between DJ skills and tonkatsu-making, are much more successful. It’s silly enough to garner some genuine laughs while also upholding the main premise well.

One item worth noting is the weird, stereotypical language quirks applied to the series’ Black character, DJ Big Master Fry. In the first episode of the show, DJ Big Master Fry gives a monologue that’s audible in Japanese and visually-represented in some kind of heavily-accented written pidgin English on screen. I’m guessing the creators were trying to represent slang dialect, but it comes across as sounding like dialog from Huckleberry Finn. The Crunchyroll translation does a good job of smoothing this out, but there’s really no avoiding it and it comes across as ignorant on the part of the show’s (or the manga’s?) creators. It’s a weirdly uncomfortable moment in a show that’s otherwise very lighthearted and fun.

 

Space Patrol LulucoSpace Patrol Luluco

Streaming: Crunchyroll

Source: Original

Thoughts So Far: Luluco is a middle school student who just wants to live an ordinary life in an exceedingly extraordinary place – Ogikubo, a city where Earthlings and Aliens live alongside one-another. When her father, a member of the Space Patrol, gets into a pickle, Luluco is forced to take over his job and thus her life strays further and further from the ordinary.

When I think “Studio Trigger” what I’m really thinking of is animator/director Hiroyuki Imaishi, a creative voice who specializes in visual stylization and wacky vulgarity. After Trigger’s Kill la Kill, I found myself waiting around for something similarly accomplished to come from the studio. And while we did finally get a hold of Little Witch Academia 2 in the meantime, both When Supernatural Battles Became Commonplace and Ninja Slayer From Animation were decidedly mediocre. My original enthusiasm for the company began to flag. Luckily, this season has been pretty good for Trigger, and while I’m still mostly undecided on how I feel about Kiznaiver about 5 episodes into it, I can already safely say that Luluco is living up to that Imaishi spirit.

The series is what I imagine the lovechild of Kill la Kill and Inferno Cop to be. It’s an apt comparison, too, since the show is pretty clearly drawing influence from both in its visual style and sense of humor. The show is not well-animated in the traditional sense, and this is a complaint that a lot of people have with Trigger’s productions. I think there’s something to be said, though, of being able to take one of Japanese animation’s common shortcomings – few frames and choppy animation – and morphing that into something stylistic in its own way. Luluco incorporates elements of Flash and web animation and puts a lot of emphasis on dynamic character poses rather than smooth in-between animation. It’s one of those things that bothers people and would cause a lot of them to call the show “cheap,” but I really like it as a style choice. I think it takes a lot of talent and an eye for composition to be successful with something like this. I love the character designs, too, which are cute, round, and drawn with thick, bold lines. I hope that they sell figures of the characters at some point!

The current story arc is an extended homage to some of Trigger’s other works, and that really tickles me. What some might see as blatant self-advertising, I see as having fun with some great properties. Of the short series I’m watching this season, this is probably my favorite.

 

Spring 2016Pan de Peace

Streaming: Crunchyroll

Source: 4-koma manga

Thoughts So Far: With episodes this short, it’s difficult to create something that’s too complicated. In this case, it’s simply about a group of four high school girls who are brought together by their love of bread. All of their (decidedly mundane) adventures revolve around bread (making it or obtaining it).

This is one of those shows that’s best described as “mostly inoffensive.” I say mostly, because it occupies a weird slice-of-life sub-genre that I’m still not sure what to do with. There are a lot of shows, both normal and short-form, that feature groups of girls doing this or that. It’s been popular in the last few years to go further, and suggest that the characters might or might not be gunning for some sort of lesbian romantic tension with one-another. Yuru-Yuri made it famous, but there have been several copycats. There’s something that makes me uncomfortable about fetishizing sexual orientation, and then not even being brave enough to follow-through with it.

For a show ostensibly involving bread, there’s unfortunately not a lot of focus on the bread. I kind of live for the last two or three seconds of each episode where there’s a luscious photograph of the type of bread in that episode (as someone who no longer eats bread on a regular basis, looking at pretty pictures of it is one way I continue to go on living without it). As a general rule, I’m congratulatory towards a series that focuses on its characters rather than its gimmick, but these episode are three minutes long and there’s not enough time to develop these characters beyond their stereotypes, so give me my damn food porn!

