Episode Summary: The Kouka Revue was created in the Taisho era, and featured unmarried actresses in all theatrical roles. The otokoyaku (male performers), with their suave, gentlemanly presentation, stole the hearts of female fans. Eventually an elite school was established to train actresses in this art form, and aspiring students compete each year to be among the 40 lucky few to be accepted.
Ai, a former idol who “graduated” (forced to retire) after a run-in with a fan, is one of those aspirants. Her talent means that she’s a veritable shoo-in and her fame means that most of the other potential classmates already know who she is, but she still doesn’t expect to draw the attention of beanpole (and complete weirdo) Sarasa. Sarasa is loud, goofy, and lacks the typical traits of a Kouka actress, but has a certain something that allows her to stand out from the crowd (and it’s not just her unusual height). She aspires to be a top star and play Lady Oscar in “The Rose of Versailles.” Yet thus far, Ai only sees her as a nuisance.
After a family tragedy turns her life upside down, plucky high schooler Tohru Honda takes matters into her own hands and moves out into a tent. Unfortunately for her, she pitches her new home on private land belonging to the mysterious Sohma clan, and it isn’t long before the owners discover her secret. But, as Tohru quickly finds out when the family offers to take her in, the Sohmas have a secret of their own–when touched by the opposite sex, they turn into the animals of the Chinese Zodiac. – ANN
Episode Summary: Tohru’s living situation is a bit… complicated. After her mother passed away in an accident, she went to live with her grandfather. Now her grandfather’s home is being renovated, so rather than cause problems for one of her friends by asking to live with them for a few months, Tohru has chosen to take all the burden on by herself – by living in a tent in the woods and supporting herself through her part-time job. By accident, she learns that her tent sits on the property of the Soma family, and Yuki Soma (her class’s “prince”) walks with her to school when Tohru discovers the location of their family home. This gets Tohru in trouble with Yuki’s fan club, but luckily Yuki turns out to be more down-to-earth than his social status may imply.
After completing a day’s work at her after-school cleaning job, Tohru sneaks back to her tent in the dark. Coincidentally, Yuki and his cousin Shigure are also wandering their property, and suddenly Tohru’s secret is out in the open. Conveniently, the Soma boys are slobs, and Tohru has a knack for cleaning – it seems like the perfect match for them both. She’s invited to take the empty room on the Soma home’s second floor. But when the ornery Kyo drops in to pick a fight with Yuki, the family’s odd secret is revealed. If the family members come into contact with someone of the opposite sex, they transform into the various animal members of the Chinese Zodiac!
Nature made Ash Lynx beautiful; nurture made him a cold ruthless killer. A runaway brought up as the adopted heir and sex toy of “Papa” Dino Golzine, Ash, now at the rebellious age of seventeen, forsakes the kingdom held out by the devil who raised him. But the hideous secret that drove Ash’s older brother mad in Vietnam has suddenly fallen into Papa’s insatiably ambitious hands–and it’s exactly the wrong time for Eiji Okamura, a pure-hearted young photographer from Japan, to make Ash Lynx’s acquaintance… – ANN
Episode 1 Summary: Ash Lynx has made a life for himself among the gangs of New York City. A runaway plucked off the streets by Papa Dino, a ruthless mob boss, he’s now beginning to rebel against the man who raised him. After Ash witnesses the death of a man who hands him a vial of white powder and whispers “Banana Fish” with his dying breath, he begins to suspect that it might have something to do with his older brother’s break with reality in Vietnam years earlier. Cue the appearance of Eiji, a photographer’s assistant from Japan who’s helping with a story about Ash and how he brought together New York’s various gang factions. Eiji is pure and innocent, but manages to make a connection with Ash almost immediately – just in time to end up in the middle of a fight between Ash and Papa Dino’s thugs. Eiji and Ash’s young friend Skip are shoved into a car, and it’s all Ash can do to give chase.
Naho Takamiya is a timid 16-year-old girl. One day, she receives a letter from her future self detailing actions she must take to prevent Kakeru Naruse, the new transfer student, from sinking into depression and taking his own life. – ANN
Summary of Episode 1: Naho is a sweet, quiet girl who aims to be the type of person who doesn’t cause trouble for those around her. That usually means allowing others to have what they want while keeping her desires and discomforts private. This begins to change one day when Naho receives a mysterious letter in the mail; the writer claims to be Naho herself, only 10 years in the future. In the letter are written instructions for how to approach the events of the coming days, especially as they relate to a new transfer student. Naho doesn’t know whether to believe the letter or not until the events of her school day line up exactly with what is written. The Naho of 10 years from now seems to harbor several regrets about things that happened during high school. As the next several weeks unfold, Naho begins to strengthen her resolve. Is it only coincidence that her feelings for Kakeru, the new transfer student, begin to blossom into romantic feelings?
First Impressions: I’m admittedly not going into this anime with zero knowledge or expectations. A few months ago I overheard a friend of mine talking about the Orange manga, and since it’s available in full on Crunchyroll (if you’re a subscriber), I decided to give it a look. The fact that I read the entire series in one go over the period of a couple hours should do enough to express how compelling I thought the story was. Needless to say, when I found out that an anime adaptation was in the works, I was pretty jazzed. I’ve been excitedly anticipating this premiere since then.
