Tag: Winter 2018

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Anime Reviews Reviews

Anime Review – Sanrio Boys

Kōta Hasegawa is a high school boy who loves the yellow Pom Pom Purin dog. By mere coincidence, he ends up attending the same school as Yū Mizuno, a boy who likes the bunny My Melody. Yū tells Kōta that there’s nothing to be ashamed of for liking Sanrio’s cute characters. Together, Kōta, Yū, Shunsuke Yoshino, Ryō Nishimiya, and Seiichiro Minamoto learn to accept their love of the characters instead of feeling embarrassed. – ANN

Copyright 2018 Sanrio/Pierrot

Streaming: Crunchyroll

Source: Original

Episodes: 12

Review: This review may contain spoilers for the series.

When was the first time you felt ashamed for liking something? When I was in elementary school, Teenage Mutant Ninja Turtles was huge. I loved the cartoon series and the video games more than almost anything else. I really wanted to own some of the toys, but as a fourth-grader without a steady source of income, it was up to me to try to get my parents to buy them for me. Looking back as an adult, I can logically say that there’s nothing wrong with a girl wanting to own action figures, but all the toy commercials had boys in them and even at my young age I was afraid of being judged or laughed-at for wanting to play with toys made for boys. The happy ending to my story was that my mother never once judged me or made fun of me for my preference, and I went on to build a large collection of action figures, Star Trek figures, and other miscellaneous fandom toys that eventually led to the overgrown collection of anime figurines I have today.

That, of course, was just my experience, but not everyone has the luxury of crossing society’s arbitrary gender boundaries with their likes and dislikes, especially boys and men who enjoy things typically aimed at girls and women (because believe it or not being a girl or woman is valued as lesser by our society, even by people who might not necessarily think so consciously). I know my husband has gotten some flak for his enjoyment of My Little Pony and preference for pinks and purples, and in an even broader sense, there are people who are harassed and harmed because their gender expression doesn’t fit into a certain narrow binary. Sanrio Boys isn’t a heavy hitter when it comes to discussing the latter; in fact, the series doesn’t really touch on gender itself very deeply. But it does spend a lot of time looking at the former – boys who express themselves through their enjoyment of characters and products typically aimed at women.

Kouta was picked on for his love of Pom Pom Purin.

Each of the five main characters in this series exemplifies the different ways that people experience liking things outside the mainstream. Kota, the everyman protagonist, was picked on by his peers as a child because he carried around a Pom Pom Purin stuffed animal. Yu loves My Melody without shame, but his younger sister finds his hobby disgusting. Ryou is the youngest sibling in a family of older sisters, and fears being pigeonholed into the role of an effeminate younger brother. There’s nothing particularly complicated about any of the guys’ circumstances, but the simple injustices of their situations are laid bare for the audience in a way that I find very relateable. I like to think that most viewers would tend to realize how hurtful bullying someone for their hobbies is (and I imagine there are a lot of anime fans out there who have gotten picked on for being into “weird cartoons”), but the straightforward, sometimes ham-handed way the series insists upon the fact that young men can and do like cutesy characters and merchandise is something some fans may not have thought much about, even considering their own circumstances.

Beyond its central message, the show is pretty light on narrative and hits a lot of trope-y beats that would be at home in any high-school-based anime series. There’s a strong emphasis on friendship and relationship-building between the boys, a sprinkling of dramatic interpersonal conflict, a whole boatload of earnestness (and some dramatic overwork-to-the-point-of-self-destruction) from our main-man Kota, and a school culture festival to tie the entire thing up with a sparkly bow at the end. It also spends some time paying attention to its assumed viewer base (young women, the same individuals who tend to be major consumers of Sanrio products) by not only featuring cute guys being cute together on a regular basis, but also getting those same characters into situations where they hang out together buying merchandise or take on princely personas for the sake of a school theater production. There’s certainly nothing wrong with this; as far as fanservice goes it’s easily some of the more innocuous I’ve seen lately. It does distract a bit from what I see as an atypically good toy commercial disguised as an average anime series.