If you can’t tell, I’m very picky about my food-related anime.

Have you been enjoying any of this season’s short-form series? Let me know!

Categories
Personal

Anime Detour 2016 – My Schedule

Also known as, “why do I overextend myself every year?”

Anyway, as some of you know, I’m both a staffer and a panelist at Anime Detour, an anime convention in the Twin Cities area. Every year I run just a ton (in my opinion) of panels and events throughout the weekend. In case anyone reading this happens to be going, I thought I’d list off where I’ll be and what I’ll be doing over the three days of the con so you can come and say “hi” if you want to. Here’s where you can find me:

Friday

5:00 – 6:00pm – “Manga for Grown-Ups” in Plaza 3

8:00 – 9:00pm – “Myths of the Japanese Wolf” in Atrium 3

9:30 – 10:30pm – “Anime By Numbers Trivia Game” in Plaza 2

11:00 – 12:00am – “Unlicensed Gems” in Atrium 4

Saturday

9:00 – 10:00am – “AMV Contest Showcase” in Plaza 4

12:00 – 1:00pm – “AMV Contest” in Main Programming

1:30 – 2:30pm – “Anime for Grown-Ups” in Plaza 2

6:00 – 7:00pm – “J.C.’s Anime Jeopardy” in Edina Room

9:00 – 10:00pm – “Beyond Moe – Surpassing Character Tropes” in Edina Room

10:30 – 11:30pm – “Don’t Judge and Anime by its Cover” in Atrium 4

Sunday

9:00 – 11:30am – “Cel Painting” in Plaza 3 (assuming I can get out of bed that early – it only really requires me to be present and then help with cleanup)

12:00 – 1:00pm – “Shiny New Anime” in Edina Room

3:00 – 4:00pm – “AMV Contest Awards” in Plaza 4

 

Assuming I can find time to eat, sleep, and use the restroom in there somewhere, I’m planning to at least attend the 3 MN Rufflebutts (the local lolita fashion community) events/panels, but we’ll see how that goes (the schedule looks really daunting now that I’ve listed everything, but several of the panels are games or things that otherwise don’t require a whole lot of input from me, so it’s not as bad as it seems). I can always nap during the AMV contest since it’ll be dark in the room and I’ve seen it all the way through several times already.

Oh, did I mention that I’ll be arriving at the hotel some time around midnight Thursday because of a work trip? Yeah…

Anyway, I hope this sort of explains why I haven’t been around much over the past several weeks.

Categories
Fashion Reviews

Long Ears and Sharp Ears Studio – Spring Lucky Pack “The Dessert Kingdom” Review

LNSears Dessert Kingdom Lucky Pack

*Note: I’m in the process of getting ready for a convention and also moving, so that’s why things have been kind of sparse around here. I’m trying to get a few things posted that I’ve had sitting in the queue for a while. Thanks for understanding!*

It shouldn’t be a surprise that I’m a huge fan of lolita fashion lucky packs. Not only do I like to get nice things at bargain prices, I also generally really like being surprised on gift-giving occasions by things I didn’t specifically ask for. Opening up a lucky pack is the best of two great situations – I get to be surprised, but I’m also fairly certain that I’ll end up liking what I receive (as long as it fits).

A while back I happened to see on Facebook that a brand I’d been eyeing, “Long Ears and Sharp Ears Studio,” was putting out a lucky pack/special set. The set was very sweet-centric and since I’ve been trying to add toned-down sweet items to my wardrobe, I decided to give it a try.

It’s worth mentioning that I was ever so slightly wary due to the price (meaning, it seemed really low) – $100 USD for a JSK, blouse, tights, bag, hair accessory and some small additional small bonus items. I was really worried that the quality might not be quite what I was looking for, that there might be major flaws, etc. Luckily for me, I think the price was more reflective of the relatively simple design and more standard materials than any sort of production flaws or major short cuts.

Packaging

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The items came packaged in a gray packing bag, as well as a shopping-style inner plastic bag with the brand’s logo on it. I’d like to make a note that I had previously thought that the brand’s name sounded a little bit sinister, especially the “Sharp Ears.” It was only after I finally got a good look at the logo that I realized “Long Ears” referred to a rabbit and “Sharp Ears” to a cat. Maybe not the best translation into English but it makes sense and fits with the brand’s cute aesthetic.

