I felt like it was about time for some more vampires, so I wanted to revisit an interesting series from a couple of years ago that I really enjoyed. Mars Red is an animated interpretation of a live-action stage read (I’m not sure what makes this distinct from a typical play, but it’s how the source material is specifically described) and takes place in Japan in the early 20th century.
We’ve gotten more than a week into this Halloween list without talking much about Yokai, so I figure it’s about time to remedy that. Yokai are a category of spiritual entity within Japanese folklore. It’s a broad term that encompasses both malevolent and benign spiritual beings, with forms that run the gamut from inanimate objects to animals to humanoids. While the concept of Yokai has existed in Japanese culture for centuries, it was the late manga artist Shigeru Mizuki, who as a child was taught about them by an older female relative, who re-popularized them within a pop-culture context.
Streaming: Crunchyroll
Episodes: TBA
Source: Manga
Story Summary: As young Emperor Nero ascends the throne, a young boy named Cestvs is enslaved and brought to Rome to enter the brutal world of slave boxing. Cestvs has a slight build and by all accounts he should be easily-defeated, but specialized training by Zafar, himself a former slave boxer, helps him to make the most out of his speed and reaction time. Cestvs’ master promises freedom to any of the slave boxers who win 100 fights, so Cestvs has a sharp uphill climb through the fists of some of the most brutal fighters to achieve his goal of escaping slavery. But his greatest challenge may be in Ruska, son of one of the Emperor’s military leaders, and a master of hybrid hand-to-hand combat.
Streaming: Funimation
Episodes: 13
Source: Stage Production
Story Summary: Major Maeda returns to Tokyo after several months and is assigned to the task of interpreting whether a captured vampire might somehow be recruited as an ally in tackling the country’s quickly-emerging vampire crisis. Misaki was an actress, killed in a freak accident during a rehearsal, then mysteriously revived as proven by the stigmata on her tongue. Her mind appears to be frozen in place at her time of death, as she portrayed the titular character in “Salome;” her communication is mostly limited to recitations of lines from the play, though she seems to take an occasional direct interest in Maeda. Maeda encounters a mysterious, youthful actor named Deffrot before learning that Misaki has escaped her confinement. He encounters her just as she speaks her final soliloquy and allows herself to be burned to ash in the morning sunlight.
On the night of a crimson full moon, high school girl Mei Ayazuki, lured by the magic of mysterious magician Charlie, enters into a box. When she awakens, she’s in Tokyo during the Meiji Period. The lost and confused Mei is aided by Ougai Mori and Shunso Hishida, who take her in their carriage to the Rokumeikan, a lavish ballroom full of powerful high officials. where she meets historic figures such as Kyoka Izumi, Otojiro Kawakami, Yakumo Koizumi, and Goro Fujita. In this world, during the “Misty Hour” between sundown and sunup, “mononoke” appear. Those who can see them are called “Tamayori,” and Mei herself possesses this power. As she navigates an unfamiliar life, romance begins to bloom between Mei and these men — and the power of the tamayori will only strengthen their bonds. She may choose to never return to her original time. – ANN
Streaming: Crunchyroll
Episodes: 12
Source: Visual Novel
Episode Summary: Mei Ayazuki is a consummate loner. As a child she had many friends but as it turned out, her ability to converse with ghosts and spirits put a barrier between herself and others. Now she spends most of her time alone listening to music and blocking out the strange voices who sometimes speak to her in the dark. With her headphones on, Mei wanders onto a festival grounds and finds herself the volunteer in a magic show. As she steps in a magic box that will supposedly cause her to disappear, she feels a strange, relaxing sensation flow through her body.
Mei awakens in the middle of a park, and no sooner does she get to her feet than she’s nearly run over by a horse-drawn carriage. A handsome man steps through its doors and offers her safe passage to his destination; though Mei is disoriented, she has trouble refusing, especially since she can’t really remembers where she lives. She finds herself at a grand ball, and as the names of some of the young men at the party begin to make their way around to her, she realizes that they’re all somewhat famous writers. They in turn seem to be fascinated by her ability to speak to ghosts. What could be the mechanism behind this time slip, and can Mei ever find her way home?