Kakeru, the new transfer student, is conveniently assigned to sit next to Naho.
So what is it that makes this series more interesting than the glut of melodramatic shoujo manga adaptations that are floating around out in anime land? Speaking from the perspective of a manga reader (though hopefully without spoiling anything), I think there are quite a few interesting things at play in this story. For one thing, this isn’t really just a shoujo-style romance played straight. It’s got some unique cross-demographic origins that were a little bit surprising to me when I learned of them – the story was serialized in both a shojo (girls’) magazine, then later in a seinen (adult men’s) one. There’s also a very subtle sci-fi mechanic as far as Naho’s “letter from the future” is concerned, and the story is able to maintain its own internal logic well enough to keep that bit from being too goofy (time travel is rarely done well in fiction and I’m personally fine with that, but this series does well by not getting overly explanatory with the concept). What I think is most important, though, and very evident already from this episode of the anime, is that, even though the story ends up becoming an ensemble piece, a very large part of the story is Naho’s growth as a human being. That to me is way more engrossing than a bunch of dry sci-fi concepts with some characters pasted over the top.
The way Naho behaves in this episode, especially her inner monologue while she and her friends are deciding which kind of bread they want (Naho likes curry bread the best, but she defers to others when asked which kind she’d like to have), and also the way she tends to deny herself the experience of doing things she’d really like to do (because it might make her friends uncomfortable or draw too much attention to herself), cuts like a knife. Those types of feelings and emotions are so familiar to me that it immediately imbues this series with a type of realism that would otherwise be difficult to establish in so short a time. It’s fairly common practice to give shoujo manga heroines some sort of quirky trait in order to try and humanize them a bit – while I think the concept of a “Mary Sue” is terribly sexist since male characters often aren’t examined through the same critical lens, it’s also admittedly not very interesting to watch a character who is already powerful and completely capable with no flaws whatsoever (I’ve never been one for hero worship). So a heroine who is attractive and smart but also has some personality flaw or dirty little secret is pretty common. It also serves as an easy source of comic relief – think Yukino Miyazawa and her secretly-slobbish nature, or Haruhi Fujioka‘s plot-convenient gender fluidity. But Naho’s character flaw, her self-denial, is expressed with a lot of care and doesn’t manifest itself in an over-the-top way. It’s not a source of comedy, but instead serves to underscore the exact situation that the Naho-of-the-future hopes to avoid – the regretful experiences of her high-school life. It feels very genuine to me.
Kakeru trades his curry bread for Naho’s melon bread.
Knowing that this is a story that relies a lot on its emotional content, I was really hoping that the first episode would start off on the right foot in that respect. For the most part I would say that it hits the right beats from the first few chapters of the manga, although there are a couple of aesthetic choices that I personally wouldn’t have made. The episode leans heavily on its use of visual montage to tell certain parts of the story, and while it gets done what it needs to do (showing a lot of action that takes place over a long period of time in a very short period of screen time, obviously), it adds an element of “wackiness” that seems a bit out of place. Knowing what I do about the general plot arc, this could be a ploy on the director’s part to throw off the audience, but it’s difficult for me to tell at this point. Likewise, the soundtrack tends to be a a bit goofy and overbearing in some scenes, which I think provides the wrong impression. While there are lighthearted moments, the most prominent mood I think should be conveyed is bitter-sweetness; uptempo, noisy music in the background takes away from my ability to feel that. On the other hand, there are a couple points in the episode where there are some really interesting visual filters in use (there’s a scene near the beginning where young Naho and adult Naho symbolically cross paths, and the image is given a hazy, over-saturated and otherworldly quality), and there’s some good use of framing that’s utilized to keep the focus on what’s important (namely, Naho herself). The visual composition of the series is clearly very competent and manages to use some flashy tricks in a more subtle and refined way. I like it.
It’s pretty rare for me to have read a manga before its anime adaptation is available (normally it’s the other way around since I’m primarily an anime fan with manga as a side interest), so to have so many concrete expectations for this adaptation is somewhat foreign. I can get a little disparaging towards manga fans when they get upset over anime adaptations that stray from their source material. It’s experiences like this which provide me with some much-needed perspective. People become critical of adaptations, not generally out of a need to complain or poo-poo on others’ parades, but out of love for the source material itself. When a story grabs hold of your heart and remains rooted within you long after you’re finished experiencing it, an adaptation which falls far short of its source material can almost feel like a personal insult. But an adaptation is also someone else’s interpretation of a story, and it can really pay off to balance one’s own desires for how that story should play out with the requirements of a different medium and the strengths, weaknesses, and varying tastes and interpretations of the person doing the adapting. It’s definitely something that I’ll have to keep in mind as this story plays out. Luckily, the first episode gives the strong impression that this story is in good hands.
Pros: The story is one that should resonate with multiple demographics pretty easily, as its themes and multi-generational cast have mass appeal. The visuals are high-quality and there is good use of scene framing and modern animation effects.
Cons: Some of the music gets a little overbearing at times. There is a heavy use of montage in this episode which comes across as cheesy.