20160207_235939 20160208_000009

Inside the plastic bag was a cute tote made out of cotton and quilted to make it thicker. The tote has a snap closure and an inner lining. It might not be quite as sturdy as some of the thicker canvas totes out there (including but not limited to those which I’ve purchased straight from Japanese brands), but it’s much better quality than I expected and it’s nice to have something that actually goes with the dress within. I’m getting ready to move to an apartment (finally!) and so I’ve been using the bag to store some of my accessories in preparation for the move.

Small Items

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The package came with a couple of nice bonus items that I actually didn’t quite expect – A set of stickers featuring cute characters who I assume are the brand mascots, as well as a small desk calendar featuring illustrations of several of the brand’s print series. I’ve been using the calendar on my bedside table since I got it and really love the cute drawings. I haven’t come up with a good use for the stickers yet (I’m not a big sticker person), but might give them away as a prize at a panel or something.

Accessories

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I’d originally thought that the lucky pack came with only two accessories, but that was before I noticed that, attached to the tote’s handle, was a bow that was just pinned-on. So technically there are three, which I think is a nice amount. In addition to the bow, there was also a separate head bow (attached to a headband) and a pair of tights. The head bow is nice because it’s something that matches with the set, and it’s not too big (I don’t think that my face can handle those big bows and I’m not into wearing the huge wigs needed to make them look decent. This one is a nice toned-down size that’s comfortable to wear.

The tights are thick and aren’t really see-through at all (I am an average size/weight for my height so it may be different if your legs are a bit thicker or you’re taller than me). I originally thought that they may not fit since, un-stretched, they looked really small, but they have a lot of give to them. I did wear them a couple of times, though, and got a small run in the toe area. I think this was more the shoes I was wearing, and since that time I’ve taken to wearing little slipper socks (the thin type that you’d wear with flats and wouldn’t show above the shoe) in between my foot and the tights, and this seems to have prevented my other tights from getting damaged. I like the design on the tights as they give a classic, slightly quirky feeling to what would otherwise be very plain leg wear.

Blouse

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The blouse is from the brand’s sister otome brand, Pink Up. It’s pink and made of sheer chiffon-like material with a flocked heart pattern. The rounded collar has cute frills along the border, and there’s a detachable ribbon pin that goes at the neck line. There are two parallel lines of elastic a few inches apart near the cuff, which is a really cute detail. At the time I got this I actually underestimated the amount of use that I would get out of this blouse, since it’s not a “safe” color like white or black. But in addition to it going really beautifully with the JSK in this set, I’ve also worn it with a couple other of my neutral-colored pieces and it adds a nice pop of color and works well even if I’m feeling more casual.

JSK

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There were four possible colorways for this set, and I was hoping for either the pink or yellow one since blue really isn’t my jam and I thought that the brown was too dark and saturated for my tastes. I received the yellow set which I was obviously very happy about. This JSK is extremely cute. It features the rabbit and cat characters in the border print among a magical field of cookies, doughnuts, candies, and other sweets. There are also some royal symbols like crowns and scepters. It is all very whimsical and cute. The bodice features three ribbons in the front and lace around the shoulder straps. There are detachable waist ties held in place with gold bow-shaped buttons. There is corset lacing up the back of the bodice that provides a nice amount of “give.” The corset ribbon is kind of thin and not particularly sturdy, but I don’t think the purpose is for the top to behave like an actual corset as the fabric overall is light and airy and there’s no boning to give it a particular shape. The fabric itself is slightly textured (I’m not sure if it’s really apparent from the photos but it has a raised dot pattern that’s very subtle). The dress itself is fully-lined and has a side zipper. As with all hidden zippers, I tend to have a bit of trouble getting it to go past the waist seam without snagging, even though the dress itself isn’t tight. I think they are just inherently flawed as a closure mechanism, though. The shoulder straps attach to the back of the bodice with buttons, and there are three button holes to help adjust the length (I have kind of a long torso so I’m really thankful for the ability to adjust that measurement!).

One bonus that I should mention is that the dress is a little bit longer than a lot of normal JSKs (it’s listed as 100cm, when I think the general “standard” is closer to 92cm total length), so it’s great for those of us who are slightly above average in height (I’m 5’6”/168cm tall).