During France’s Hundred Years’ War with England, Montmorency, the son of a noble, immerses himself in the study of magic and alchemy at a school for knights. However, after France’s defeat at Agincourt, the school is disbanded and Montmorency is forced to flee. While on the run he meets a miraculous village girl named Jeanne. – ANN
Streaming: Crunchyroll and Funimation
Episodes: 12
Source: Novels
Episode Summary: Montmorency, along with his friends Richemont, Charlotte, and Philip, attend a school for the children of nobles. The backdrop of their carefree school days is the Hundred Year War between France and England. Though they all realize that their friendship will likely come to an end as their families take their places within each faction of the conflict, right now they choose to cling to them as a last bastion of innocent joy. Montmorency has taken it upon himself to try to learn alchemy in order to protect the lives of his friends, but his “master,” a mysterious old alchemist named Nicholas Flamel, is unwilling to train him in this dark art.
Eventually Richemont is called away to join her family in fighting the English, while Philip returns to her father, who has allied with England. Montmorency, realizing that he cannot change things through his own physical power, chooses to enter into a pact with the devil. He summons a fairy named Astaroth, who instructs him in concocting the “Elixir.” Imbibing the elixir will allow him to join with the Philosopher’s Stone (a relic from his family) and gain immense power. He realizes, after what he believes is an unsuccessful attempt at distilling this concoction, that 7 years have now passed.
The Bakumatsu was an era in which the souls of young men burned with anxiety for their country’s future. Takasugi Shinsaku, a soldier of fortune from Choshu, sneaks aboard a government ship with his comrade Katsura Kogorou in search of a mysterious “timepiece” with the power to manipulate time that he fears the government wishes to keep for themselves. Rather than allow such power to fall into the wrong hands, Takasugi plans to destroy the artifact, but having obtained it, the artifact is quickly stolen, forcing the pair to follow the mysterious thief to the seat of government in Kyoto. – MAL
Streaming: Crunchyroll
Episodes: 12
Source: Game
Episode Summary: Shinsaku and Katsura are out on the night sea to obtain a treasure sought by the Tokugawa Shogunate. This treasure is said to grant its owner power over time and space, but Shinsaku wants to destroy it so it doesn’t fall into the wrong hands and create a power imbalance. Though their stealth skills leave something to be desired, they do eventually abscond with the treasure. That is, they nearly make a clean getaway until a mysterious female ninja grabs the item from under their noses, using it to escape into the time stream right before the men are discovered and targeted by cannon fire. Undeterred, they make a second pass at bungling the shogunate’s plans, but after walking in on a mysterious sleeping man trapped in the basement of the enemy fortress, it feels as though something about their world has changed.
The horizon is now dominated by a strange conglomeration of threatening architecture, and Shinsaku and Katsura’s clothing has undergone a transformation as well. They quickly discover that they’re in an alternate time stream from their own, in which the Tokugawa fell and the subsequent power vacuum was filled by someone with decidedly sinister motive. Shinsaku’s first inclination is to go on the offensive, but he soon discovers that his opponents possess the power of various figures from throughout Japanese history.
Fukagawa ward of old Edo (present-day Tokyo) is prone to fire and flooding, so residents rent everyday items like pots, futons, and clothing from shops instead of purchasing them, so as not to impede them when they flee. Okō and Seiji, an older sister and younger brother, run one such rental shop called Izumoya. However, mixed in with their inventory are tsukumogami, objects that have turned into spirits after a hundred years of existence. The siblings sometimes lend these sentient items to customers. Both Okō and Seiji can see and talk to these spirits, and other tsukumogami often come to the store after hearing of the famed siblings. – ANN
Streaming: Crunchyroll
Episodes: TBA
Source: Novel
Episode 1 Summary: Siblings Okou and Seiji manage a rental shop in Edo called Izumonya. While their bread and butter is based around renting everyday objects to customers, they also hold onto an inventory of tsukumogami, well-loved items that have gone on to develop souls. Though they try to keep a lid on this strange specialty, word tends to get around; they’re called upon by a man about to marry into a wealthy family who’s lost a particular family heirloom. The mouse netsuke (charm) that’s gone missing is said to have sprouted legs and run away, and while the siblings are coy about the possibility of it being a tsukumogami (or even acknowledging that tsukumogami are real), they soon employ their own tsukumogami to gather information about the situation. What are eventually discovered are some half-truths about the impending marriage, as well as some fuller truths about the groom’s relationship with his older brother. There might also be some complicated feelings between Seiji and Okou, who aren’t related by blood.
