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First Impressions Reviews

Summer 2018 First Impressions – Seven Senses of the Reunion

There was once a legendary party named Subaru in the globally popular MMORPG Union. The group was made of elementary school friends. They earned fame in the blink of an eye for their unparalleled abilities in the Sense system at the core of the game. However, there was an incident where a player passed away inside the game. As a result of the death, Union ended service. Six years pass. Haruto Amō, who was a key member of Subaru, has become a hopeless high school student. His personality has changed, and he has no friends or ambition. A classmate gets him to log in to the new Re’Union game, and he ends up having a “reunion” that is hard to believe. He meets his former in-game partner and real-world childhood friend Asahi Kuga. The girl who was supposed to have died six years ago was there. – ANN

Streaming: Amazon Prime Video

Episodes: TBA

Source: Light Novel

Episode 1 Summary: “Union” is one of the world’s most popular MMORPGs, and the Subaru guild is known as one of the best groups of players within its world. Each member has their own special skill set that meshes well with the other team members strengths. They all also happen to know each-other in the real world and share a tight bond of friendship with each other. The group catches wind of a new, intense challenge in the game, one which has destroyed several other players. The consequences of losing to the final boss include perma-death – a permanent “game-over” for their characters. Though the stakes are high Haruto, a brash fighter and the de-facto guild leader, urges everyone to take on the challenge and they’re all excited to attempt the quest. Their attempt seems like it might be successful because they all reach the final boss room with ease. Very soon, though, the group is overwhelmed by the power of their opponent; even Asahi, a group member with foresight, is unable to anticipate the laser beam that fells her. Her game-over is bad enough, but there are also real-life consequences to her in-game death; soon after the rest of the group logs out, they find out that Asahi has died of heart failure in her home. Haruto receives much of the blame, as it was his idea to attempt the quest in the first place.

Several years later, Haruto catches wind of the fact that Union has been rebooted as “Re’Union” and the new game is highly exclusive. There are incredible rewards for those who reach the upper echelons of game play, and not everyone is even allowed to log in. Though in the ensuing six years Haruto has become a pained and sullen teenager, he’s talked into playing again by some acquaintances who want to use him to gain access to a special area. It’s all child’s play to Haruto, and he doesn’t expect much to come of it when they reach the treasure at the end, but inside the chest is something highly unexpected – Asahi’s player avatar, awaking from a very long slumber.

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First Impressions Reviews

Summer 2018 First Impressions – Banana Fish

Nature made Ash Lynx beautiful; nurture made him a cold ruthless killer. A runaway brought up as the adopted heir and sex toy of “Papa” Dino Golzine, Ash, now at the rebellious age of seventeen, forsakes the kingdom held out by the devil who raised him. But the hideous secret that drove Ash’s older brother mad in Vietnam has suddenly fallen into Papa’s insatiably ambitious hands–and it’s exactly the wrong time for Eiji Okamura, a pure-hearted young photographer from Japan, to make Ash Lynx’s acquaintance… – ANN

Streaming: Amazon Prime Video

Episodes: 24

Source: Manga

Episode 1 Summary: Ash Lynx has made a life for himself among the gangs of New York City. A runaway plucked off the streets by Papa Dino, a ruthless mob boss, he’s now beginning to rebel against the man who raised him. After Ash witnesses the death of a man who hands him a vial of white powder and whispers “Banana Fish” with his dying breath, he begins to suspect that it might have something to do with his older brother’s break with reality in Vietnam years earlier. Cue the appearance of Eiji, a photographer’s assistant from Japan who’s helping with a story about Ash and how he brought together New York’s various gang factions. Eiji is pure and innocent, but manages to make a connection with Ash almost immediately – just in time to end up in the middle of a fight between Ash and Papa Dino’s thugs. Eiji and Ash’s young friend Skip are shoved into a car, and it’s all Ash can do to give chase.