The only construction issue that I noticed with this dress is that the top bow on the neckline of the bodice was sewn on a bit wonky and wouldn’t sit straight. This is something that’s definitely within my realm of ability to fix so it’s not a major issue. But it’s probably noticeable in some of the pictures and it bothered me.

Overall

Aside from shoes and other smaller accessories, it’s completely possible to build a coordinate from just the items in this lucky pack, and I really like that. Unlike some of the lucky packs I’ve received which are truly just a random assortment of leftover items, this is more of a “special set” feel with a fairly simple but really cute coord that’s wearable and not OTT. I’m pleased that I received a color that I don’t have much of yet; I’m both looking to expand the “sweet” part of my wardrobe and add some variance to the colors since I’ve been playing it safe with neutrals for a long time. The set can be easily matched with soft pinks, browns, and golds, so there are a lot of great ways that this dress could be coordinated.

I wore the items as-is in one of the photographs, and also tried it out with a few other accessories that I had on hand, including my biscuit hat and bag and the spoon and chocolate necklace I bought (on sale!) recently from Alice and the Pirates.

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Oh, and my fears about the low cost of the set? Almost totally unfounded. The quantity of items was obviously way more than I would have expected for $100 (plus shipping), but so was the quality. The design and materials weren’t at the same quality level as some of my favorite brand pieces, but I have some taobao pieces that were the same price just by themselves and I think this set beats at least some of them.

As of right now (Early April) I believe that there might still be some of these sets available for purchase, so if you’re reading this and are interested, I’d go snatch one up before they’re completely sold out.

Oh, and one thing I wanted to note – this brand has a design that I’m beating myself up about not getting in on sooner – it’s a print loosely based around Jojo’s Bizarre Adventure: Stardust Crusaders!

Have you ordered from Long Ears and Sharp Ears Studio? What are your thoughts on the brand? Let me know in the comments!

Categories
Anime Reviews Reviews

Anime Review – One Punch Man

One Punch Man“Saitama is a hero who only became a hero for fun. After three years of “special” training, though, he’s become so strong that he’s practically invincible. In fact, he’s too strong—even his mightiest opponents are taken out with a single punch, and it turns out that being devastatingly powerful is actually kind of a bore.
With his passion for being a hero lost along with his hair, yet still faced with new enemies every day, how much longer can he keep it going?” – Daisuki.net

Streaming at Daisuki , Hulu

Episodes: 12

Source: Webcomic/Manga

Review: I do a panel once a year at the Anime Detour anime convention focused on “Anime for Grown-Ups” – anime series that older anime fans might enjoy. I try to pull anime series, old and new, from several different genres that have aspects that might appeal to folks who are older, have a lot of life experience, and might not identify very closely with the typical anime protagonist (teenage male high school students, specifically). There are people who tend to misinterpret this as me saying that popular anime or anime aimed at younger audiences is “inferior” in some way to these shows and movies that I’m suggesting in this panel, but that couldn’t be further from the truth. It’s just that, sometimes, it can be difficult being an older anime fan and never seeing yourself represented in the shows you like to watch, especially in the popular ones.

The upside is that, when the overlap between popularity and representation happens, it’s like striking gold a hundred times over. One Punch Man isn’t a complicated show and its action animation and humorous writing have made it really popular with the anime viewing masses. But the element of the series that resonated the most with me and which I think makes it more successful than anime with a similar focus is that its central character embodies a lot of the things that can make life as an adult an emotional struggle.

Let me just say, I really like being a grown-up. I like handling my finances, being able to hold down a job, and having the ability to decide what to do with my time. Driving a car is really great, and watching all the R-rated movies I like is pretty nice, also. But there are struggles, too. Navigating treatment for mental illness sucks, mortgages are complicated and scary, and even a good job can get really boring and tedious if you aren’t in a space where you feel like challenging yourself. Possibly one of the worst parts of coming into your adulthood is eventually gaining enough knowledge of the world to become cynical about it. If you’re careful and lucky this might be avoidable, but I think for most of us it’s easy to allow the gleam of adulthood’s privileges wear off, or perhaps you’re in a situation where you’ve never really even been allowed access to the things that others take for granted. Either way, arriving at the realization that “this is it” can be kind of sucky.