In the year 1274, the invading Mongols have their sights set on Japan. The exiled samurai Jinzaburō Kuchii is in Kamakura when he finds himself face to face with the invasion. – ANN
Streaming: Crunchyroll
Episodes: 12
Source: Manga
Episode 1 Summary: Jinzaburo Kuchii is a former general, and one of many criminals facing exile for his crimes. On a storm-tossed boat, he and his fellow prisoners are at the mercy of the seas until a gang revolt sees several dead and Kuchii and the more reasonable members now in charge. They make their way to Tsushima, an island located between Japan and Goryeo (the modern-day Korean Peninsula) where they’re greeted warmly by Princess Teruhi who invites them all to dinner. It’s there that the reason for their exile (rather than alternate punishment) becomes clear; there are rumblings of Mongol ships 900 strong waiting to set off from Goryeo, and Tsushima is directly in their path. The criminals are meant to be the first line of defense to help repel the Mongol invasion. Kuchii vows not to get involved, but is drawn into the conflict when Princess Teruhi is nearly kidnapped by an advance force.
In the late Edo Period of Tokugawa Shogunate, hatamoto samurai and law enforcement officer Hasegawa Heizō Nobutame (1745-1795) supervised crackdown on arsonists and organized robbers. He was both highly skilled and merciless against criminals, who called him “Oni no Heizō” (“Demonic Heizō”) a.k.a. “Onihei.” – ANN
Streaming at: Amazon Video (with an “Anime Strike” channel membership)
Number of Episodes: 13
Source: Novels/Historical Dramas
Summary of Episode 1: The thief Tanbei of Chigashira has been assumed responsible for a rash of violent robberies around Edo as of late. Law enforcement officer Hasegawa Heizo employs the help of recently-apprehended thief Kumehachi to infiltrate the thieves, as Kumehachi is certain that an impostor must be behind the crimes. The “real” Tanbei, he claims, kept to a very strict thieving code prohibiting murder, rape, and stealing from the poor. Thus, the string of dead bodies in his wake must be the fault of someone more sinister. It is to Kumehachi’s horror to learn that Tanbei, now older, fatter, and looser with his morals, gladly takes responsibility and even welcomes Kumehachi back into the fold. All Kumehachi can do is help to bring his fallen master to justice.
Impressions: Content Warning for images of sword violence, blood, dead bodies, and the suggestion of rape happening mostly off screen/obscured.
I was looking for a bit of a departure from some of the cuter, lighter stuff I’d been watching thus far, and boy did this satisfy that itch. Onihei is unapologetically dark, humorless, and presented with an adult air that I suspect most people would find off-putting. I myself am actually at a bit of a loss as watching this dredges up some memories for me that I’m not quite sure how to think about.
This intro episode reminds me of the type of anime fan that I was eight or nine years ago. I was very much anti-moe and anything that walked the line of being too cutesy or cloying was likely to find itself in the garbage bin before too long. I considered myself to have very “grown-up,” serious tastes and sought out anime that distinctly seemed to be aimed at adult viewers. I surrounded myself with like-minded people, too, which kept me in the safety of an echo chamber. It was probably around the time of Madoka Magica (six years ago now, wow!) that I started to open up a bit more to the ways in which cute visuals and concepts are often used in creative ways. And heck, I now fully believe that sometimes cute is fine just for cute’s sake. I’m no longer that infatuated with anime series that stake their claim on being grim and gritty, and while I ended up having sort of a falling-out with some members of that previous group for various reasons (differences of opinion regarding media being but a small factor) I’m pretty happy with the type of fan that I’ve become in the meantime. One can be critical and discerning while still enjoying things that exist just to be fun, after all.
I wanted to spend the time providing that context, because I admittedly had some immediate negative feelings towards this show that were influenced by my own fandom experiences. The tone of this show is immediately darker and more serious than the majority of anime that’s produced nowadays, which makes it very unique; to me, though, it is also singular in how it reminds me of my relationships of a certain time and place, and of certain people who I know would enjoy the show for its atmosphere and combination of noir and samurai storytelling styles. Having said that, though, I’ll try to move past it and focus on the episode’s actual merits.
In the past few years, for reasons unknown, I’ve gotten really queasy about seeing acts of violence depicted on screen, whether in live-action programming or in animation. It’s funny, because years and years ago I would seek out gore and play a lot of overly-violent video games. Now I can barely keep my eyes on the screen when characters are getting hacked apart, especially so if there’s a lot of suggestive lead-in. This episode isn’t quite as bad as some for all the violence in it, because to be honest the gore isn’t really all that realistic. There are a couple of scenes that depict the aftermath of a robbery with dead bodies strewn about in pools of blood, and there’s also a sword fight featured in the second half of the episode that depicts some stylized violent sword-slashing action, but for a lot of the episode the most objectionable parts are obscured through darkness or come across as too over-the-top for me to be affected by them. There’s the benefit to me of being able to keep watching, but for a series that seems to be banking on its grittiness and basis in history, I think that might be a net loss.