It’s a fun day at Sanrio Puroland.

The commercialized bits of the series are admittedly pretty entertaining and mostly forgivable. The boys go shopping for Sanrio toys and merchandise on a regular basis (naturally) and those bits made me long for the days when there was still a Sanrio store at the Mall of America (I’m probably showing my age by saying that). They also make a big mid-series trip to Sanrio Puroland, the Sanrio theme park in Tokyo with costumed characters and themed areas and performances. There’s a particularly ridiculous montage in the episode where the boys wander through all the areas and big attractions, dressing up in costumes and interacting with their favorite characters. It’s pure fanservice in more ways than one, but it’s indulgent rather than trashy – I’ll give it a pass (and be jealous that I’m not in their place). Having seen many more shameless toy commercials disguised as anime in my time, the fact that this series blends the fluff with some fairly substantial character moments is pretty good by me.

Ultimately whether viewers are likely to glean anything from Sanrio Boys’ lessons in subverting gender essentialism will be based on how much they can also tolerate being advertised to and whether they enjoy cute-guy pandering. I happen to be a Sanrio fan who likes shows starring cute guys, but it’s obviously not everyone’s specific cup of tea. I’d argue, though, that those who go in with an open mind will likely come away with something worth more than the price of admission (and some stickers and key chains).

Pros: The show is strongly in favor of people enjoying what they enjoy, gender roles be damned. If you like Sanrio, that’s an added bonus.

Cons: The second half of the series is especially filled with common tropes that stray away from some of the positive messaging in the first half.

Grade: B-

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Anime Reviews Reviews

Anime Review – Laid-Back Camp (Yuru Camp)

Rin enjoys camping by the lakeshore, Mt. Fuji in view. Nadeshiko rides her bike to see Mt. Fuji, too. As the two eat cup noodles together, they behold the beautiful scenery around them. – ANN

Copyright 2018 – C-Station

Streaming: Crunchyroll

Source: Manga

Episodes: 12

Review: This review may contain mild spoilers for the series.

If you’re like me, you’ve long since accepted the fact that “Cute Girls Doing Cute Things” is a perfectly legitimate anime genre. I’ve even seen it abbreviated “CGDCT,” so it’s time to acknowledge that this slice-of-life sub-set is now firmly its own thing and has been for years. As with other genres, it comes with its share of identifiable tropes; these series sometimes have a tendency towards Seinfeldian “nothing actually happens” stories, and many give off an impression of being frothy and insubstantial (if not downright insulting to the intelligence of the audience). This is probably true for a portion of them, but what I find appealing about these shows is the emphasis on friendship and relationship-building between girls, which is often in short supply elsewhere. This isn’t to say that the genre isn’t without its problems, voyeuristic focus on girls’ interactions for the benefit of straight male otaku being the big one, but I think the best of these series do a good job of making it so I can push these concerns to the side for a half hour and appreciate what’s there to enjoy.

Rin sets up her campsite along the lake.

Laid-Back Camp is one of the better examples of this sort of entertainment due to its emphasis on developing the friendship between two characters who are very different from one-another. The story begins as Rin arrives at her campsite alone, and raises her tent in view of the lovely autumn lakeside environment. Her solo camping serenity is interrupted by Nadeshiko, a bubbly girl Rin’s age who accidentally oversleeps on a nearby bench until after sunset. When Rin shows Nadeshiko some hospitality and compassion, Nadeshiko immediately becomes enamored with the camping life. Back at school, she joins an outdoors club and she and the other members start to enjoy group camping. Though Rin goes to their school as well, she prefers not to join the group; while she maintains a friendship with Nadeshiko and occasionally camps with her, she prefers to enjoy the outdoors alone, on her own terms.

Rin and Nadeshiko do a little duo-camping.

