After a family tragedy turns her life upside down, plucky high schooler Tohru Honda takes matters into her own hands and moves out into a tent. Unfortunately for her, she pitches her new home on private land belonging to the mysterious Sohma clan, and it isn’t long before the owners discover her secret. But, as Tohru quickly finds out when the family offers to take her in, the Sohmas have a secret of their own–when touched by the opposite sex, they turn into the animals of the Chinese Zodiac. – ANN
Episode Summary: Tohru’s living situation is a bit… complicated. After her mother passed away in an accident, she went to live with her grandfather. Now her grandfather’s home is being renovated, so rather than cause problems for one of her friends by asking to live with them for a few months, Tohru has chosen to take all the burden on by herself – by living in a tent in the woods and supporting herself through her part-time job. By accident, she learns that her tent sits on the property of the Soma family, and Yuki Soma (her class’s “prince”) walks with her to school when Tohru discovers the location of their family home. This gets Tohru in trouble with Yuki’s fan club, but luckily Yuki turns out to be more down-to-earth than his social status may imply.
After completing a day’s work at her after-school cleaning job, Tohru sneaks back to her tent in the dark. Coincidentally, Yuki and his cousin Shigure are also wandering their property, and suddenly Tohru’s secret is out in the open. Conveniently, the Soma boys are slobs, and Tohru has a knack for cleaning – it seems like the perfect match for them both. She’s invited to take the empty room on the Soma home’s second floor. But when the ornery Kyo drops in to pick a fight with Yuki, the family’s odd secret is revealed. If the family members come into contact with someone of the opposite sex, they transform into the various animal members of the Chinese Zodiac!
Kaguya Shinomiya and Miyuki Shirogane are two geniuses who stand atop their prestigious academy’s student council, making them the elite among elite. But it’s lonely at the top and each has fallen for the other. There’s just one huge problem standing in the way of lovey-dovey bliss—they’re both too prideful to be the first to confess their romantic feelings and thus become the “loser” in the competition of love. – ANN
Episode Summary: Kaguya and Miyuki are a perfect match for one-another. Kaguya is the pinnacle of old wealth who approaches life with a regal point-of-view. Miyuki comes from more modest origins, but makes up for that with his top-tier intelligence. Together they’d make a stunning romantic couple, but in an environment where confessing one’s feelings translates to revealing one’s weakness, love is much less a complicated dance than it is an all-out competition of strategic wit and cunning.
The student council office at Shuchiin Academy is the battle ground for these student leaders, who both have feelings for each-other but refuse to show their hand. Their tactics to catch each-other expressing their true feelings range from trickery, to manipulation, to outright desperation. But will this stubbornness ultimately result in unrequited feelings on both sides?
It’s 1991 and the heyday of the 2D fighting game boom. Sixth-grader Haruo spends practically his entire day at an arcade in the seedy part of town, oblivious to the world around him. However, one day at his usual arcade, he encounters Akira, his female classmate with good grades and money. She may look out of place at the arcade, but she is actually a top-class gamer. Akira completely outmatches Haruo in one Street Fighter II round after another, and their relationship develops from this unlikely encounter. – ANN
Episode Summary: Haruo considers himself a pretty avid gamer. His current favorite is Street Fighter II, which he plays endlessly at the local arcade. Though he typically dominates the standings, one afternoon he suddenly starts suffering one defeat after another. Who could his new opponent be? Surprisingly, it’s his classmate Akira Ono – a quiet, refined classmate of his whose grades outshine Haruo’s by a mile. Haruo simply can’t stand being outclassed by someone who’s so clearly not the gamer “type.”
Haruo and Akira start to encounter one-another around town more often, where Akira continues to impress with her unusually good gaming skills, as well as her ability to shut down naysayers with her fists. After the kids find themselves sharing a Final Fight gaming cabinet after escaping a sudden rainstorm, Haruo begins to realize the extent of Akira’s gaming knowledge, as well as her inability to suffer fools during a heated co-op session. Though Haruo is still sore about his many fighting game losses, he begins to think he may be gaining a new friend in Akira.