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First Impressions Reviews

Winter 2017 First Impressions – Onihei

In the late Edo Period of Tokugawa Shogunate, hatamoto samurai and law enforcement officer Hasegawa Heizō Nobutame (1745-1795) supervised crackdown on arsonists and organized robbers. He was both highly skilled and merciless against criminals, who called him “Oni no Heizō” (“Demonic Heizō”) a.k.a. “Onihei.” – ANN

Streaming at: Amazon Video (with an “Anime Strike” channel membership)

Number of Episodes: 13

Source: Novels/Historical Dramas

Summary of Episode 1: The thief Tanbei of Chigashira has been assumed responsible for a rash of violent robberies around Edo as of late. Law enforcement officer Hasegawa Heizo employs the help of recently-apprehended thief Kumehachi to infiltrate the thieves, as Kumehachi is certain that an impostor must be behind the crimes. The “real” Tanbei, he claims, kept to a very strict thieving code prohibiting murder, rape, and stealing from the poor. Thus, the string of dead bodies in his wake must be the fault of someone more sinister. It is to Kumehachi’s horror to learn that Tanbei, now older, fatter, and looser with his morals, gladly takes responsibility and even welcomes Kumehachi back into the fold. All Kumehachi can do is help to bring his fallen master to justice.

Impressions: Content Warning for images of sword violence, blood, dead bodies, and the suggestion of rape happening mostly off screen/obscured.

I was looking for a bit of a departure from some of the cuter, lighter stuff I’d been watching thus far, and boy did this satisfy that itch. Onihei is unapologetically dark, humorless, and presented with an adult air that I suspect most people would find off-putting. I myself am actually at a bit of a loss as watching this dredges up some memories for me that I’m not quite sure how to think about.

This intro episode reminds me of the type of anime fan that I was eight or nine years ago. I was very much anti-moe and anything that walked the line of being too cutesy or cloying was likely to find itself in the garbage bin before too long. I considered myself to have very “grown-up,” serious tastes and sought out anime that distinctly seemed to be aimed at adult viewers. I surrounded myself with like-minded people, too, which kept me in the safety of an echo chamber. It was probably around the time of Madoka Magica (six years ago now, wow!) that I started to open up a bit more to the ways in which cute visuals and concepts are often used in creative ways. And heck, I now fully believe that sometimes cute is fine just for cute’s sake. I’m no longer that infatuated with anime series that stake their claim on being grim and gritty, and while I ended up having sort of a falling-out with some members of that previous group for various reasons (differences of opinion regarding media being but a small factor) I’m pretty happy with the type of fan that I’ve become in the meantime. One can be critical and discerning while still enjoying things that exist just to be fun, after all.

I wanted to spend the time providing that context, because I admittedly had some immediate negative feelings towards this show that were influenced by my own fandom experiences. The tone of this show is immediately darker and more serious than the majority of anime that’s produced nowadays, which makes it very unique; to me, though, it is also singular in how it reminds me of my relationships of a certain time and place, and of certain people who I know would enjoy the show for its atmosphere and combination of noir and samurai storytelling styles. Having said that, though, I’ll try to move past it and focus on the episode’s actual merits.

In the past few years, for reasons unknown, I’ve gotten really queasy about seeing acts of violence depicted on screen, whether in live-action programming or in animation. It’s funny, because years and years ago I would seek out gore and play a lot of overly-violent video games. Now I can barely keep my eyes on the screen when characters are getting hacked apart, especially so if there’s a lot of suggestive lead-in. This episode isn’t quite as bad as some for all the violence in it, because to be honest the gore isn’t really all that realistic. There are a couple of scenes that depict the aftermath of a robbery with dead bodies strewn about in pools of blood, and there’s also a sword fight featured in the second half of the episode that depicts some stylized violent sword-slashing action, but for a lot of the episode the most objectionable parts are obscured through darkness or come across as too over-the-top for me to be affected by them. There’s the benefit to me of being able to keep watching, but for a series that seems to be banking on its grittiness and basis in history, I think that might be a net loss.