What I appreciate about this set up is that it eschews the expected story arc that would likely focus on Rin opening up, becoming friends with the other girls, and learning to favor group dynamics instead of honoring her inherent loner-ism – i.e. fundamentally changing herself to please others. Instead, the series seems much more focused on exploring the positive aspects of both Nadeshiko’s group-oriented style and Rin’s solo-camp adventures while vilifying neither of them or obligating them to alter their personalities for the sake of storytelling. Rin and Nadeshiko fall into a comfortable rhythm of texting one-another photos of their excursions while the series follows them (mostly) individually from place-to-place. This gives off the message that there isn’t just one “right way” to enjoy camping or, by extension, many of life’s other wonderful hobbies. Just like there isn’t just one way to enjoy watching anime (and no one is going to convince me to change my stubborn fandom ways).

I also got a more basic level of enjoyment from the fact that this anime is not just focused on the act of going out camping, but also on the cool equipment available to make camping more comfortable and, more importantly, all of the delicious foods one can prepare while “roughing it” outside. Many years ago, a friend of mine who had spent some time in Japan had me try to guess what the most popular food is for Japanese campers. In the US it tends to be easy things like hot-dogs, granola bars, beans, and other items you can heat up easily with minimal equipment (or eat cold). I was surprised to learn that in Japan curry is popular, with rice cooked in special cookers over the campfire. It seemed counter-intuitive to me, what with the messiness and need for special utensils, but there you go. Laid-Back Camp features curry and more, including meats, fried rice, stews, soups… one of the characters even busts out a camping-specific cook book at one point. It’s no secret that I’m a fan of food-related anime and manga, so this aspect of the show was a welcome surprise (though as far as iyashikei (“healing”) anime go, it’s something that seems to show up in one form or another fairly often, so maybe I shouldn’t have been so surprised!). I’m not sure that I’d actually take any of these recipes on the road, but it is interesting to learn that, yes, cooking and eating fun, somewhat labor-intensive foods outside is something that people do.

 

Through Nadeshiko and the club’s camping adventures, we also get a look at the different types (and price points) of camping gear available, which is fun – watching other people shop for things fulfills a vicarious need in me, and I suspect others might feel the same. I also enjoyed watching the characters learn new skills and techniques through study and experience. Since much of the series takes place during the colder months, there are special considerations as far as sleeping bags, blankets, and ground coverings are concerned, so it was interesting to learn about those things while also getting a realistic look at how much those items cost. The girls all get part-time jobs to help support their hobby, which I thought was a nice touch.

Club members learn how to build a different type of fire.

What I think is the real success of this show, though, was that it was able to get me interested in something I was formerly averse to ever doing – camping. Call me soft, but I have never been a fan of the outdoors. I don’t like mosquitoes, heat/humidity, going days without bathing, smoky campfires… I’m a big wimp who spends most of my time connected to the internet and has an adversarial relationship with the sunlight. Strangely enough, though, watching Rin’s adventures in particular really taught me to recognize the appeal in spending some time disconnected from daily life, enjoying nature. It’s worth noting that camping alone as a woman is probably something more easily-done in Japan than the US; I’d feel fundamentally safer in a place with lower crime, especially if it were overnight in an unsecured sleeping situation. But if I ever make it over there, I might consider it as an option, assuming equipment rental is easy. And again, since the series takes place over the colder months, there are few heat concerns and no insects; it wasn’t until watching this series that I even thought about off-season camping as an option, so it’s encouraging to know that it’s something people can actually do.

Beyond that, this show is just a really pleasant, offbeat pseudo-travelogue that benefits from a naturally gorgeous setting (most of the camping takes place within view of Mount Fuji). The character relationships are healthy and low-pressure, the excursions are varied and soothing, and there’s even some light humor thrown in to keep things upbeat. I think it’s worth noting that viewers who are looking for something high-stakes and exciting are not likely to get past the first couple of episodes; by design this isn’t a high-energy piece with a lot going on. But set opposite something with a lot of action it might serve as a nice way to break up a more “serious” viewing experience. Or, if you’re like me, this is just the type of series that you might prefer when the rest of the world is stressful enough. And heck, if you’re driven to take a break from society for a bit, this might give you some basic skills to do so.