Yū has always loved shōjo manga and awaits the day she gets a love confession that sends her heart aflutter with bubbles and blushes, and yet when a junior high classmate confesses his feelings to her, she feels nothing. Disappointed and confused, Yū enters high school still unsure how to respond. That’s when Yū sees the beautiful student council president Nanami turn down a suitor with such maturity that she’s inspired to ask her for help. But then the next person to confess to Yū is Nanami herself. – ANN
Episode Summary: Yuu has always enjoyed the romance in the manga she reads and the music she listens to, but has never genuinely felt those same feelings in her own life. Though one of her classmates confessed his feelings towards her after they graduated from junior high, Yuu’s answer has been up in the air since then because she hasn’t felt inspired enough to respond in the manner she feels is truthful. One day Yuu is “recruited” to help the student council, and wanders the school grounds looking for their out-of-the-way office. She witnesses a boy’s confession to an upperclassman who, though she answers in the negative, lets the young man down with such grace and dignity that Yuu is incredibly impressed.
The senpai, Nanami, is herself a member of the student council. She explains to Yuu that she’s not interested in romance and plans to stay single throughout high school. The two end up working together fairly closely over the next several days, until the time comes for Yuu to speak to her potential suitor. Due to Nanami’s influence, she’s able to reject him truthfully and with kindness. But a surprising transformation seems to take place – Nanami now seems smitten with Yuu, and confesses those feelings to her. As the days go on, that momentary awkwardness seems to fade into memory, but Yuu still wonders how to address them.
At Dahlia Academy, a prestigious boarding school attended by students of two feuding countries—the eastern Nation of Touwa, and the Principality of West—Romio Inuzuka, leader of the dorms’ Touwa first-years, wishes for a romance that can never be. For his ladylove is none other than his arch-enemy, Juliet Persia, leader of the dorms’ West first-years. – ANN
Episode Summary: The feud between the Principality of the West and the Eastern Nation of Touwa is played out daily in the microcosm that is Dahlia Academy. Romio Inuzuka leads the Touwa Black Doggy Dorm, while Juliet Persia heads the dorm of the Western White Cats, and they truly do feud like cats and dogs; the confrontations between the two groups occasionally erupt into actual violence, with their passionate leaders at the center of the conflict. Romio has a secret, however – he’s been in love with Juliet since the two were children, but he’s never been brave enough to state it out loud (for obvious reasons).
When Juliet finds herself cornered one afternoon Romio manages to save her from attack, though in doing so embarrasses her so much that he believes there’s no salvaging their potential relationship. Later that night he receives a message from Juliet beckoning him to the school’s fountain, more than likely so that they can hash out their “differences.” When she challenges him to a sword duel, Juliet explains that she’s always considered Romio the rival she wants to beat; she works and trains hard so that she can one day have the power to change the world. Romio lays it all on the line and shares the truth of his feelings as their swords clash. They eventually decide to start dating – but it has to be in secret, for the sake of the school and its tenuous harmony.
Naho Takamiya is a timid 16-year-old girl. One day, she receives a letter from her future self detailing actions she must take to prevent Kakeru Naruse, the new transfer student, from sinking into depression and taking his own life. – ANN
Summary of Episode 1: Naho is a sweet, quiet girl who aims to be the type of person who doesn’t cause trouble for those around her. That usually means allowing others to have what they want while keeping her desires and discomforts private. This begins to change one day when Naho receives a mysterious letter in the mail; the writer claims to be Naho herself, only 10 years in the future. In the letter are written instructions for how to approach the events of the coming days, especially as they relate to a new transfer student. Naho doesn’t know whether to believe the letter or not until the events of her school day line up exactly with what is written. The Naho of 10 years from now seems to harbor several regrets about things that happened during high school. As the next several weeks unfold, Naho begins to strengthen her resolve. Is it only coincidence that her feelings for Kakeru, the new transfer student, begin to blossom into romantic feelings?
First Impressions: I’m admittedly not going into this anime with zero knowledge or expectations. A few months ago I overheard a friend of mine talking about the Orange manga, and since it’s available in full on Crunchyroll (if you’re a subscriber), I decided to give it a look. The fact that I read the entire series in one go over the period of a couple hours should do enough to express how compelling I thought the story was. Needless to say, when I found out that an anime adaptation was in the works, I was pretty jazzed. I’ve been excitedly anticipating this premiere since then.
Kakeru, the new transfer student, is conveniently assigned to sit next to Naho.