One Punch Man 01
Saitama dreams of a challenging encounter. Copyright Madhouse Inc.

What I loved about this show is that this is exactly where we meet Saitama. Currently stronger than just about every monster, demon, or alien that shows up to harass the people of his city, Saitama’s internal desire to fight for justice and defend the citizenry is currently at a low simmer. He’s reached a point where life no longer holds any challenges, and waking up from a wonderful dream where he’s in an all-out fight for his life, only to realize that the hot-blooded danger he envisioned in his mind’s eye was all an illusion, is depressing. There’s actually some humor in this situation, but I think different audiences will laugh for vastly different reasons. Young people will likely giggle at the utter absurdity of Saitama’s battle power and how his low-key attitude about it all is so incredibly different from your typical bellowing shounen anime protagonist. But for those of us who have been around long enough to have come to the realization that, most of the time, you don’t end up in some career that uses all your talents and pays enough to allow you to live your dreams, and most of the time life isn’t an endless parade of doing whatever the hell you want with your time, the laughter definitely comes from a place of understanding. For a show about a guy who punches dudes through buildings and causes enemy bodies to explode, I’m starting to make it sound kind of depressing.

One of the things that saves this series from being entirely cynical is the relationship between Saitama and his eager student, the cyborg soldier Genos. It’s clear from the outset that Genos doesn’t really need anyone to train him since his robotic body affords him all sorts of power, so much so that he’s immediately recognized as one of the top-ranked heroes in Japan.  Even though he could survive well enough as a loner, he thrives when he looks to Saitama as his master.

There are a lot of times when I wonder why, at the age of 34, I still attend a college anime club. Most of the time when I’m there I get really irritated at the other attendees and their inability to settle down and watch the shows, or the fact that they might not appreciate the full scope of why some series are classic or important (not just older shows, but some really great newer ones, too). But I also get the experience of being around people who are plenty smart and full of real talent, and for some reason some of them want to talk to and get to know me, too. It’s easy to look at anime fandom and think, as an “older” fan, “there’s nothing left for me here.” Fandom keeps getting younger while I stay the same, or at least it seems that way sometimes. But when I see my younger friends’ artwork or hear about the new cosplay they’re working on, or if they want to talk to me about lolita fashion, there’s something about those interactions that remind me that there isn’t such a wide gulf between myself and these people, and being around them helps remind me that I don’t have to let go of all the shiny things in life just because life itself isn’t a constant stream of shinies and rainbows. I like to think (and have interpreted the situation as such), that Saitama gains a little bit of the same perspective being around Genos, whose earnestness helps to offset Saitama’s ennui very well.

One Punch Man 02
Saitama (unwillingly) takes on a protege. Copyright Madhouse Inc.

The other aspect of the series  that reflects its underlying youthful joy is the way that this show was animated. As much as I would love to be an expert on key animators and the animation process in Japan, it’s just not a sense that I’ve had time to develop and so I leave it to the experts. There’s an excellent article over at Anime News Network written by contributor Kevin Cirugeda regarding what makes One Punch Man‘s animation so special, complete with commentary and some informative gifs that should give you a pretty good idea of what has gone into making this show look the way that it does. The biggest takeaway I had, though, and what I think is especially relevant to the spirit of this series, is that the production team for this anime wasn’t working with some extravagant animation budget or an abundance of time in which to draw it all. What it is, according to the chief animation director, is simply the work of passionate animators doing their best. Knowing anything about the Japanese animation industry, with its ability to work its animators to the bone and pay them salaries that keep them in a state of poverty, it seems almost impossible to think that there are animators left with the ability and drive to push their art to the limit. But once again I think that’s one of the lessons worth learning from this series – it’s easy to be cynical (and sometimes grossed-out) once you know how the sausage is made, but it bears repeating that there are many people who, either because of their young age or some magical ability of theirs to keep from becoming completely jaded, truly exemplify why there are things worth caring about.