Pros: The show is exceedingly chill. There’s some fun focus on tools and eats. The relationship between the two main characters is positive and encouraging.

Cons: Some viewers may find the show fundamentally boring.

Grade: B+

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Anime Reviews Reviews

Anime Review – How to Keep a Mummy

When high school student Sora Kashiwagi finds himself staring down a mysterious over-sized package sent to him by his self-proclaimed “adventurer” father, the last thing he expects is for it to be opened from the inside by a little mummy so small it can fit in the palm of his hand. – ANN

Copyright (c) 2018 – 8-bit

Streaming: Crunchyroll

Source: Manga

Episodes: 12

Review: This review contains minor plot spoilers for the TV series.

One of my favorite anime series is Natsume’s Book of Friends, which I think is an uncommonly good blend of supernatural fantasy and very sensitive human storytelling. As a fan of Japanese folklore, it’s also an excellent overview of traditional ghosts, spirits, and creatures that are inherently Japanese. But as much as I like Natsume, even I can admit that I’m not always in the mood to process its sometimes heavy story beats dealing with bullying, abusive family situations, and various forms of loss. That’s one of the primary reasons why I found How to Keep a Mummy to be such a pleasant romp. The series takes some of the components that make Natsume compelling and lightens it up to be a more comedic, fluffy distraction. It might not have as much emotional staying power, but it certainly is cute.

One aspect that makes this series a winner is its likeable lead character. From the instant that Mii-kun the mummy’s coffin shows up on his doorstep to the moments when Mii-kun and friends encounter some sort of peril, Sora proves himself to be not only a competent protector, but also a kind and caring friend and parental figure (or pet owner, I suppose?). In an age when many of us – women, men, and non-binary folks alike – are wrestling with the concept and consequences of toxic masculinity in our culture and media, it’s heartening to encounter a character like Sora who’s a teenage boy, caretaker, and friend with a special sensitivity to the world around himself.

Sora and Tazuki are close friends.

Likewise, this isn’t an anime series which banks on stories about characters working out their social hierarchy through brawling, nor is it one where characters spend each episode cutting each-other down with insults. It’s a series that revolves around its main character and his friends opening up to one-another and developing relationships, while confronting personal elements of their lives that have caused them trouble or pain. All three of the side characters have hurdles to overcome, whether it’s Motegi’s relatively benign fear of lizards that’s confronted when a tiny dragon arrives at her home, Daichi’s damaged relationships with his classmates that are the result of nightmares (cured by a friendly Baku), or Tazuki’s traumatic past encounter a mythical creature and the men trying to poach it. Part of me believes that the addition of cute supernatural creatures is somewhat redundant; while all of the character’s troubles are at least partly due to some supernatural element, they’re also real human emotions and interactions that could have mundane causes in a series without a fantasy element. I’m the type of viewer that’s satisfied watching a slice-of-life story in which the main hook is that nice people are nice to one-another and work through their interpersonal conflicts constructively, so don’t necessarily need the cuteness on top.  But as a closet(?) connoisseur of cute, it’s a welcome addition that adds a little extra appeal for those viewers who are less willing to put up with low-conflict fluff entertainment.

Though I enjoyed the series, there were some bits and pieces that left me a bit cold. Sora, being that his father is out of the country, lives with his aunt Kaede. Kaede is clothing model and seems to have some amount of local fame, as other characters find her vaguely recognizable throughout the series. She’s beautiful, but also kind and supportive to Sora and friends… until she takes off her glasses, at which point she turns into a lusty sexpot with designs on her nephew. This “gag” only occurs once with a few additional references to it throughout the series, but it takes a show that I’d otherwise love to recommend to younger viewers or people who are less interested in anime’s overall penchant for goofy sexuality and complicates that recommendation. The trope of women becoming more sexual after they take off their glasses (think “sexy librarian” or “sexy teacher”) is tired and sexist, and in an anime series with really no other adult inclinations it stands out as a particularly poor choice.