So what is it that makes this series more interesting than the glut of melodramatic shoujo manga adaptations that are floating around out in anime land? Speaking from the perspective of a manga reader (though hopefully without spoiling anything), I think there are quite a few interesting things at play in this story. For one thing, this isn’t really just a shoujo-style romance played straight. It’s got some unique cross-demographic origins that were a little bit surprising to me when I learned of them – the story was serialized in both a shojo (girls’) magazine, then later in a seinen (adult men’s) one. There’s also a very subtle sci-fi mechanic as far as Naho’s “letter from the future” is concerned, and the story is able to maintain its own internal logic well enough to keep that bit from being too goofy (time travel is rarely done well in fiction and I’m personally fine with that, but this series does well by not getting overly explanatory with the concept). What I think is most important, though, and very evident already from this episode of the anime, is that, even though the story ends up becoming an ensemble piece, a very large part of the story is Naho’s growth as a human being. That to me is way more engrossing than a bunch of dry sci-fi concepts with some characters pasted over the top.
The way Naho behaves in this episode, especially her inner monologue while she and her friends are deciding which kind of bread they want (Naho likes curry bread the best, but she defers to others when asked which kind she’d like to have), and also the way she tends to deny herself the experience of doing things she’d really like to do (because it might make her friends uncomfortable or draw too much attention to herself), cuts like a knife. Those types of feelings and emotions are so familiar to me that it immediately imbues this series with a type of realism that would otherwise be difficult to establish in so short a time. It’s fairly common practice to give shoujo manga heroines some sort of quirky trait in order to try and humanize them a bit – while I think the concept of a “Mary Sue” is terribly sexist since male characters often aren’t examined through the same critical lens, it’s also admittedly not very interesting to watch a character who is already powerful and completely capable with no flaws whatsoever (I’ve never been one for hero worship). So a heroine who is attractive and smart but also has some personality flaw or dirty little secret is pretty common. It also serves as an easy source of comic relief – think Yukino Miyazawa and her secretly-slobbish nature, or Haruhi Fujioka‘s plot-convenient gender fluidity. But Naho’s character flaw, her self-denial, is expressed with a lot of care and doesn’t manifest itself in an over-the-top way. It’s not a source of comedy, but instead serves to underscore the exact situation that the Naho-of-the-future hopes to avoid – the regretful experiences of her high-school life. It feels very genuine to me.
Kakeru trades his curry bread for Naho’s melon bread.
Knowing that this is a story that relies a lot on its emotional content, I was really hoping that the first episode would start off on the right foot in that respect. For the most part I would say that it hits the right beats from the first few chapters of the manga, although there are a couple of aesthetic choices that I personally wouldn’t have made. The episode leans heavily on its use of visual montage to tell certain parts of the story, and while it gets done what it needs to do (showing a lot of action that takes place over a long period of time in a very short period of screen time, obviously), it adds an element of “wackiness” that seems a bit out of place. Knowing what I do about the general plot arc, this could be a ploy on the director’s part to throw off the audience, but it’s difficult for me to tell at this point. Likewise, the soundtrack tends to be a a bit goofy and overbearing in some scenes, which I think provides the wrong impression. While there are lighthearted moments, the most prominent mood I think should be conveyed is bitter-sweetness; uptempo, noisy music in the background takes away from my ability to feel that. On the other hand, there are a couple points in the episode where there are some really interesting visual filters in use (there’s a scene near the beginning where young Naho and adult Naho symbolically cross paths, and the image is given a hazy, over-saturated and otherworldly quality), and there’s some good use of framing that’s utilized to keep the focus on what’s important (namely, Naho herself). The visual composition of the series is clearly very competent and manages to use some flashy tricks in a more subtle and refined way. I like it.
It’s pretty rare for me to have read a manga before its anime adaptation is available (normally it’s the other way around since I’m primarily an anime fan with manga as a side interest), so to have so many concrete expectations for this adaptation is somewhat foreign. I can get a little disparaging towards manga fans when they get upset over anime adaptations that stray from their source material. It’s experiences like this which provide me with some much-needed perspective. People become critical of adaptations, not generally out of a need to complain or poo-poo on others’ parades, but out of love for the source material itself. When a story grabs hold of your heart and remains rooted within you long after you’re finished experiencing it, an adaptation which falls far short of its source material can almost feel like a personal insult. But an adaptation is also someone else’s interpretation of a story, and it can really pay off to balance one’s own desires for how that story should play out with the requirements of a different medium and the strengths, weaknesses, and varying tastes and interpretations of the person doing the adapting. It’s definitely something that I’ll have to keep in mind as this story plays out. Luckily, the first episode gives the strong impression that this story is in good hands.
Pros: The story is one that should resonate with multiple demographics pretty easily, as its themes and multi-generational cast have mass appeal. The visuals are high-quality and there is good use of scene framing and modern animation effects.
Cons: Some of the music gets a little overbearing at times. There is a heavy use of montage in this episode which comes across as cheesy.