Also worth mentioning, for those who prefer to be forewarned about it, is that there’s a flashback scene partway through the episode during which there’s either an attempted rape, or the aftermath of a completed one (it’s difficult to tell from the short time it’s on screen whether the attacker was successful or not). Shown in the scene is a visibly distressed woman with the front of her clothing torn open, though her nude chest is obscured by other characters and the darkness of the scene. As with most of these types of depictions, it’s only purpose is to add “flavor” to the scene using it as shorthand for depravity and departure from expected cultural norms. In short, lazy and unnecessary given even a slight modicum of creativity.

There seem to have been a few other somewhat bizarre visual choices made in the production of this series. Most people will immediately recognize the extensive use of CG for the background setting and many of the crowd scenes. I’ve softened on my opinion on the use of CG in otherwise 2D anime (thanks, Shirobako!) but that opinion rides on the fact that, when used well, CG generally melds well-enough with traditionally-drawn elements to remain unobtrusive and supportive to the important elements of the scene. This series seems to have taken a different approach, and I’m not entirely sure whether it was a purposeful choice or not. The background elements are conspicuously lacking in the kind of fine detail (texturing, colorization, etc.) that would help them to blend in well. The crowd characters in particular stand out like several hands’ worth of sore thumbs, especially when there are something like twenty CG characters in a scene with two or three hand-drawn main characters. Again, the realities of anime production are what they are, and I suspect a show like this which is now considerably outside the mainstream just doesn’t have the resources to devote to top-tier CG work. But dang would I much rather have looked at static background characters and dull settings than the strange type of poly-chromatic tomfoolery they went with.

That leads me to another of the series’ strange visual choices – the use of color. There’s heavy color filtering going on in many of the scenes, giving each of them a distinct look. Scenes in the jail have a dark blue hue, while those that take place in the town are tinted pink or red. It’s not exactly a bad thing in and of itself, and I’ve seen this kind of mood coloration work well in other stylized contexts. Again, though, the accompanying story of crime is not only gritty, but straightforward and classic; dressing it up with modern-day visual sensibilities would have to be done very well in order to project a sense of style without being overly-conspicuous, and I feel like the techniques cross the line into gaudiness more often than not.

I will say, though, that the very classic sort of story presented in this episode (and likely throughout the series), appeals to me on a certain level. I haven’t had much exposure to jidaigeki serials aside from having learned that they’re a thing that exists in the world, so to get a taste of that style of characterization and episodic historical storytelling via a medium that I can follow is an opportunity that I kind of would like to stay on top of.

That said, there’s but one legal method of watching this series in the United States, and it’s kind of irritating me right now. Amazon has been licensing a couple of anime each season for streaming, though last season they kind of dropped the ball with The Great Passage, a very excellent series about a dictionary editor (what? of course I would love an anime series about something goofy like that!). That and a couple of other anime are available now, though it appears that Amazon has posted them under some new anime-specific streaming service called “Anime Strike” which is a channel that you must pay for in addition to your existing Amazon Prime membership. I already pay for several different streaming services, so you can imagine that I’m a little bit salty about the prospect of paying even more money to keep up with the shows I want to watch (even if it’s only $4.99 a month… I already pay for Amazon Prime, darn it!). It remains to be seen whether this will turn out to be a successful venture for them. As long as they have exclusive rights to the noitaminA stuff, I’ll probably just have to bite the bullet.

I may have to stew over this one a little bit, since I’m extremely torn. I like to see a broad variety of tones and tastes represented each anime season, and this type of show is pretty rare nowadays (especially in animated form). I have to give a few kudos for going against the grain and giving us something that’s not cutesy in any way shape or form, and the idea of a historical police procedural type series is definitely intriguing. But it’s a near-complete sausage festival where the majority of the women are either dead bodies, background characters, or rape victims, so it’s difficult for me to connect with it on more than a very shallow level. It’s also quite violent in addition to that, which can be hard for me to take, depending on the day. Sometimes the media we love is just complicated, don’t you think?

Pros: The tone differs quite a bit from what’s popular nowadays. The “history” plus “police procedural” is a genre combo that we don’t get very often in anime.

Cons: There’s violence and rape. Some of the visual choices are questionable.

Grade: C