Also worth mentioning, for those who prefer to be forewarned about it, is that there’s a flashback scene partway through the episode during which there’s either an attempted rape, or the aftermath of a completed one (it’s difficult to tell from the short time it’s on screen whether the attacker was successful or not). Shown in the scene is a visibly distressed woman with the front of her clothing torn open, though her nude chest is obscured by other characters and the darkness of the scene. As with most of these types of depictions, it’s only purpose is to add “flavor” to the scene using it as shorthand for depravity and departure from expected cultural norms. In short, lazy and unnecessary given even a slight modicum of creativity.
There seem to have been a few other somewhat bizarre visual choices made in the production of this series. Most people will immediately recognize the extensive use of CG for the background setting and many of the crowd scenes. I’ve softened on my opinion on the use of CG in otherwise 2D anime (thanks, Shirobako!) but that opinion rides on the fact that, when used well, CG generally melds well-enough with traditionally-drawn elements to remain unobtrusive and supportive to the important elements of the scene. This series seems to have taken a different approach, and I’m not entirely sure whether it was a purposeful choice or not. The background elements are conspicuously lacking in the kind of fine detail (texturing, colorization, etc.) that would help them to blend in well. The crowd characters in particular stand out like several hands’ worth of sore thumbs, especially when there are something like twenty CG characters in a scene with two or three hand-drawn main characters. Again, the realities of anime production are what they are, and I suspect a show like this which is now considerably outside the mainstream just doesn’t have the resources to devote to top-tier CG work. But dang would I much rather have looked at static background characters and dull settings than the strange type of poly-chromatic tomfoolery they went with.
That leads me to another of the series’ strange visual choices – the use of color. There’s heavy color filtering going on in many of the scenes, giving each of them a distinct look. Scenes in the jail have a dark blue hue, while those that take place in the town are tinted pink or red. It’s not exactly a bad thing in and of itself, and I’ve seen this kind of mood coloration work well in other stylized contexts. Again, though, the accompanying story of crime is not only gritty, but straightforward and classic; dressing it up with modern-day visual sensibilities would have to be done very well in order to project a sense of style without being overly-conspicuous, and I feel like the techniques cross the line into gaudiness more often than not.
I will say, though, that the very classic sort of story presented in this episode (and likely throughout the series), appeals to me on a certain level. I haven’t had much exposure to jidaigeki serials aside from having learned that they’re a thing that exists in the world, so to get a taste of that style of characterization and episodic historical storytelling via a medium that I can follow is an opportunity that I kind of would like to stay on top of.
That said, there’s but one legal method of watching this series in the United States, and it’s kind of irritating me right now. Amazon has been licensing a couple of anime each season for streaming, though last season they kind of dropped the ball with The Great Passage, a very excellent series about a dictionary editor (what? of course I would love an anime series about something goofy like that!). That and a couple of other anime are available now, though it appears that Amazon has posted them under some new anime-specific streaming service called “Anime Strike” which is a channel that you must pay for in addition to your existing Amazon Prime membership. I already pay for several different streaming services, so you can imagine that I’m a little bit salty about the prospect of paying even more money to keep up with the shows I want to watch (even if it’s only $4.99 a month… I already pay for Amazon Prime, darn it!). It remains to be seen whether this will turn out to be a successful venture for them. As long as they have exclusive rights to the noitaminA stuff, I’ll probably just have to bite the bullet.
I may have to stew over this one a little bit, since I’m extremely torn. I like to see a broad variety of tones and tastes represented each anime season, and this type of show is pretty rare nowadays (especially in animated form). I have to give a few kudos for going against the grain and giving us something that’s not cutesy in any way shape or form, and the idea of a historical police procedural type series is definitely intriguing. But it’s a near-complete sausage festival where the majority of the women are either dead bodies, background characters, or rape victims, so it’s difficult for me to connect with it on more than a very shallow level. It’s also quite violent in addition to that, which can be hard for me to take, depending on the day. Sometimes the media we love is just complicated, don’t you think?
Pros: The tone differs quite a bit from what’s popular nowadays. The “history” plus “police procedural” is a genre combo that we don’t get very often in anime.
Cons: There’s violence and rape. Some of the visual choices are questionable.
Grade: C