“For high schooler Kei -and for at least forty-six others- immortality comes as the nastiest surprise ever.
Sadly for Kei, but refreshingly for the reader, such a feat doesn’t make him a superhero. In the eyes of both the general public and governments, he’s a rare specimen who needs to be hunted down and handed over to scientists to be experimented on for life-a demi-human who must die a thousand deaths for the benefit of humanity.” – Vertical Inc.
Streaming at Netflix (Summer 2016)
Episodes: 12
Source: Manga
Summary of Episode 1: Kei is like many high school kids; he has a steady group of friends, cares about his family, and spends a lot of time worrying about passing his entrance exams. Unfortunately, his current life has come as the result of some sacrifices, namely his close childhood friendship with a boy named Kai. Kei’s mother disapproved of the friendship since Kai was carefree and significantly less studious; in her eyes, the road to maturity is paved in part by the cultivation of one’s relationships, and only those who exhibit positive traits are worthy of association. Kei and Kai still see each-other around town, but their interactions are strictly limited to wordless acknowledgement.
In school, Kei and his classmates are learning about Ajin, a new species of intelligent life that appeared during a war in Africa seventeen years ago. Ajin are unique in that they can be mortally injured but cannot die. This makes them of great interest to several world governments, and once they’re discovered (generally when they are injured by chance and are able to quickly recover), they’re captured and experiments are performed on them in captivity. Kei seems disturbed by the concept, and as he crosses the street deep and thought, he’s hit by a truck. And then, his mangled body rises up from the bloody pavement and Kei realizes – he’s been revealed as one of the most hated beings on the planet. It isn’t long before the police begin searching the town’s outskirts for him, and Kei calls the only person he can think of who might possibly not try to turn him in to the police – Kai. Kai has already begun setting things in motion, and rushes to save his friend, no questions asked. The two ride away in the dark of night, fugitives for the crime of being other than human.
First Impressions: First of all, it bears mentioning that this series is another of Netflix’s late-casts, similar to Knights of Sidonia and The Seven Deadly Sins, so it will be appearing in an official capacity at a later date (they’ve said “Summer 2016” but not given a more accurate time frame). Normally it would be my practice to watch an official version of an anime series since I really believe that anime streaming has virtually removed most of the need to watch fansubs (and now most of the sub groups are either ripping official subs and adding stuff like -san and -chan, or their translations don’t demonstrate a clear understanding of English spelling or grammar – I think all the good translators have probably gone legit). In this case, though, I was personally interested in the show from reading the manga, didn’t see a lot of other impressions of it (since it’s not easily available), and wanted to see ahead of time if it was worth checking out in full at a later time (I have a Netflix account but for some reason it’s like pulling teeth getting me to actually use the service that I pay for every month.) I think this is why I never checked out Knights of Sidonia (though I did buy the DVD and will watch it… eventually). I didn’t want a repeat self performance.
As for the first episode of Ajin, I was pleasantly surprised. I’m familiar with the general story from what I’ve read of the manga (I’m not far in but have at least read what’s covered in this first episode), and this is a good adaptation. One of the fears I had going in stems from the fact that this is both 1. the story of a teenage boy who (unwillingly) gets some special (and very violent) powers and 2. the general concept puts the series in the “edgy” category. I’ve had supremely bad luck with this sort of thing in the past – Deadman Wonderland is a good example of something that was really popular and people on the internet swore up and down was really intelligent and edgy, but turned out to be so, so violent and mean-spirited without much of a coherent message. I was worried that this would end up being another “sad teen fights violently with a bunch of people” anime.
I think what quelled that fear for me, in both the manga and this episode of the anime, is that the friendship between Kei and Kai seems to play such an important role in establishing the plot. Their relationship seems to represent a microcosm of what is happening out in the world – Kai is misunderstood and assumptions are made about his character because of how he looks and the way in which he disregards school, just as the entire world has made assumptions about Ajin and how “othering” them has given society at large an excuse to mistreat them and remove their rights as human beings. In a way it’s a sort of clunky allegory for race relations and the way we have treated almost anyone who is “different” – disabled folks, people on the autism spectrum, trans individuals… the list is extensive. In any case, one thing I really appreciated was that Kai was ready, no questions asked, to help his friend despite the fact that their relationship hadn’t been close for several years. It’s a level of kindness and emotional maturity that surprised me, especially since teen boys in anime tend to be given short shrift when it comes to being given any sort of sensitivity or basic humanity.
I’m betting many of you are wondering about the animation in this series, and it’s definitely worth mentioning. We seem to be entering an age when 3DCG animated anime is becoming an actual thing. I have a lot of mixed feelings about that. Anyone who’s watched the anime series Shirobako (and for those who haven’t, you really should because it’s downright excellent) will probably have a greater appreciation for the role that CG plays in anime and the work that goes into making convincing 3D elements, and I really try to keep that in mind. Unfortunately, I don’t think that CG is yet up to the task of convincingly recreating the look of typical 2D anime, and in many chases the movement of the characters just seems… off. I’ve spent a lot of time trying to figure out why this is and why it’s so difficult to accept that 3DCG anime is probably an inevitability, and I think what it comes down to is consistency. One of the hallmarks of Japanese anime is just how inconsistent it is. When you see characters’ faces from different angles, the mouth positions and how they appear don’t actually make sense a lot of the time, but it’s a type of stylization that we’ve come to expect and accept as consumers of the medium. There are also often vastly different animation styles and frame-rates even within one episode of anime. Important scenes are given more attention and often certain animators are given free reign to go off-model and demonstrate their particular command of movement, and I find that these special scenes really give me a thrill and are one of the reasons why I enjoy watching anime. The use of computer animation removes that unexpected attribute.
That said, I think what Polygon has done in this series actually looks pretty good. It took me until a few minutes into the episode to stop being distracted by the 3D models and the cell-shading and such, but much like watching Gankutsuou (which you should also go watch as soon as you have the opportunity if you would like to see why people used to like Gonzo), once your eyes have adjusted the look kind of becomes a non-issue. It’s not my favorite, but it’s admittedly a lot better than watching a show that’s consistently off-model for reasons that have nothing to do with artistic style (side note: people complaining about Ping Pong being off-model need to go educate themselves). I think people who are not married to anime’s particular aesthetic will be even less distracted and will likely not be bothered at all (this is a series I would show my parents, for example – my mom isn’t an anime fan, but she does like horror and thriller-type series so I bet it would be up her alley).
I really liked this first episode. I don’t know if I’ll keep up with it right now since now I feel kind of bad about downloading an unofficial video of something which is going to be released officially, even if the official release isn’t technically a simulcast. It’s funny how your conscience can adjust like that, isn’t it?
Pros: The show takes a concept that could easily be mishandled and injects it with enough humanity to keep it from becoming one-note. The friendship between the two male characters forms a believable core.
Cons: The 3D animation will definitely be an issue for some. It’s a Netflix late-cast, so the official release won’t be available for several months.
Grade: B+