If I had to levy a complaint against this anime, it would probably be that it gets bogged-down by introducing a lot of side characters and “plot” (defined very loosely) in the second half that drag the show down a bit. With a title like One Punch Man expecting high art would be stupid, and the show appropriately spends most of its time being, how to say, “dumb as hell.” That’s fine and doesn’t bother me. Even with a paper thin plot I still managed to somehow draw a lot of personal meaning from the show. But once the series achieved “dumb as hell and full of other dummies, too” by introducing a slew of other hero characters in the latter several episodes, I started to get a little annoyed. Some of the characters are interesting – I especially liked Silver Fang, the old man with high level martial art powers. But some of them are downright irritating, namely Tatsumaki, the green-haired esper with a bad attitude who spends most of her screen time being snotty for no reason. In any case, because the anime is so brief I felt like there really wasn’t time to utilize the large cast of characters very well, and if there had been a good way to keep things simple (at least for this season of the show, as there will surely be more to come later on) and focus on Saitama and Genos for a while, I would have preferred that. Because the final confrontation is so purely focused on Saitama, specifically him finding someone with whom he can have a (nearly) fair fight, I think this would have been do-able with a little tweaking. But surely that would have upset fans of the source material, so it’s just another no-win anime adaptation situation.

One Punch Man 03
The aftermath of one of Saitama’s encounters. Copyright Madhouse Inc.

Being an adult is complicated, and it doesn’t always feel that great. For every awesome splurge, there’s also an accompanying bill to be paid. The ability to do the fun things you want to do is coupled with the lack of energy that keeps you from doing it. You can buy any anime DVD you want, but there might not be a lot around that you want to own anymore (not my personal problem, but then again I’m a hopeless weeb 4 lyfe up in here). In some cases, it can feel a little bit like there’s not much point to going through the motions every day. I think it’s great, then, to have a reminder that there are still thrilling experiences to uncover (even if you have to wait until you’re discovered by a disgruntled space alien with a penchant for violence… yeah, sometimes anime isn’t all that realistic).  I wouldn’t have expected that reminder to show up in the form of an incredibly popular shounen series, but it serves as a great reminder that there are plenty of younger people out there with valuable things to teach us, and that listening to them might just keep us young.

Pros: The show, possibly somewhat by accident, is sort of insightful about the struggles of adulthood. Dat animation.

Cons: It gets bogged down with too many characters (some of whom are very irritating) in the second half.

Grade: A-

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Showa Genroku Rakugo Shinju – Episode 7 Simulcast Review

Shouwa7x1Now that Kikuhiko has begun to find his voice, both he and Sukeroku are in high demand. They’re even getting radio play now, which is something that Kikuhiko wouldn’t have imagined for himself just a short time ago. Behind the scenes, though, there’s a fair bit of tension between the two performers. Sukeroku has never been one to take things seriously, including his time commitments and dedication to practicing his art. He overreaches by attempting Rakugo stories that are typically outside the purview of a futatsume, and it’s Kikuhiko that has to cover for him by adjusting for time, and asking for forgiveness from their superiors. To Sukeroku, who virtually lives off of alcohol and the laughter of his audiences, things like “saving money” and “dressing properly” just don’t matter. Between acting like a parent to a man who is ostensibly like a brother to him, and working to perfect his art, Kiku is finding less and less time to devote to Miyokichi.

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Showa Genroku Rakugo Shinju – Episode 6 Simulcast Review

Shouwa6x2Following his successful night in the theater, Kikuhiko becomes introspective about his childhood and some of the defining experiences of his life. As a youngster and child of a geisha, young Bon trained in traditional dance out of proximity more than in preparation for a future career. After all, a boy cannot become a geisha, right? Overhearing the whispered ridicule from the other women tore at his confidence, and attempting to learn the craft of Rakugo only seemed to make him more uncomfortable with himself. These memories cause Kikuhiko to wonder once again where he might begin to uncover “his”
rakugo – a performance style all his own.

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Showa Genroku Rakugo Shinju – Episode 4-5 Simulcast Review

Shouwa4x1The young, attractive, responsible Kikuhiko has been waiting tables to make ends meet ever since leaving his master’s home. His work leaves him little time to learn new Rakugo and he finds himself stagnating. Hatsutaro, or “Sukeroku” as he’s now calling himself, has become very popular, booking theaters left and right. He’s even got radio stations knocking on his door to get him to perform. He comes across as irresponsible, but his attitude hides his secret studiousness, and his skills onstage are unmistakable. Kiku can’t seem to reach the same level, his problem being his boring flawlessness. He needs something in his life to mess things up a little bit and break him out of his shell of perfection.

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