Mii-kun just wants to be loved!

There’s also a push in the final two episodes of the series to make it more plot-forward, which felt unnecessary to me. There’s a recurring threat from poachers throughout the series who are on the prowl to collect monster specimens, which comes to a head when Sora and crew are attending a festival. While the provides a climax to the series, it’s also ill-fitting as the poachers never received any development and their actual threat level was questionable. I get that not everyone is satisfied when “nothing really happens,” but emotional climaxes can be just as cathartic as major plot movements, and I think that would have been a more suitable direction to take such a low-stakes show.

I watch anime from a very wide swath of different genres, some of which tend to be intense and/or depressing, so it’s nice to be able to unwind with a pleasant “healing anime” every once-in-a-while. How to Keep a Mummy was one of Winter Season’s great surprises on the front for me; cute, funny, and seemingly arriving out of nowhere to let us revel in an oddball relationship between a boy and his Mummy. I really enjoyed this anime, and if you too appreciate entertainment that, in spite of its flaws, is fundamentally kind, I think you will as well.

Pros: The main character is a good example of a male allowed to have feelings and just be nice to others. The character relationships are very satisfying. Everything is so cute!

Cons: There’s some plot conflict shoehorned into the final few episodes. There’s some sexist humor surrounding Kaede’s character that feels out-of-place.

Grade: B-

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Anime Reviews Reviews

Short Takes – Mob Psycho 100: Reigen the Miraculous Unknown Psychic

Mob’s master Reigen gets the idea to write an autobiography. – ANN

Streaming: Crunchyroll

Episodes: 1

Source:  Manga

Summary: Kagayama Shigeo, aka “Mob,” is one of the most powerful psychic forces in the world. However, Mob is employed by local spiritualist (and thinly-veiled con-man) Arataka Reigen, whose newest money-making scheme involves a novelization of their adventures from his clouded point-of-view.

Review: Fans hoping for a genuine bonus OVA or sequel to the wildly-popular Mob Psycho 100 will likely be disappointed by this special event episode, as it’s mostly a clip show summarizing the events of the anime’s first season. However, with a first-cour as strong as Mob‘s, there’s something to be said for the experience of reliving its best moments distilled into an action-packed and humorous hype-fest for the show’s upcoming second season.

Reigen the Miraculous Unknown Psychic is a retelling of Mob’s adventures through the eyes of Arataka Reigen, who in actuality played a small (but deceptively important) role in the original story. True-to-form, Reigen sees himself as the hero of this tale, and as he dictates his autobiography to Shigeo the recollections are embellished with his presence in situations where he didn’t, in actuality, have an active role. Most of the humor is derived from the absurd visuals of Reigen’s head pasted on Mob’s or Hanazawa’s body, as well as nagging feeling for those of us who are familiar enough with the original series to know that Reigen’s version isn’t quite right.

What’s interesting to note is that, despite Reigen’s puffery, he’s actually the storytelling conduit for the main theme of the series – having a talent doesn’t make one superhuman or above common-sense or responsibility – and this is evident even when he’s stretching the truth about his involvement in defeating the Claw group or mentoring Mob. It’s amusing that we the audience can immediately see the value in his words and mentorship, but Reigen himself seems to place more value on what makes him look good and how he deceives those around him.

I think perhaps the major draw of this event episode is the “big reveal” at the end that a second anime season is currently in production, but those who pay attention to anime news were probably already aware of that since the information had already been posted on the various news outlets. Still, despite the fact that this episode is mostly extraneous, it’s an amusing rehash of a series that could have been just another shounen action joint, but which happily coupled its awesome action animation with a perceptive story about giftedness and bullying. If you haven’t watched Mob lately, it might be worthwhile to check out this abridged (and slightly-altered) version of the show, if only as a pleasant reminder that it manages to hold-up to multiple viewings.

Grade: B-